Monthly Archives: September 2013

Double Indemnity blog

In light of what we spoke about in class, Double Indemnity surely exhibited all the characteristics of crime, drama and of course a film noir.  To begin, you have the beautiful seductive, the “oh, but I can’t…” vulnerable female who manipulates the male and situation to get her ways. No doubt the femme fatale in the story who leads the “good guy”, not true in every story, astray.  Then you have the male, who of course gets seduced and easily manipulated into doing things he probably would have never thought of doing prior to their meeting. Even though in this particular movie he was not portrayed as he was in the book, he was still vulnerable and easily manipulated. In the book he knew all the protocols, rules and regulation, thus making it seem as if he had thought of committing the crime or falsifying documentations prior to Mrs Dietrichson, Phyllis Nirdlinger in the book version, ever bringing it up to him.  Therefore, showing his shadow is greed as well.

As far as generic conventions and contexts, the story begins by with the protagonist telling us the story himself by recording his confession, and so we are captivated to know what occurs since we do know that a crime has been committed.  As the story progresses, we see the plot is this idea of having to commit a crime, due to greed, by making someone vulnerable. This meaning using the femme fatale to manipulate the male protagonist. Similar to how it occurred in Maltese Falcon when the female used the detective to get what she wanted. Both stories led us to believe that the woman were innocent when in fact it differed. I believe that the femme fatale was Mr. Huff in Double Indemnity since he did the killing and he ended up killing Phyllis when she failed to kill him.  She to me was used by him when things did not go as planned for him and ended up turning himself in. Maltese Falcon was the other way around and the female was turned in.

Overall, for me I truly enjoyed watching Double Indemnity.  The narrative and the plot kept me wondering how things will unfold, even though it was predictable. As I stated before I’m not a fan of black and white films but this movie was actually one I enjoyed watching.

 

Double Indemnity – Femme Fatale

Since we talked mostly about femme fatales in class, I focused mainly on the one introduced in last week’s film, Double Indemnity. We described a femme fatale as being beautiful, one who leads the main character into danger, and feigns naivete or weakness to hide manipulative goals. Phyllis Dietrichson had all of these characters and then some.

In the beginning of the movie, we are introduced to her with nothing on but a bathrobe. She doesn’t try to hide her seductive nature, even with Walter Neff, a stranger, in the house. Later on, she starts making Walter as well as us – the audience – feel for her as she talks about how lonely she is and how worried she is about her husband. Phyllis uses this pity to gain the insurance agent’s trust. When she hints at the idea of a scam to get insurance for her husband without him knowing, Walter catches right on, and leaves, distraught. She, of course, comes back all innocent to apologize and kisses him to regain his trust. The woman knows this agent is her only chance to get what she wants and she cant let him get away that easy. Once she does gain his trust back, she immediately changes her story to say that her husband abuses her, and leaves her alone constantly. Apparently, she cares nothing about him now. When Walter decides to help commit the murder Phyllis agrees with no hesitation; “straight down the line”.

After the crime is successful, Walter becomes more and more paranoid and guilty as time goes on. Deep down he still has a heart and killing someone is eating him up inside. Phyllis, on the other hand, feels no remorse or guilt at all. She goes on just wanting to be with Neff like nothing happened. Eventually when Walter thinks they’re going to get caught, he tells her that they need to pull out and forget the money. Phyllis then completely changes character and drops the innocent, sweet girl act. She becomes conniving, wanted to bring Walter down with her if he doesn’t go through with the original plan. Another man she supposedly “loves” and she’s ready to betray him at the drop of a hat. When Walter finds out about her “meetings” with Nino, he decides to back out and frame them instead. Phyllis hears his plan and points a gun on him. We see that she has grown somewhat attached as she cannot pull the trigger. This makes it even more saddening when he eventually has to shoot her and turn himself in, as we know they both loved eachother by the end.

This shows another great film noir convention as it can create characters that we can feel sorry for but also possess ambiguous qualities. Qualities that we typically relate to the “bad guy”. They can be either the antagonist, protagonist, or both depending on the audience’s view.

Double Indemnity

With already have read the book, I was taken aback from how the movie portrayed the characters and how the overall plot was set up. When reading, I had visualized the characters interactions differently from how they were portrayed within the film. Yet when it comes to comparing the two films that are within the same genre they are more different then the same.

It feels as though The Maltese Falcon is a conventional (or classical) film noire while Double Indemnity plays the role of a more advanced or updated film noire. Maltese Falcon was very traditional, woman comes to Sam (the detective) about a problem then over come by the femme fatale then over comes it and the bad guys are arrested. Double Indemnity produced the “detective” characteristic but it wasn’t within a major lead of the story line, it was within a supporting character that made a significant impact on how Walter acted and moved. he based his actions off of Keyes which isn’t typical. He stopped thinking for himself and instead began to think for Phyllis, and was ultimately defeated by the femme fatale unlike Sam.

Camera angles also caught my attention between the two movies. In The Maltese Falcon the camera was often pointing upward of Sam to show (which I interpreted as) power, whereas in Double Indemnity the camera was always down onto (him) or directly face to face with Walter which showed weakness.

 

Double Identify

Well its pretty obvious that Phyllis is the Femme Fatale to this movie, which we defined as a beautiful character that leads the main character into danger. Which would be Walter. Walter was just a car insurance sales man who never thought about harming a man (or so I hope not) until he met her.

While watching the play I mainly focused on the character, dialogue and theme/ genre convention. With the characters I made note on how each character started acted throughout the movie, how certain events in the movie made the character act a certain way or change their tone, or something they did. I know characters take full part in movies because it allows the audience to guess what kind of things might happen at the end of the movie even before seeing it. Dialogue is used between the characters, like when Phyllis and Walter had conversations alone you could tell by what she said after a period of time that she was just a manipulator and could care less about Walter, and just about the money. Just like in The Maltese Falcon the stories carried the same theme/ genre convention about some sort of power, and money being a main target to the characters. 

Double Indemnity – film

                After watching the films Double Indemnity and The Maltese Falcon some notable differences can be seen between the two.  While they both are set within a genre some of the specific conventions within each vary.  The Maltese Falcon can be seen as a standard in the genre while Double Indemnity is fixed around the idea of the genre and twisted to use certain attributes of the genre.  While they are set in the genre some noticeable differences can be seen, one of which can specifically be seen in the characters of The Detective.  They both may be crafted around the idea of the characteristics of the standard Detective but the two are different for numerous reasons while still being conceived as similar.

                As discussed in class we started to speak of the ideas formed around a protagonist.  In The Maltese Falcon Sam Spade is that character and in Double Indemnity it is Walter Neff.  In The Maltese Falcon Sam Spade is a standard detective, which gives off a certain standard tone while in Double Indemnity Walter Neff is an insurance salesman which gives off a different perspective while applying the idea of The Detective to him.  In Double Indemnity since Walter Neff is not associated to the complete lifestyle of The Detective this then leads to different actions and outcomes.  Compared to Sam Spade Walter Neff does far worst things to achieve goals he has set in his agenda.  Sam Spade only did certain actions near the end of The Maltese Falcon so he could try to stay ahead of the game or even just stay in the game while Walter Neff can almost been seen as somewhat of an evil force to some extent.  They are both similar in being taken over by a Femme Fatale, though in the case of Neff it is much more extreme.  Some other similarities that can be seen between the two characters is that they both operate under a certain code and are seen as forces of unknown outcomes in the sense that the audience doesn’t know how far they will go to get what they are trying to achieve.  This is how the code they follow varies depending on the characteristics they instill.

                The two films in terms of narrative approach vary heavily, as in Double Indemnity is set to flashbacks while The Maltese Falcon is linear storytelling.  These two tactics influence a story in many different ways.  Even while we saw Walter Neff recording his statement we did not know he would die at the end.  If The Maltese Falcon was set to flashbacks the film would be much different. By having the flashbacks the audience gets a little extra insight into the character while seeing the events that happened unfold.

The Maltese Falcon

The film The Maltese Falcon is a classic black and white movie containing many different genre conventions. This film displays varying aspects of the male as well as the female character. In this movie we can see how femininity is portrayed in contrast to masculinity. This film explores ideas of the detective genre, by having the main character Sam Spade, take us through many mysteries awaiting to be discover. The constant mystery of “who did it” that surrounded the movie made it very interesting and intriguing to the point where I had forgotten that I was watching a black and white film.

Sam Spade the main male character is portrayed as a smart, sneaky, and clever. He is seen in my eyes as the character that people usually sympathize with and cheers for, in other words he is the hero of the story.
In the other hand Brigid, the female lead is portrayed as a deceitful, selfish woman who pretends to be weak and hopeless to get her way. She likes to play games and manipulate the male characters (mainly Sam).
Effie, Sam’s assistant is portrayed as a strong female character because she’s often surrounded by males.
Iva who was Miles wife was portrayed as I would called “the classic female character” of the 20’s-40’s. She’s beautiful, lady like and weak.

One thing I noticed about the film is that the female characters are constantly being distracted by the male characters.

Class Notes – 9/12/13

Femme Fatale
— beautiful
— leads main character into danger
— feigns naivete to hide her manipulative goals
— could end up betraying the main character for the antagonist
— but she may grow attached to the main character
— usually appears out of nowhere

protagonist – antagonist
ambiguity
shadows

Analyzing Film and literature

Formal Elements
Film
lighting
Sounds
Background Music
Wardrobe
Colors / visual palette
set
camera angle
Visual effects
Setting — e.g. Weather
Camera movement — zooming in and zooming
— how, as the audience, our perspective is framed by the film

Generic Conventions

Narrative
plot
dialogue
character
setting
theme/motif
symbolism
figures of speech – metaphor/simile
style
genre
abstract concepts – masculinity, free will

Contexts
— Political context
— historical context
— cultural context
— economic context
— religious context
— artistic/literary context

Authors
biography
history of other works

The Maltese Falcon

In the film “The Maltese Falcon” I would consider your typical mystery film but very different compared to the mystery films now these days. I felt that throughout the scenes it had played different genre conventions, whether it was between a character or a scene.

One of the main characters Sam Spade is a tough, know it all character, but also shows he has trouble trusting others than his secretary The detective Sam Spade is more like the aggressive type, one who is willing to go over and beyond his way to get what he wants. Along side with the female it shows how persuasive she is towards the detective by her ways to get what she wants and how’s things should get done. Within the law Sam Spade is also on the police radar due to the death of his partner detective Miles Archer, he is seen as a suspect.

Within all of the characters they all seem to play on both sides, where your ask yourself can they be trusted or who are they really trusting and who side are they really on. Throughout these scenes where you see characters running to one person and later running to the other is where you see the conventions occur. In conclusion when you are seeing these conventions occur you ask yourself what is going to happen or will the character make the right decision.

 

 

 

Writing Assignment: The Maltese Falcon Conventions and Shadow Play

I was never a fan of film noir or “black and white” films as I referred to them, in fact, I don’t think I’ve ever gotten through the first ten minutes of one before “The Maltese Falcon”. I’ve also never considered the word “convention” when thinking about a movie. However, after Professor Gold’s explanation of the genre, the definition of conventions and the ones associated with film noir I was able to spot a few which were familiar, as they are still used in later movies.
The plot of “The Maltese Falcon” follows the detective mystery formula with every scene. It features a cocky, self-assured detective with a healthy appetite for the attention of his female counterparts; he flies in the face of authority while treading the line very skillfully. He masks his fears with bravado and sarcasm and pats himself on the back after taunting the police and antagonizing the criminals. Throughout the movie it was difficult to discern whether or not he was going to allow himself to be bested by the femme fatale, a manipulative female who uses her feminine wiles, even feigning stupidity and weakness to have her way. However in the end he does the right thing by solving the crime, turning in all the criminals including his love interest.
The shadow play aspect of the movie was obvious in the opening scene, the name of the detective agency casted a shadow on the office floor. The lighting was done to show the shadows and movement of each character on screen giving depth to the shady theme and storyline of the movie.