Handouts
Readings
- Aldiss, Brian–Supertoys Last all Summer
- Bacigalupi, Paulo–The People of Sand and Slag
- Bear, Greg–Shrodinger's Plague
- Bradbury, Ray–The Veldt
- Bradbury, Ray–There Will Come Soft Rains
- Butler, Octavia–Bloodchild
- Chiang, Ted–Lifecycle of Software Objects (long)
- Chiang, Ted–The Story of Your Life
- Dick, Philip K.–Autofac
- Dick, Philip K.–The Commuter
- Dick, Philip K.–We Can Remember it for You Wholesale
- Ellison, Harlan–I Have no Mouth and I Must Scream
- Forster, E.M.–The Machine Stops
- Hodgson, William–The Voice in the Night
- Kafka, Franz–In the Penal Colony
- LeGuin, Ursula–The Ones Who Walk Away from Omelas
- LeGuin–American Sci Fi and the Other
- LeGuin–Introduction to Science Fiction
- Lovecraft, H.P. –"From Beyond"
- Sterling, Bruce–The Bicycle Repairman
- Tiptree, James (Alice Sheldon)–The Girl Who Was Plugged in
- Tiptree, James (Alice Sheldon)–The Women Men Don't See
- Vinge, Vernor–The Blabber (long)
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Author Archives: Darlyn Marine
BP 5 – Darlyn Marine
Philip K. Dick’s “The Commuter” and Ray Bradbury’s “The Veldt” both explore the concept of alternate realities, but they do so in vastly different contexts and with divergent implications. In “The Commuter,” the alternate reality of Macon Heights represents a … Continue reading
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BP 4 – Darlyn Marine
Franz Kafka’s “In the Penal Colony” intricately weaves a narrative around themes of justice, authority, and the human condition through the lens of a peculiar execution device within a penal colony. The story begins with the exploration of the penal … Continue reading
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BP-3| Darlyn Marine
The narrator in “The Ones Who Walk Away from Omelas” invites the audience to co-create the utopia of Omelas by presenting a vividly joyful and idyllic city while simultaneously encouraging readers to imagine their own versions of perfection. This approach … Continue reading
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