READING Assignment : Hey Whipple, Squeeze This – Chapters 4 & 5

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1. 1.What are some specific techniques from Chapter 4 to help overcome creative blocks? How might these methods apply to your own creative or academic work? Pose the problem as a question, problem solve your advertising issue think of yourself as the viewer and what would you want to see when viewing ads. Also avoid style focus on substance make sure your ad is the meat and potatoes of your project and not just a fad because fads come and go. Make sure you get your ideas on paper and scrap what’s not A-tier work and focus on the good ideas.

   2.Common Pitfalls in Copywriting: Chapter 5 highlights pitfalls often encountered in copywriting. Choose an ad you admire and analyze it in light of these pitfalls. Does it successfully avoid them?

   I chose the Avis ad. I don’t think it made a good ad the photo was small and not even a car the ad was too wordy and their logo was unavailable. Using the “kill off the weak sister idea” the ad was missing a lot yeah it left a message but it wasn’t a great described message. Next time put a car in the ad since that’s what you market, make the ad shorter and surely add the logo. This ad falls under forcing cleverness and makes the reader struggle to find out exactly what is the message being displayed.it was pre-rambled.

   3.Balancing Originality and Clarity:

   How does the author suggest balancing originality with clarity in advertising? Why is this balance particularly important in today’s media landscape?   1.The communication has to be precise in today’s society don’t over complicate the message or make it where it has hidden messages people will just skip pass it and go on to the next thing due too the inability to understand.  2.The author Luke explains that balance is very important with the way media is today its quicker and faster and is digested at a pace where you need a jingle or one liner to remember it before the people viewing forgets it. With so much ads being put in front of us daily it is essentially important that the information is coded so it subliminally stays with you.

   4.Storytelling in Copy:

   Explain how storytelling contributes to effective copywriting, as discussed in Chapter 5. Provide an example of an ad where storytelling is used effectively? I personally enjoy the ad from “THE ECONOMIST” on page 93 that says “ITS LONELY AT THE TOP, BUT HEY AT LEAST THERES SOMETHING TO READ”. The reason I like thesis because being the economist is a finance magazine it already has a following of business minded individuals that can adhere to the message and its clear and concise.

   5.Avoiding Burnout:

   1. Chapter 4 offers advice on maintaining creativity without burning out. Reflect on a time you faced burnout and discuss how these strategies might have helped you avoid it? Well on some projects I waited to the last minute to complete it and was fully bombarded with second guesses and other issues and didn’t make the right choices on what I should’ve done due to timing. Here is a example I was supposed to put together a body of work and I thought that making a joke in the headlines would make people laugh and pull them in to my assignment it backfired and the people didn’t get what I was trying to say and I had to redo the whole assignment. Being that “trying to be funny is a subset and isn’t a language” I didn’t properly pull people into what I was saying because I was burned out after trying to cram ideas at the very last moment.

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2. Question 1. Creative Block Techniques: What are some specific techniques from Chapter 4 to help overcome creative blocks? How might these methods apply to your own creative or academic work?

   Some techniques suggested in Chapter 4 to overcome creative blocks are: 

   Sudden Cessation of Stupidity: This concept encourages you to write down the most straightforward, basic truth about your product without trying to be clever or fancy. This can often be the most impactful message. 

   Write everything down: Don’t hold back on ideas, even if they seem silly at first. Just keep writing to get the creative juices flowing. 

   Don’t settle for -er, go for -est: When describing your product, use the strongest adjective possible to make it stand out in the consumer’s mind. 

   Pretend you’re the customer: Try to see your product from the perspective of the consumer to understand their needs and desires better. 

   Think outside the box: Deliberately look for unusual angles or unexpected connections to generate new ideas. 

   Challenge assumptions: Question the standard way of thinking about your product to discover fresh possibilities. 

   This can be helpful to me because creative blocks are a natural part of life of a creative. These are some excellent techniques that can help break you out of that rut when it inevitably happens.

   Question 2: Common Pitfalls in Copywriting: Chapter 5 highlights pitfalls often encountered in copywriting. Choose an ad you admire and analyze it in light of these pitfalls. Does it successfully avoid them?

   An ad I admire right now is a VW print ad that shows a cyclist who crashed into a tree, which set off a chain reaction of knocking a beehive down, which sent bees chasing after him, which sent him running to a pond to jump in to escape the bees, but he doesn’t see alligators are awaiting his arrival in the pond. The ad is meant to highlight VW’s Automatic Post-Collision Braking System which is designed to stop you after a collision. The headline says “ONE ACCIDENT IS ENOUGH” and the subhead says “Stop the chain with the Automatic Post-Collision Braking System.”

   A common pitfall this avoids is showing what you’re saying or saying what you’re showing. If your visual is a clever sort of image that’s doing most of the work in delivering the message, let the headline quietly clean up the work left to it. This ad successfully does that with the simple headline that gets the message across without explaining the image.

   Question 3: Balancing Originality and Clarity: How does the author suggest balancing originality with clarity in advertising? Why is this balance particularly important in today’s media landscape?

   Prioritize clarity first: The most creative ad is useless if the audience doesn’t grasp the core message; always ensure the main selling point is clear and easily identifiable. 

   Don’t be afraid to be different, but within reason: While standing out from competitors is important, don’t sacrifice clarity for novelty by using overly complex language or obscure metaphors. 

   Find the sweet spot: Strive for a balance where your creative approach enhances the message, making it memorable without confusing the audience. 

   Storytelling as a tool: Use storytelling elements to engage the audience while still delivering a clear message about the product or service. 

   Consider the target audience: Tailor your level of creativity to the specific audience, understanding their expectations and how they might interpret your message. 

   This is important in todays media landscape because media is faster, more direct, and more readily accessible so with so much media vying for your audience’s attention you have to make sure that your messaging doesn’t get lost in the crowd and one easy way to have your message get lost in the crowd is to make it unclear to the audience simply because you overcomplicated things.

   Question 4: Storytelling in Copy: Explain how storytelling contributes to effective copywriting, as discussed in Chapter 5. Provide an example of an ad where storytelling is used effectively. 

   Storytelling contributes to effective copywriting because it engages the audience and allows the brand to connect with them on a deeper emotional level. It makes the message more memorable and persuasive by tapping into human experiences and creating a sense of relatability, encouraging the reader to do whatever call to action is mentioned. Stories stick in people’s minds better than plain facts or statistics. 

   A classic example of an ad that effectively uses storytelling is the “Like Mike” Gatorade commercial, which features Michael Jordan playing basketball with children and subtly suggests that drinking Gatorade allows you to play “like Mike”, telling a relatable story with a strong emotional connection to the product through the iconic athlete. 

   Question 4: Avoiding Burnout: Chapter 4 offers advice on maintaining creativity without burning out. Reflect on a time you faced burnout and discuss how these strategies might have helped you avoid it.

   One of the methods suggested in Chapter 4 for avoiding burnout is taking breaks and recharging. Taking time off could help me avoid burnout by giving me a rest and allowing for fresh perspectives when returning to work.

   Another is learning how to say no. He suggests we learn to politely decline additional work when our plate is already full. This could help me by avoid burnout by preventing overextension and stress.

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3. 1. After reading chapter 4 there were mentions of many ways to overcome creative blocks. One way to overcome these obstacles is by asking “What if” questions. This strategy works because it pushes creatives to question what they think about the product, brand, or challenge and transform them in unexpected ways. We notice this when the author says, “What if it were bigger? Smaller? On fire? What if you gave it legs? Or a brain? What if you put a door in it?…” As a communications design student, using this method could mean imagining a project in a different way, such as in video editing, playing with sequences such as starting a film in the middle of a story which could lead to new creative ideas.
   2. I chose Nike’s “You Can’t Stop Us” commercial avoids all of the pitfalls in Chapter 5. Its simple message, and focus on common trends make it successful. The images and voice make a engaging story that connects with the viewer and represents Nike’s brand. Its call to action promotes toughness and unity, showing that Nike stands for more than just sports gear.
   3. The author believes that originality and clarity must work together to make ads both unforgettable and successful. For example, in Chapter 4, the book looks at strategies that gave unique ideas while staying true to the brand’s message, such as Volkswagen’s “Think Small,” which used a clever, creative way to show the car’s small size. The ad was direct and straightforward about it. It points out that imagination or creative thinking could build on the main idea.
   4. In Chapter 5, storytelling is shown as a way to contribute to great copywriting by including products into a deeper, memorable scenario. I believe the Google’s “Year in Search” shows how a story may improve a brand by making heartfelt moments to engage its audience. Brands might use storytelling to build stronger connections and stand out in today’s competitive advertising scene.
   5. There was a semester that I felt burnt out while trying to finish multiple projects with the deadlines approaching soon and I just so felt drained, had a hard time focusing, and my work quality suffered. I usually worked late into the nigh, convinced that pushing through would help (it didnt). If I had taken planned breaks, I could have regained my energy and handled the projects with a clearer mind.

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