I posted my Final Illustrations on my portfolio on a gird here:https://seanmedina.myportfolio.com/art
They’re the last two drawings on the grid at the bottom
I posted my Final Illustrations on my portfolio on a gird here:https://seanmedina.myportfolio.com/art
They’re the last two drawings on the grid at the bottom
https://openlab.citytech.cuny.edu/dcofer-eportfolio/2019/04/29/project-3-final/
Narrative Illustration Lectures and Examples
Hello Class, below is a ton of information! Pace yourself. Its all important, but just check out a couple of these posts and Lectures at a time, and then give yourself some time to consider the material before you continue.
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In this multilayered assignment you will reinterpret a classic folk tale or fairy tale through your own creative lens. You will, through the course of the assignment develop characters, setting, and finalize illustrations featuring the same character in two very different settings and situations.
DUE: MAY 21 | Week 15
Final project will be reviewed during Individual In Class 5 minute Presentations
A complete project will include:
Final Art can be made using any combination of traditional drawing / inking skills and digital coloring. Final art must make full use of value and read as a finalized piece of art work. Choosing a limited palate is highly recommended.
BRING A PRINT OF FINAL ART FOR CRITIQUE
GRADING BREAKDOWN:
50 % project grade Submit a PDF PROCESS BOOK guiding us through the project from inception to conclusion.
50 % project grade Submit a publication ready 300 DPI JPEG of Final ART
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Project 2: Editorial Illustration:
For the next project you will be creating an editorial illustration for use to accompany an article in a magazine, printed or online.
The illustration must be created using a limited palate of black, white, and 1 other color and should be made using a combination of traditional drawing / inking skills and digital coloring. Final art should be made to fit the real magazine’s specs. (Approx 9” x12”)
Final work will be judged on the uniqueness, clarity and cleverness of overall the concept, utilization of composition, skillful use of media, use of a full range of value, and of course overall technique.
FINAL LIMITED PALATE COLOR ILLUSTRATION DUE 4/30
HIGHLY RECOMMENDED:
CHECK IN VIA EMAIL ONCE DURING SPRING BREAK. I WILL CHECK AND RESPOND TO EMAIL ON WEDNESDAY 4/24. If you would like feedback you will send your Finished Pencil drawing and your digital value study by that date. A color study by that date is also recommended.
Editorial Illustration Topic: Bullying
https://openlab.citytech.cuny.edu/jsteele-eportfolio/2019/04/16/project-3-pencils/
https://openlab.citytech.cuny.edu/amarte-eportfolio/2019/04/16/amaris-marte-proj-3-concept-sketches/
Link to portfolio
Color is one of the most powerful aspects of making art. Almost everyone who loves to create can remember the childhood excitement generated by a brand new box of crayons!
Everyone has a favorite color, artists and non-artists alike. Our relationship to color is one of the most powerful relationships we have as a species. It is intrinsically connected to how we relate to our world. And so of course it is one of the most powerful aspects to consider when making art.
Color Temperature
Much of our relationship to color is based on instinct. For example, we see colors as warm or cool based on our physical response to them.
Warm things are warm colors (such as fire, the sun, hot coals, and in this case hot food.)
and cool things are cool colors (such as water and ice, which as blue or bluish).
Interestingly warm and cool colors also create a sense of perspective and depth when we look at an image. Warm colors tend to advance towards us, whereas cool colors tend to recede away from us.
In these two images note how early 20th-century illustrator Edmund DuLac uses this trick. In the first image of The Princess and the Pea he creates a sense of incredible height, as the cold blue-purple recedes from the viewer, effectively raising the height of the bed canopy. And in the second one, A Palace of Wonder, a sense of depth is created between the warmth of the interior space and the cold dark outside.
COLOR AND CULTURE
However, a great deal of our reactions to color are not innate, they are in fact cultural. For example Black and Death are associated in many Western cultures, in many Eastern cultures it is associated with white—its direct opposite.
Take a look at this info-graphic. Note how many color associations change, depending on where you are in the world. However also note how HOT and COLD or Color’s Relationship to Temperature do not.
Throughout this module and the next we will look at these basic reactions we all have to color and learn to compose in color effectively. We will build on what we have learned regarding composition, concept, point of view, and value and we will see how we can use these reactions to color to aid us in our ultimate goal, telling a great story through narrative illustration.
However, before we can do that lets be sure we have down the basics.
NEXT STOP: The Color Wheel
https://openlab.citytech.cuny.edu/dcofer-eportfolio/2019/04/16/project-2-three-final-sketches/