Copyright workshop, 11/3/17, 12-1:30 PM

Copyright for Teaching, Scholarship, and OER FlyerWe’re doing a brand new workshop for faculty this Friday, November 3, Copyright for Teaching, Open Educational Resources and Scholarship!
Is it ethical to post an article to Blackboard if it’s not available online? Should you sign a restrictive author agreement with a publisher? Is it legal to show students a film in class?
As part of teaching and scholarly practices, we routinely confront (or ignore) the challenges introduced by copyright. This workshop will demystify copyright misconceptions and introduce practical solutions for the common copyright challenges you confront as a teacher and scholar.

Where: Library Modular Learning Space, A543
When: Friday, Nov. 3, 12:00-1:30 pm

Open to faculty. RSVP to Prof. Monica Berger, mberger@citytech.cuny.edu

Why Be Open Access? City Tech’s Sean Scanlan Shares His Story

 
nano-screengrabIt’s Open Access Week 2015 and we’re highlighting City Tech’s own Open Access journal, NANO: New American Notes Online http://www.nanocrit.com/. NANO‘s mission is to “invigorate humanities discourse by publishing brief, peer-reviewed reports with a fast turnaround enabled by new technologies.” Issues are themed and articles often incorporate multimedia. Sean Scanlan, English Department, is NANO‘s founder and editor. We recently asked Sean to tell us more about NANO.
Monica Berger: Why specifically did you choose to make NANO an open access journal? I read your Open Access Statement, but please tell us more about how you and others involved in the creation of the journal reached this place.
Sean Scanlan: Thank you for inviting me to share my ideas on Open Access and academic journals. My journal was conceived to be Open Access from the beginning and I’d like to tell that story now.
In 1997, when I was getting my Master’s degree in English at the University of Missouri St. Louis, I applied to go to a critical theory conference at Cornell University. I met people from all over the world, and one of my friends, Thomas, was from Kerala, India, and he was the most excited person I’ve ever met to be at a literary conference. The reason that he was so excited was that his travels and commitment to come to New York relied upon a funding operation that exceeded the usual travel funds of his university by an enormous factor. Simply put: everybody he knew had contributed to his arrival at Cornell.
But I didn’t understand the core issue of what scholarly access meant until Thomas and I talked about libraries. During our down time, we often visited the main library at Cornell. It was a thing to marvel at—nearly 8 million volumes. Many times he said to me: there is nothing I could not accomplish with such a library at my home institution. And now, after seeing this, I feel that there is nothing I can accomplish back in Kerala.
“Why is that?” I asked.
“Because I have to compete to get my work published in US journals against scholars who have access to all this.”
Even though I was in the US, it hit me that my small state university had a small fraction of Cornell’s holdings, and so I too would face such access problems. I’ve talked to many colleagues who have shared a story or two about not getting at a vital piece of research due to access. I realized that the institution of the academy, an institution that I thought was ethical and open to all had a dirty secret: it had good qualities but it was grossly unequal. Scholars should not be limited to their small research holdings, they should not be constrained even by small consortiums of libraries, they should be able to access world-class holdings.
In addition to Thomas’s story, I want to add an idea I gleaned from the legal scholar Eben Moglen, who has written about intellectual property and sharing. He argues that potential Shakespeares and Einsteins of the world should not suffer because of a lack of scholarly resources—but as of now, they do. Why? Because rules that protect intellectual property have been contorted to protect not the thinker, but the employer of the thinker.  Intellectual property rights now are ways to provide funding streams to publishers who want to not only cover their costs, but also provide shareholder returns. If universities were selling sneakers, then perhaps such a profit model would be ethical, but education is not sneaker selling, especially not public university education.
In fact, the public university has an ethical obligation to make, at the very least, some of the research it produces available for no cost to the public. This is not only ethical, it will help bring in new students, new teachers, and even more funding. Sharing scholarly information is the way that new scholarship is enabled, and the result of newest, best ideas will be growth in a following of eager students and eager faculty. And following them will be increased resources. This happens all the time, look at those research institutions that have promoted cognitive neuroscience or digital humanities.
Open Access is an idea accelerator and impact accelerator, thus, it is resource generator, only certain factions cannot see this very positive event horizon.
The last part of this longish answer borrows from a blog post by Daniel Cohen who writes about Digital Humanities and the cost of publishing online. He says the Social Contract of Scholarly Publishing is what happens between authors, editors, and readers. This contract says that readers will read published work if they know that the manuscript has minimal errors, that the footnotes are accurate, that the fonts and navigation systems are clear and high quality. But does it matter if it is printed on paper, if the book is hardcover, if the imprint has grudging respect? I want to propose the idea of the Public University Social Contract. Such a contract improves the supply side of Cohen’s metaphor by putting more into the editing and less into the prestige of paper and bindings, more into the fast turnaround of publishing—and less into the cues of name-brands. The Public University Social Contract would state that publishing means sharing above all else—not as money-loser, but the complete opposite: as a way to enhance the missions of educate and improve knowledge, validate, build-upon, and propagate conversations and collegial bonds: in short to build trust among a vastly larger network of scholars, thereby gaining the respect of the world, so that Thomas can cite a vast number of articles and books, and so that Thomas’s work can, in turn, get cited by scholars at City Tech and beyond.

Faculty/Staff Workshop: Open Access For the Arts

Come enjoy wine & cheese with your colleagues at our Open Access Happy Hour!
Using or producing creative works online requires artists and scholars to work with a nuanced (and
complicated) copyright, license, and use guidelines. Find out ways to use public domain
and open access resources in your creative work, and how to protect the rights of artists
in online environments.
Our workshop will be held on Thursday October 24, 4:00-5:30pm in the Faculty Lounge, Atrium 632. RSVP to Prof. Bronwen Densmore at bdensmore@citytech.cuny.edu.
This workshop is being offered as a part of Open Access Week (October 21-27). For more information about open access publishing visit http://openaccess.commons.gc.cuny.edu/.
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Faculty/Staff Workshop: What Are the Problems with Textbooks?

Why do students sometimes resist buying and reading textbooks? How is the landscape of textbook publishing changing, and how can we take advantage of new strategies and platforms to ensure that our students have access to high quality curricular materials? Come to this Open Access Week workshop to learn more about open educational resources! You’ll hear from faculty across the college who use these materials in their courses, and learn more about library resources and support for open educational materials.
Our workshop will be held on Wednesday October 23, 1-2pm in the Faculty Commons, Namm 227. RSVP to Prof. Maura Smale at msmale@citytech.cuny.edu.
This workshop is being offered as a part of Open Access Week (October 21-27). For more information about open access publishing visit http://openaccess.commons.gc.cuny.edu/.
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Workshop Materials: Understanding Your Rights as an Author

If you couldn’t make it to our faculty workshop on Understanding and Protecting Your Rights as an Author during Open Access Week, never fear! Here’s a copy of our handout and presentation for you to share, use, and remix as you’d like.
Presentation
Handout
If you have any questions, please don’t hesitate to ask a librarian! We’re happy to help with any and all questions about open access publishing and strategies for keeping your rights as an author.

Faculty Workshop: Understanding and Protecting Your Rights as an Author

Happy Open Access Week! In celebration of this annual, international event, The City Tech Library, in partnership with the Faculty Commons for Teaching, Learning, and Scholarship, is pleased to invite all faculty and staff to a program:
You Know What You Write, But Do You Know Your Rights?
Understanding and Protecting Your Rights as an Author

When you publish a journal article, you sign a copyright agreement. Do you know what you’re agreeing to when you sign it? How can you find out a journal’s policy? How can you negotiate your contract to make the most of your rights as a scholar, researcher, and author?
Come enjoy wine & cheese with your colleagues at our Open Access Happy Hour and learn how to preserve your rights to reproduce, distribute, and display the work you create.
WHEN: Tuesday, October 23, from 5:30-7pm
WHERE: Rm A632, Faculty Lounge, City Tech
Space is limited! RSVP to Maura Smale at msmale@citytech.cuny.edu.

You Know What You Write, But Do You Know Your Rights?

The City Tech Library, in partnership with the Faculty Commons for Teaching, Learning, and Scholarship, is pleased to announce a workshop in celebration of Open Access Week!
You Know What You Write, But Do You Know Your Rights?
Understanding and Protecting Your Rights as an Author

When you publish a journal article, you sign a copyright agreement. Do you know what you’re agreeing to when you sign it? How can you find out a journal’s policy? How can you negotiate your contract to make the most of your rights as a scholar, researcher, and author? Come enjoy wine & cheese with your colleagues at our Open Access Happy Hour and learn how to preserve your rights to reproduce, distribute, and display the work you create.
WHEN: Tuesday, October 23, from 5:30-7pm
WHERE: Rm A632, Faculty Lounge, City Tech
Space is limited! RSVP to Maura Smale at msmale@citytech.cuny.edu.

Are Scholarly Journal Prices Too Scary?

What’s so spooky about today’s scholarly journal prices?
Take our open access quiz to find out what is scaring librarians and might scare you too!
In support of Open Access Week (October 24-30), our colleagues at the Brooklyn College Library created a Halloween-themed quiz about journal pricing.
The Open Access “Pretty Scary” Quiz is ready, don’t be scared to take it, or share it!
http://openaccess.commons.gc.cuny.edu/oa-quiz/

Mark Your Calendars for Open Access Week

It’s still a few weeks away, but the City Tech Library is already getting ready for International Open Access Week. Please save the date for two great faculty workshops we have planned:
Using Open Educational Materials in Your Courses
Tuesday, October 25, 2011
3:30-5:00pm
Rm A543, City Tech Library (Atrium Building)
High-quality open access curricular materials are increasingly available online, and can provide an alternative to traditionally-published, high-priced textbooks. In this workshop we’ll discuss strategies for incorporating freely-available open access and public domain resources into your courses. Bring your syllabus or assignment and we will work together to add resources to your course website on Blackboard, the City Tech OpenLab, or other online platforms.
Coffee & cookies will be served.
Open Access Happy Hour: Your Rights as an Author
Wednesday, October 26, 2011
5:30-7:00pm
Rm A632, Faculty Lounge (Atrium Building)
You know what you write, but do you know your rights? Copyright is a bundle of rights that apply to work you produce in any medium. How can you choose a publisher and negotiate your contracts to make the most of your rights as a scholar, researcher, author, and creator? Come enjoy wine & cheese with your colleagues and learn how to preserve your rights to reproduce, distribute, and display the work you create.