Robert Polidori’s photographs seem to have a lot of patterns in them, not all of them of course but a majority. Tons of details gets brought out, maybe its his use of a large format camera. I think its good that his photographs don’t have people in them, people get boring fast and a change is always welcome. I don’t think his photos give aesthetic to catastrophe but show us a very detailed “Real World” that we’re not accustomed to viewing. They are definitely powerful statements, statements of truth and a reality that we don’t see everyday. They show us the aftermath of a story we may never experience and hope we don’t go through. Whether it’s a terrible hurricane or a nuclear disaster.
Contact Information
Professor Sandra Cheng
Office: Namm 602B
Office Hours: Tu/Th 9-10 am or
by appointment
Office Tel: 718-260-5003
Email: scheng@citytech.cuny.eduHelpful Links
New York Times Arts
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Recent Posts
- Re: Photographing the Beginning of the Civil Rights Movement
- Re:Discussion Topic: Street Art, Photography, and the Inside Out Project in Times Square
- Re: Tim Hetherington and Modern-day War Photography
- Response to: Tim Hetherington and Modern-day War Photography
- Photographing the Beginning of the Civil Rights Movement
Recent Comments
- Michael Lorenzo on Discussion Topic: Street Art, Photography, and the Inside Out Project in Times Square
- Michael Lorenzo on Discussion Topic: Tim Hetherington and Modern-day War Photography
- Michael Lorenzo on Discussion Topic: The Greatest War Photograph and Robert Capa
- Phalenta Pamphile on Discussion Topic: Street Art, Photography, and the Inside Out Project in Times Square
- Shantel on Discussion Topic: Photographing the Beginning of the Civil Rights Movement
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