Part 1: Retelling: Trapped Behind Deceit
âWhy, why me?â I said. âWhat is it, little girl?â John said. âDonât go walking about like that–youâll get cold.â  âLittle girl? John why do you continue to do this to me?â I said. But I knew that they couldnât hear me, mostly because I need to be me, not behind this wallpaper of deceit and itâs not like I can just come out and walk around at this time, especially with John home. I try sticking my head through these bars anyway but as John continues to speak he traps me in again. Cutting off my head which is now lifeless. Iâm still alive though, another head comes out of my body.
I try one more time, sticking my head through the changing bars, trying to get out in one try. But then as I look at the clueless me with John, she seemed startled a little after he looked at her with such a stern , reproachful look. There goes another one of my heads. These patterns are way too heavy and crowded. âYES!â I thought to myself , âThe patterns are going to become less complex.â âIf she would recognize that at night in any kind of light, in twilight, candle light, lamplight, and the best of all by moonlight, the complex pattern prision shows as just bars from the outside. John is asleep, the moonlight shines on the wallpaper. âNow is my chanceâ I thought, âIâm going to have to use our fear to shape myself.â I could only gathered a little of fear to create the outline of my body, hope that was enough for her to recognize herself. I did see when she caught John and Jennie investing their energy into making sure the patterns and bars were still strong to keep me locked in. Jennie did realize that I would leave clues of deceit on her clothes and Johnâs for me to let her know that I need to save myself. Â I do it mostly in the daytime, thereâs another me that travels outside of the wallpaper with the other me outside of the wallpaper, like a spirit would. It will leave a smell that would remind her of deceit, the wallpaper, while making sure I donât stand out too much. So I will creep. âI will not let myself forget for even a second, the reason we are trapped in the first place.â I said to myself. Throughout the day Iâll have the spirit leave the color all around the place. It is now night, the moonlight is shining on part of the wallpaper, âAnother chance!â I said to myself. I wanted to get the heck out of here so I started shaking the bars as hard as I could. Sheâs looking at me, âI think she could see meâ I thought. I continue to shake wildly, âIâm tired of these bars. GET ME OUT OF HERE!â I yelled, knowing no one can even hear me. The other part of the wallpaper that is shady from lack of moonlight, I stand still from my othersâ feeling of Johnâs judgment. I know that I am now more invested in letting myself free, sheâs neglecting Johnâs looks. âI can feel it, she cares less about them.â I said, feeling a sense of, âI can soon finally be free.â John was asking her some questions but the clothes he were wearing had some of the color on him. Jennieâs trying her best to try to keep me tamed by wanting to sleep with me, there was color on her too. She looked at the smooch on her clothes, âGet away from her.â trying to tell myself. She told Jennie she would rest better alone tonight. She came towards the cage and started peeling the cage off. âCome on! Help get me out of here. Come on!â I said eagerly, while shaking the bars. Morning came, hearing the cage laugh all morning, knowing that John and Jennie is mocking me. They want me to stay in here. I see Jennie coming, talking to the other me about the getting out of the room. âNOOOOOOOOOOO! DO NOT LET HER CONTINUE TO TRAP US!â I screamed. She told her sheâs going to sleep in here tonight again, turning Jennie down. Sheâs so close to fully realizing her true self because I can now walk around as I please. âIt is so pleasant to be out in this great room and creep around as I please.â I said. Johnâs trying to get inside of the room, Iâm automatically drawn back into the wallpaper because of his presence. She looks determined to get me out of this cage. He came in after getting the key and stopped short by the door. âWhat is the matter?â John cried. âFor Godâs sake, what are you doing!â I stepped out of the wallpaper and looked at him while moving into her, making us one. âIâve got out at last,â we said, âin spite of you and her. And Iâve pulled off most of the paper, so you canât put me back!â John fainted, all of his energy is was broken and has set me and her free and together. Where we belong.
Part 2: Essay: Comparison of “The Yellow Wallpaper” & Trapped Behind Deceit
If you listen to a different point of view then you can gain a different perspective on the situation. In âThe Yellow Wallpaperâ by Charlotte Perkins Gilman, the reader is gaining the perspective of the women (outside of the wallpaper) because the narrator is told in first person, limited, and subjective. This means that the reader is viewing the story as the women, taking what the women sees, thinks, and encounters throughout the story without knowing any other characters in the story thoughts and other things that they encounter other than with the women. In the retelling of âThe Yellow Wallpaperâ, I told the story in first person, limited, and it was also subjective but from the point of view of the woman in the wallpaper who is the true representation of the woman outside of the wallpaper. When comparing both the original story and the retelling of the story there are differences in perspective but are connected. In the original story, the first person narrator shine light on the weird and unusual sighting of the bars trapping the women in the wallpaper, Johnâs relationship with the women (outside the wallpaper), and the constant attention the wallpaper is given while the retelling from a first person narrator from the women in the wallpaper demonstrates why she is trapped in the wallpaper, her relationship to the women outside the wallpaper and with John, and the constant clues left for the women to reveal.
The perspectives were a little different when it came to the bars from the wallpaper trapping the women. In the original story, it states, âAt night in any kind of light, in twilight, candle light, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can beâ (Larsen, pg 8). This shows that the women outside the wallpaper realizes that light can make the pattern of the wallpaper less complicated than she believes they are. Also, when she says, âand worst of all by moonlightâ, shows her frustrated towards the pattern revealing itâs simplicity in moonlight which helps grab her attention the most of the horrid wallpaper. While in the retelling, during the same scene, it says, âThese patterns are way too heavy and crowded. âYES!â I thought to myself, âThe patterns are going to become less complex.â âIf she would recognize that at night in any kind of light, in twilight, candle light, lamplight, and the best of all by moonlight, the complex pattern prision shows as just bars from the outside.â The same kind of wording is used from both the women outside and inside the wallpaper but the feeling of the woman inside of the wallpaper towards the moonlight is different than the other womanâs feeling. The trapped woman enjoys when the pattern is less complex because of the fact that it prevents her from being recognized from the outside women while also giving her a slightly better chance of escaping which she enjoyed. There are similarities as far as the bars being recognized through the changes of light from both the narrator of the original story and of the retelling but the feelings towards the light with the pattern are different.
The woman from both narrators views the attention âaskedâ from the wallpaper differently but are working for each others favor. In the original story, it says, âIt creeps all over the house. I find it hovering in the dining-room, skulking in the parior, hiding in the hall, lying in wait for me on the stairsâŚ.The only thing I can think of that it is like is the COLOR of the paper! A yellow smellâ (Larsen, pg. 9). Now, in this story, the protagonist does not know what to think of the smell but only knows that she hates the color of the wallpaper which is yellow. It is not stated why there is a smell following her and the color is stuck with her but just that it has to relate to the wallpaper that frustrates her. In the retelling the connection is made by the trapped woman, saying âI would leave clues of deceit on her and Johnâs for me to let her know that I need to save myself. I do it mostly in the daytime, thereâs another me that travels outside of the wallpaper with the other me outside of the wallpaper, like a spirit would. It will leave a smell that would remind her of deceit, the wallpaper, while making sure I donât stand out too much.â This shows that the woman from the original story, the smell that kept following her was the spirit from the woman of the wallpaper trying to keep her attention on the wallpaper with the smell of wallpaper. The smell of the wallpaper, as the woman from the original story describes, is yellow. The woman in the retelling describes it as deceit which means that the yellow color of the wallpaper is actually deceit which is happening to the woman outside the wallpaper. Which is why she does not like the color because she does not believe the meaning and can not understand what is being deceived.
The relationship with John with both women are different at the beginning but are exactly the same at the end. In the retelling, the trapped women views John as a major part of the reason of why she is trapped in the wallpaper in the first place. âI did see when she caught John and Jennie investing their energy into making sure the patterns and bars were still strong to keep me locked in.â This proves that the trapped woman believes that John is keeping her trapped, he was making sure that the womanâs true representation of herself would not come out by keeping the wallpaperâs pattern intacted. But the woman outside of the wallpaper views the situation differently. âI have watched John when he did not know I was looking, and come into the room suddenly on the most innocent excuses, and Iâve caught him several times LOOKING AT THE PAPER! And Jennie tooâŚ.But I know that she was studying that pattern, and I am determined that nobody shall find it out but myself!â (Larsen, pg 8). This shows that the woman outside of the wallpaper seen John and Jennie looking and investigating the wallpaper but thought that they were only trying to figure out the pattern of the wallpaper which the trapped woman believes that they know the pattern very well but is trying to make it more complex. The trapped woman does not like John at all while the other woman only finds him somewhat as a suspect but not fully guilty because she has feelings for him. But as mentioned, the relationship towards John are the same at the end, âAnd Iâve pulled off most of the paper, so you canât put me backâ (Larsen, pg 12, and from retelling). After the escape of the women in the wallpaper, and both women emerged together then their thoughts and emotions became one. In that quote they are both have a sense of resentment towards John because not only does the women in the wallpaper from the retelling know that John was working against her but now so does the women outside. Which shows in the original because of the same quote coming from the woman said towards John.
There are different perspectives from different sides that can change your point of view on a situation. In the original story, the connection was made in the retelling by changing the narrator. This causes to use what is not known from the original story and make a connection. Like, the patterns of the wallpaper were not only bars seen by moonlight from both women but that it was used for the same purpose, to make the outside would acknowledge it even though the emotions towards the bars were different because of different mindset the women were in. Another connection was the smell and color, the original narrator thought it was just an annoying smell that came from the wallpaper that she couldnât shake off and remind her of the ugly color. But, in the retelling it was actually a spirit of her trying to get her attention to the wallpaper to show her that she was being deceived. Finally, the relationship towards John from both women were different at first, the original narrator only thought of him as suspicious but wanted to be with him while the retelling narrator despised him. At the end, it shows that the two woman from the original and retelling became one after the ripping of the wallpaper and shared the same resentful feelings for John.