Session 16 Follow-Up Notes

Writers,

There is no discussion board for today’s class session, but hold onto stories you’ve begun as we will discuss the Fiction Assignment in class on Thursday. Also keep your notes on today’s discussion of flash fiction as two of the stories we read (“Miracles” and “Sticks”) will be on the quiz. A couple of the questions I asked today were directly from the quiz which will be conducted on Blackboard as it was last time.

Stories  considered today are in our online course files:

Also remember, if you are concerned about having enough material to start working on your fiction assignment, you can use these prompts to get a bit more work down: Writer’s Notebook Prompts for Fiction

Remember, the writer’s notebook prompts are not assignments; they are aids to keep you writing.

See you in class on Thursday,
Prof. Sears

ENG 1141: Discussion Board Notes (Exploring Dialogue and Point of View)

Writers,

I’ll see you soon in class, but while reading through the dialogues on our class discussion board, I have seen a growth character development and creating plot with stakes and urgency.

Some ideas to consider as we move forward: how do we use conflict, tension, character development, and dialogue to make the reader want to continue? There are many good moments on the board so far, but I want to point out a few in particular:

  • Ester’s use of the prompt to write a revenge story that gets the reader involved quickly.
  • Xinhong’s use of emotional urgency when the reader realizes the characters don’t have enough money to eat
  • Dominic’s use of dramatic tension that builds when the reader realizes someone is being asked to kill close family members.
  • Janet’s use of detail in character development. Notice how a main character’s lack of remorse can be compelling when combined with other characteristics. You can think of movies and how characters that are doing questionable things become more complex when we get a glimpse of the mind of the character behind them.
  • Sakif’s story takes on sudden urgency in the very last line of the dialogue.

There were many others! We’ll continue to talk about plot, conflict and how good stories evolve in today’s class on flash fiction. If you haven’t posted on the discussion board, you can still do so here:

https://openlab.citytech.cuny.edu/groups/eng1141-sears-sp2022/forum/topic/session-15-discussion-board-exploring-dialogue-and-point-of-view/

See you in class at 2:30 pm!
Prof. Sears

Session 15 Follow Up Links: Dialogue and Discussion Board

Writers,
Great job for showing up and working on dialogue  on this gray and rainy day. We’ve made it half way through the semester! I’m posting links from today’s class and the link to the required Discussion Board, but want to start off with a couple of reminders:

  • Literary Arts Festival today (March 24, 4:30 pm). The link again if you need it is HERE. Attendance is encouraged, not required. We looked at Layli Long Soldier’s work in class
  • You have a Reading Quiz coming up. It will be on Blackboard as before. Here is the review post with the listed stories. I’ll post more information next week: ENG 1141 Fiction Readings: March and April 2022
  • For those who want to go further with fiction writing than our in-class prompts, here is the Writers’ Notebook Prompt sheet for writing fiction:

Today’s class links:

We discussed writing dialog and used materials from our OpenLab course resources: Ernest Hemingway’s  Hills Like White Elephants and A Clean, Well-Lighted Place and Gabriel Garcia Marquez’s Tuesday Siesta. We discussed how writers shape dialogue on the page and deliver information about character, setting, and importantly, conflict through the voices and crafting of their characters.

We also brainstormed a short story driven by dialogue. Here are instructions for the Discussion Board, due anytime before our Tuesday class.

Session 15 Discussion Board: Exploring POV and Dialogue

For this discussion board, upload EITHER the dialogue you started with our free write in class on Thursday (March 24) or the exercises we did in class exploring Point of View on Tuesday, (March 22).  You should write enough for the reader to sense the conflict that is unfolding on the page.

The discussion board is here: here:https://openlab.citytech.cuny.edu/groups/eng1141-sears-sp2022/forum/topic/session-15-discussion-board-exploring-dialogue-and-point-of-view/

Layli Long Solder-LAF today

Writers,
I will see you soon in class, but I wanted to remind you that today is City Tech’s 41st Annual Literary Arts Festival. The event is free and celebrates both the featured poet and student writers.

To register, click here: CLICK HERE TO REGISTER

To get more information about the program, see this post on the OpenLab:

https://openlab.citytech.cuny.edu/literaryartsfestival/2022/03/05/register-now-for-the-41st-annual-literary-arts-festival-featuring-layli-long-soldier/

Session 14 Follow-Up Links

Writers,

Thanks for writing and reading your work in our class today! We do not have a discussion board for this session, but do hold onto your work as you might develop it for a future discussion board or the upcoming Fiction Assignment. A few reminders of items mentioned in class:

Today we looked briefly at three short stories, all of which will be on our upcoming Fiction Quiz. These stories are:

Also remember:

  • Poetry Assignment revisions and late papers are due today on Blackboard.
  • the Literary Arts Festival event is this Thursday, March 24 at 4:30 pm
  • I have office hours on Zoom on Tues./Thurs. from 4-5 pm. Feel free to stop by and discuss writing or your work!  See the links on Blackboard.
  • And of course, email anytime: jsears@citytech.cuny.edu

Session 13 Discussion Board Notes: Story Starters

Writers,

I’m enjoying reading the story starters discussion board. To recap the plot exercise started during our last session on developing plot, you had two options: to kick off two paragraphs of a new story using one of four in-class prompts OR to plot out the beginning, middle, and end of longer story.

Last week we also discussed how fiction often deals with dilemmas and concerns that are very much true to life. Many of the story starters below reflect what is going on in our difficult and unique world and in New York City right now or not too long ago.

If you have not gone, there is still time. Please note that whatever you start here can be developed as we move forward in the class. To get inspired, here is a summary of what is there so far on the Session 13 Discussion Board: Story Starters

Ester uses the in-class prompt to start a story about lockdown and chaos in grocery stores when the pandemic began. This will sound familiar to many of us who were in NYC when the pandemic began. Nice details, Ester!

Xiang Lin writes of ethics and adventure during wartime in his story beginning of a  kingdom where knights are caught between time: some from the middle ages fight with swords while others fight with guns.

Cesar’s beginning draws from our in-class writing prompt and goes back to the early days of the pandemic when the idea of it all seemed unreal.

Xinhong’s story also explores ethics and dilemmas encountered during wartime, in particular the difficulty faced by refugees who have to start their lives over.

Sakif’s story takes a different perspective on the story prompt from class and tells of a lockdown where people forced together learn secrets that were kept even from family members. Notice how Sakif successfully builds suspense at the end. I hope you keep working on this Sakif!

Dominic offers the complex beginning, middle, and end of a story about a place named Malus that is shifting between different types of rule while dealing with an attack from another country called Vitis. The royal family is divided and then brought back together in a plot with twists and complications and ethical concerns. Maybe we’ll get to see this story fleshed out before our fiction module ends, Dominic!

Janet also used the lockdown prompt to discuss the panic experienced within a city uncertain of what will come in less than 24 hours. The cool and calm protagonist waits to avoid the rush at the store but arrives to find nothing left. The focus throughout this beginning is noticing how time passes.

Adrian’s story begins with a philosophical tone to take the reader into a dark world were death is constant and everyone is forced to do physical labor. This story too has an ominous ending and an illustration (see his link). This almost reads like a prose “ekphrasis,’ Adrian. I hope you continue this story.

Shahat’s story starts with a very good first line drawn from one of the in-class prompts and explores the dilemma of a group of friends trying to handle a difficult ethical situation. Accountability quickly takes an interesting and high-stakes turn in these opening paragraphs. Shahat, I hope we learn what happens these young people and what they decide to do.

Alice’s strong first sentence also starts with an in-class prompt. Her paragraph gives a summary of a whole story with a beginning middle and end. If you want to turn this into a more complete story, Alice, you could eventually add more details about where this town is show a bit more of the scene when the people abruptly force Andy into the car.

Write on, everyone and contribute on the discussion board if you not done so. Here is the link to the board again:

Session 13 Discussion Board: Story Starters

 

 

 

 

ENG 1141: Session 13 Follow-Up Links and Discussion Board Instructions

Writers,

Today we have the first Discussion Board in fiction. This may seem challenging because fiction writing is new, but we all have to start somewhere. For this round, you have two options:

Option 1: Write two paragraphs of the story you started in class last Tuesday (a family story that gets told and retold) or Thursday (today) using  one of the provided plot-driven prompts.

OR

Option 2: Write a story outline, showing the beginning, middle and end of a story you might write.

      • For the beginning, you might list characters, setting details and what the main character wants. (You might think of this as the dramatic question being asked.)
      • For the middle, you might identify the main conflict that might prevent the main character from getting the desired goal.
      • For the end, identify which characters remain and are the focal point and the setting again.

The discussion board can be found on the profile page of this course or directly using this link: Discussion Board: Story Starters

Other Class Notes

  1. For those planning to do a poetry revision, instructions posted earlier are here: Poetry Assignment: Instructions for Revisions
  2. In our next class, we will continue thinking about fiction writing techniques and also discuss the short story: Your Only Job is to Ignore that Phone. Please note, this story will be on the Fiction Reading Quiz.
  3. Remember to mark the date for City Tech’s Literary Arts Festival next Thursday with Layli Long Soldier, next Thursday, March 24 at 4:30 pm

Poetry Assignment: Instructions for Revisions

Revision is an important part of creative writing. In some ways, the revision process is where the real creative process begins.This post offers instructions for revisions and the  Revision Note required for this second round. Those who are turning in late assignments will not have the chance to revise them again.

Revisions and late papers are due by the end of the day on Tuesday, March 22. Revisions and late papers must be turned in on time. No poetry assignments will accepted after that day.

If you wish to review the original Poetry Assignment, look HERE.

INSTRUCTIONS FOR REVISION:

  • Read my comments on your work on Blackboard.
  • Reread your own work aloud to yourself or to a listener if you have it (friend, relative, pet, etc.) You can read in person, on the phone, on FaceTime, or in any manner. The act of hearing your own words aloud is the important piece.
  • Make changes on your work as you see necessary.
  • At the top of your revision, write a Revision Note following the instructions below. (Revisions submitted without this letter will not be considered for a higher grade.) Though I must understand what you are stating, grammar is not a part of the assessment for the Revision Note.
  • Why am I asking for a Revision Note? See  below.
  • Submit the revision with the Revision Note to Blackboard on time in the Major Assignments folder which will reopen on Sunday, March 20 and close at the end of the day on Tuesday, March 22 when all revisions and late papers will be graded.

Revision Note

      1. In the first paragraph, tell the reader what you intend the poems to do for the reader. Reflect on the purpose or the effect you want the overall assignment to have on the readers. You might also write about how comments from your peers or the instructor might have helped you and which class resources might have helped you, such as the readings or class discussions.
      2. In the second paragraph, describe the your process of working on the revision. Tell the reader what changes you made on this revision and why. This will let me know how to compare the new draft you are turning in with the first draft to consider the effort you’ve made when I reconsider the assignment grade.

Note: After you’ve drafted this process letter, think about whether the changes you mention match up with the revision that follows. Will I be able to see the changes in your work that your letter suggests? If not, then use the letter as a revising tool to make a few more adjustments to your revision. Then, turn in the revision and Revision Note, preferably as a single pdf document, on time in the Major Assignments folder on Blackboard.

 

Session 12: Follow-Up Links

Here are links for our Session 12:

IMPORTANT: The Poetry Assignment is due by the end of today on Blackboard. That reminder is HERE.

 

ENG 1141 Fiction Readings: March and April 2022

Writers,

Because the fiction module involves slightly longer readings, I’m posting these readings with dates in advance:

The fiction reading quiz will be posted on Blackboard on April 5. You also received review notes in class on Thursday, March 31, so consult those notes in addition to notes given in class that date to help you prepare for the quiz.