manifesto draft

Zenia McLeod

Feminist Manifesto

There Was Once

We are NOT damsels in distress, someone that needs to be rescued. Why can’t WE slay our dragons and save the day? The idea that we can’t save our own lives is ridiculous! Women do it every day. We solve our own problems and make our own decisions. We don’t need approval from anyone to do so, we just do. And we’re good at it too, great even!

Who needs Prince Charming anyways? Isn’t anyone tired of that foolish impression of women being a burden, someone that only a man can take care of?! We don’t NEED men. They aren’t our bread and butter. We can raise families on our own, or run businesses and even nations. Who ever says that a leader has to be a man is ignorant to the vast capabilities of a women.

I make a challenge to every women whose ever felt that you couldn’t amount to as much as a man. CHALLENGE EVERYTHING! Don’t just take things the way they are. Ask who, what, where, when, and why, especially why. We could change the status quo, you know. Don’t settle for positions and titles that society has placed on us. We’ve come a long way from just being in the kitchen. There’s so much more we can do, and be. If all women were to embrace this revelation and run with it, how much better off we would be.

*I’m not completed with the draft, I just wanted to know if I was going in the write direction for the manifesto part.*

Loy

Mina Loy, Feminist Manifesto

Women if you want to realize yourselves-you are on the eve of a devastating psychological upheaval-all your pet illusions must be unmasked—the lies of centuries have got to go—are you prepared for the Wrench–? There is no half-measure—NO scratching on the surface of the rubbish heap of tradition, will bring about Reform, the only method is Absolute Demolition

Cease to place your confidence in economic legislation, vise-crusades & uniform education-you are glossing over Reality.

Professional & commercial careers are opening up for you—
Is that all you want?

  • I believe that the main idea here is  to get the females to make their own identity. She encourages women to stand up for what they believe. To know their worth. Loy basically encourages women to go against the male beliefs. Loy believes that women she be on top and ahead of men. She promotes the superior status over men. She also talks about power. And refuses to share the power that females can gain. Loy argues that women should have a different attitude towards sex. Loy’s “Feminist Manifesto” is a way for women to promote the higher status of women, and self improvement.  Her message is to seek expression free of society’s standards is important to both sexes, but her ignorance of men in a sexual and social actions shows Loy’s point of view  to see her fight and argument as better and higher status women. But Loy isolates the men from the world just to make women’s rights to stand out. Loy wants the women to have greater individual rights, freedom and their true identity. She degrades men in every situation to bring out the importamce of female status.

The Yellow Wallpaper & Cottagette

  • “The paint and paper look as if a boys’ school had used it. It is stripped off—the paper—in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life.”

Here the narrator thinks that the wallpaper looks like that boys from school have used it and it not very pleasant to look at.

 

  • “The color is repellent, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight.

It is a dull yet lurid orange in some places, a sickly sulphur tint in others.”

 

Here the narrator describes the paper’s color. She can’t make up on her mind on what the color is. This shows she can be very unreliable at anytime according to her mood.

 

  • I’m getting really fond of the room in spite of the wall-paper. Perhaps BECAUSE of the wall-paper.

 

 

She is not sure of what is causing her rage towards the room. From here on it seems like she can discover something new that can be the reason behind her spite of the room.

 

  • “Open the door, my darling!”

The narrator states that John is a very controlling person. This quotation from the story seems like john is trying to get her to open the door because he is really mad that’s he doesn’t know what is going on, but proceeds to ask nicely.

 

“He is very careful and loving, and hardly lets me stir without special direction.”

The narrator clearly tell us that he is very controlling. He is loving and caring but won/t let things happen any other way but his way.

 

“My brother is also a physician, and also of high standing, and he says the same thing.”

Here as her husband he is also a physician. He wants to treat and believes he can. She rejects and says that his brother would say the same about her as he did.

 

I believe that the “The yellow wallpaper is dystopia because everything is unpleasant to the narrator. There is no peace and is very unpleasant. She is in a bad environment with bad vibes. Where as the “Cottagette” is utopia. Besides all the negative things the husband lets her carry on with what ever she desires. She is in a pleasant environment.

I believe that both stories have a similar setting area. It is just that both characters describe their surroundings very differently. In the yellow wallpaper she is disgusted and annoyed of her surrondings. Malda describes her surrounding as peaceful and exactly the place to be.

 

I think in the “cottagette” Malda is very reliable. She is steady with her thoughts and feelings about certain things. “Before, when I woke up, there was only the clean wood smell of
the house, and then the blessed out-of-doors: now I always felt the call
of the kitchen as soon as I woke. An oil stove will smell a little,
either in or out of the house; and soap, and–well you know if you cook
in a bedroom how it makes the room feel differently? Our house had been
only bedroom and parlor before.”

She expresses how she loves to cook and clean. She expresses her passion to do this through out the story.

 

Margaret Atwood

There Was Once by Margaret Atwood is a retell of the Cinderella. There are two speakers in this story. First which is the story teller and second who keeps correcting the first. The whole story was never told because the second speaker kept interrupting the first speaker. She was trying to tell a story of a girl who lived with her step mother and what not. The second speaker rudely kept interrupting her and forced her to make changes in the way she told her story. She made her use different words simply because the words the first speaker used were too mainstream. First the second speaker didn’t like the word poor. Clearly the two speakers had their own definitions of poor and which were very different from each other. Then she was forced not to use the word beautiful, and when she described in details how the girl looked like she was unable to do that as well. Overweight and front teeth sticking out apparently encouraged anorexia. To a reader when each word is question it either means that the second speaker wants to hear the story their way or doesn.t want to hear the story at all. As far as elements of fiction this piece never got to the plot because of her being questioned to every word she said. The characters have to different personalities. The first speaker who wants to tell her story and get straight to the point. Where the second character is rude and wants to hear what she wants to hear.  The story teller seemed to get annoyed of the second speaker’s changes. Nothing was good enough for her to hear.

Quicksand

At the beginning of the novel Quicksand by Nella Larsen starts with a sentence that would anticipate both the plot and characterization of the novel. The protagonist Helga Crane two year old, an unhappy teacher. Helga a mixed race, her mother was white and her father was black. It seems as a child she was a very lonely person. She has not been able to identify herself as either white or black. Helga is a teacher at Naxos, a wealthy boarding school in the South that educates black children. Helga becomes extremely frustrated with the school’s segregationist race politics.

“… if all Negroes would only take a leaf out of the book of Naxos and conduct themselves in the manner of the Naxos products there would be no race problem, because Naxos Negroes knew what was expected of them. They had good sense and they had good taste. They knew enough to stay in their places, and that, said the preacher, showed good taste. He spoke of his great admiration for the Negro race, no other race in so short a time had made so much progress, but he had urgently besought them to know when and where to stop.” (p. 5-6 )  The white minister tells them that if all black people knew their place like the black people on Naxos, there would be no problems.  This is an example of how judgmental the whites were against the blacks.  Helga is upset and vows to leave Naxos. This shows Helga’s frustration towards the school of segregationist race politics.

 

Quick Sand

The Novel begins at the point in Helga Cranes life when she is a school teacher, She is unhappy with  where she is in lfe. Helga has issues with being comfortable in her setting.  Race and identity had been troubling her since child hood. Helga was outcast-ed by her black side of the family as well as her white side, Helgas mom was white and her dad was black , her father left her mom and her mother remarried to a white man,

Helga does allot of moving around trying to find a place where she fits  Helga finds that when she is around whites she misses being around blacks, and when she is around blacks she misses whites. In the beginning of the story she was a loner, Solitude seems to be her best company. Helga becomes frustrated with not being able to fit in , she is a smart young beautiful woman who struggles with identity

Quicksand: Happiness

Quicksand by Nella Larsen, Helga Crane a young teacher born of a white mother and a black father is the central character. Helga is discontent with her life and has not been able to identify herself as white or black. Helga’s character progresses throughout the story within her thoughts and actions as she searches for happiness.This is shown in the beginning of the story as she works as an educated teacher in an all black school in Naxos, GA. She was very unhappy working at Naxos. Helga’s character evolves as she made the decision to leave her teaching job at Naxos.This meant suppressing her desire for “lovely clothes, and gracious ways of living.” (368)

Helga at first believed positively that Naxos would be a school of uniqueness and innovation. She was greatly please to be a part of this establishment as presented in the story when the narrator states “…at first with the keen joy and zest of those immature people who have dreamed dreams of doing good to their fellow men”.(Larsen, 365) but that wasn’t the case. The school was a showplace to attempt to turn black children into white. She was frustrated with the strict education system for it “hypocrisies and careless cruelties” towards the children of the school. Helga hated the methods of the school and felt “powerless” as stated in the text.

That zest of optimism she felt was blotted out. As stated in the text “Helga’s essentially likable and charming personality was smudged”. (365) Leaving Naxos was a big relieve for her, even though this meant looking for a new job and facing more difficulties as a black and white women. She also struggled with facing what she really wanted, which is happiness.

Helga’s Disdain

In the novel Quicksand by Nella Larsen, the main character is Helga Crane. She is a 23 year-old teacher at a well renowned school in the south for black people. Helga had been teaching there for about 2 years. She had been slowly growing weary of that school, but at this point she reached her limit. The story opened with her desire for silence and solitude, because that day had been horrendous for her. Helga had to sit through a prideful speech made by a white preacher, who made offensive remarks toward black people. This was her breaking point, as seen in this passage, “Sitting there in her room, long hours after, Helga again felt a surge of hot anger and seething resentment. And again it subsided in amazement at the memory of the consider-able applause which had greeted the speaker just before he had asked his God’s blessing upon them. The South. Naxos. Negro education. Suddenly she hated them all.” (6-7)

After hearing those insulting remarks the preacher made to the black students and faculty of Naxos, everyone else applauded. Their acceptance of his words angered Helga greatly. She decided after sitting all night and thinking in her room that she would leave Naxos as soon as possible. She went into the school thinking that this school was a great opportunity for the black race and she wanted to be a part of it. Finally, however, she realized that this school brings no advancement to her race, and may even be oppressing them further. After realizing that she lacks money to travel and the timing is not beneficial to her career, she starts thinking of putting off the departure until the end of the semester in June. This decision weighs on her because she desperately wants to leave. In the end she decides to speak to the principal at least to notify him about her plans. He succeeded for a short while in coaxing her to stay and be a part of the cause to change the school for the better. This lasted a short while, for in the end she told him that she would leave that same afternoon. Helga was in a battle of heart and mind, desire and reason.  She wished to flee but was caught up in realistic obstacles. In the end she made up her mind to go along with her desires.

Sordid

Sordid (adjective)

Definition: marked by baseness or grossness; vile

Source: http://www.merriam-webster.com/dictionary/sordid

Found in: Quicksand by Nella Larsen

Quote: “she hated to admit that money was the most serious difficulty. Knowing full well that it was important, she never the less rebelled at the unalterable truth that it could influence her actions, block her desires. A sordid necessity to be grappled with”

The sordid necessity here describes her feelings about money, she is repulsed by the fact that money in some way controls her.

Still more glossary recommendations

Chapter 4:

375:

  • languid
  • coach (as a mode of transportation Helga would have taken)
  • futility
  • exasperated
  • despondent
  • contrition
  • sordidness
  • dissipation
  • grevious
  • scarifying

376:

  • self-effacement
  • loathsome
  • staccato
  • inane
  • duped
  • repugnance
  • essayed
  • droning
  • croon

377:

  • berth

Chapter 5:

377:

  • seethed
  • uplift (as a social movement)
  • stewing

378:

  • latent
  • ignominy
  • unpremeditated
  • dissociate

379:

  • accosted
  • wont
  • scathingly
  • droll
  • beset
  • elusive
  • eddies
  • tremulous
  • myriad

Chapter 6:

379:

  • fawn-colored

380:

  • interminable
  • bestowed
  • erudite
  • leisure
  • acute

381:

  • obtrusively
  • diffidently
  • perfunctory
  • appraising
  • dear (having to do with cost)
  • whit

382:

  • offishness
  • subsequent
  • augmented
  • hauteur
  • presumptuousness
  • formidable
  • donning

383:

  • oratorical
  • ostensibly

Chapter 7:

383:

  • wellnigh
  • apprehensive
  • astuteness

384:

  • convening
  • unerringly
  • boring (not in the sense of being uninteresting)
  • incredulity

385:

  • turbulent
  • intermingling

386:

  • malice
  • conjured

387:

  • fastidious
  • wistfulness