The 2020 Literary Arts Festival Writing Competition is open for submissions. The deadline is March 1st, 2020. You can submit your work here: https://openlab.citytech.cuny.edu/literaryartsfestival/submission-guidelines/LAF Competition-Spring2020
Submissions are now open for the 2020 City Tech Literary Arts Festival Writing Competition. The deadline for submissions is March 1st, 2020.
Submission Guidelines and Instructions are available here.
Winners will be announced by the end of March 2020.
Please save the date for the 39th Annual City Tech Literary Arts Festival on April 2nd, 2020 from 5:30 to 7:30 at the New Academic Complex Theater at 285 Jay Street.
Submissions for the LAF Writing Competition are now closed. Winners will be notified in April.LAF Competition
The LAF Writing Competition for 2018 is open for submissions! Look for the Writing Competition page at the top of this site or link here to our Writing Contest Guidelines.
This year’s Literary Arts Festival with Mary Gaitskill gets showcased in the Brooklyn Eagle! We’re looking forward to seeing everyone there this Thursday…..
The LAF Writing Competition Deadline has been extended to February 29! Submit your work soon for a chance at City Tech notoriety, cash prizes, and a chance to win at our Festival on March 24th. There are many categories:
- Adolphus Lee Poetry Award
- Charles Matusik Fiction Award
- Lou Rivers Drama Award
- Graphic Text Award
- Alan Kay Literary Criticism Award
- Judith Walter Personal Essay Award
- Laura Polla Scanlon Award for Best Essay on New York
- Michele Forsten Advocacy Award
- Charles Hirsch Faculty and Staff Award
Submit contest entries to
Indicate in the header of the email the category being entered:
Please join us for the Literature Round Table as students and faculty discuss the works of Mary Gaitskill. Classes throughout City Tech have been reading Gaitskill works including The Mare. “Lost Cat,” “The Other Place,” and “The Arms and Legs of the Lake.” Gaitskill has generously agreed to participate in “Five Questions with Mary Gaitskill.” Students will submit questions in advance. Her answers will be read out loud at the Roundtable. The Roundtable is organized by Professors Renata Ferdinand and Ruth Garcia.
LAF Literature Roundtable
March 21, 11:30-12:45 p.m.
Atrium Building, Ground floor
Free and open to City Tech students, staff, and faculty.
Mary Gaitskill has written three books of short stories and three novels including the widely acclaimed Veronica and Bad Behavior. Her writing is recognized for its exacting prose style and sensitive explorations of human relationships and failings, with an eye toward physical interactions, violence, obsession, and desire. Her new novel, The Mare, explores contemporary class, race, and the complex politics of “giving” through the story of a young Dominican girl from Brooklyn who comes to live with a couple in upstate New York through the controversial Fresh Air Fund and how all of their lives are changed. She’ll read at our Literary Arts Festival on March 24, 2016. For more information on Mary Gaitskill, visit her Wikipedia page.
If you have a Twitter account, please consider tweeting about your experience at tonight’s Literary Arts Festival. You can use the hashtag #LAF15, or #DinawMengestu more generally, or mention our Twitter handle, @CityTechLitFest. Not yet comfortable live-tweeting? Follow along by reading the #LAF15 tweets! Let’s share with the larger community the experience of participating in the Literary Arts Festival!
The Literary Arts Festival is quickly approaching–soon we’ll get a countdown clock for the writing competition and for the festival itself. In canse you haven’t already heard, Dinaw Mengestu will be headlining this year’s festival!
Prof. Rob Ostrem, one of the Festival Directors, shares this extensive list of Mengestu’s writing:
“The Paper Revolution” (an excerpt from All Our Names), The New Yorker
“An Honest Exit” (an excerpt How to Read the Air), The New Yorker
“My Personal Greek Myth,” The Wall Street Journal
“Addis Ababa, 1977” Harpers (only for those who subscribe)
All Our Names (2014)
“All Our Names is the story of two young men who come of age during an African revolution, drawn from the safe confines of the university campus into the intensifying clamor of the streets outside. But as the line between idealism and violence becomes
increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom.” (Amazon)
See also the New York Times review of All Our Names, by Malcolm Jones
How to Read the Air (2011)
From the Los Angeles Times
November 05, 2010 by Carolyn Kellogg
“A narrator provides an intimate account of his immigrant parents’ journey in the U.S.
Dinaw Mengestu’s “How to Read the Air” opens audaciously — the unnamed narrator writes of his parents with impossible intimacy. He knows what his mother thinks as she stands before a mirror a year before he is born, what she hears in the middle of the night, what she feels when his father’s breath touches her neck. This is, of course, the project of fiction — the full imagining, the stretch of empathy — but it is notable that this story is not simply told, but told by her son.
That son, Jonas, is 30, trying to understand his own failed marriage through the lens of his parents’. He follows the path of a road trip they took through America’s heartland as recent African immigrants; his story and theirs alternate chapters. Always, though, it is clear that Jonas is doing the telling.
‘This is how I like to picture him, whether it’s accurate or not,” he imagines his father. “A man standing underneath, or perhaps even across from, a row of trees in search of a home on a summer night. If he was ever happy here, and I doubt he was, it would have been on that evening, which I’ve only just now invented for him…. Regardless, history sometimes deserves a little revision, if not for the sake of the dead then at least for ourselves.’”
The Beautiful Things That Heaven Bears (2008)
“The Beautiful Things That Heaven Bears, is the debut novel of Ethiopian author Dinaw Mengestu. Published in 2007 by the Penguin Group the novel focuses on the life of Sepha Stephanos, an Ethiopian immigrant living in Washington, D.C. after fleeing his country’s revolution seventeen years earlier. Running a failing grocery store he ruminates on the past as he faces his own inward crisis of displacement and identity while simultaneously marveling at the gentrification of his neighborhood. This book took close to four years to write and Mengestu spent the better part of a year reviewing it. The original version of this novel was published in the UK as “Children of the Revolution”. The name was changed by the publishers before being published in the US because they didn’t want the book to sound political.” (Wiki)