McLuhanâs ideas of amplification/amputation, hot and cold media, and the medium is the message can all be incorporated into my paper. Firstly, visual effects and multitrack recorder amplify and amputate the user. For instance, the invention of motion control cameras that are programmed to make repetitive and accurate movement acts as an extension of a camera operators arm but amputates because it is impossible to replicate the movements of a computer. In multitrack recording, the ability to modify the artists voice is an amplification, however, the artist is unable to reproduce this when performing live. Hot and cold media can also be applied to visual effects and multitrack recorders. Visual effects create movies that are more realistic and immersive; they heat the medium up. Multitrack recorders allow artists to âperfectâ or tidy up the sound of their music in a way they are unable to when recording in a studio. Both technologies heat up the medium, now viewers and listeners donât have to put in as much effort as they previously did to understand/decipher the media they are consuming. Lastly, paywalls affirm that the medium is the message. Paywalls themselves send a message to the audience that only a certain group has access to their content.
Primary Texts Fall 2023
- Alan Jakobs: After Technopoly
- Bolter: The Electronic Book
- Bolter: Writing as Technology
- Coover: The End of Books
- Critical Art Ensemble: Nomadic Power and Cultural Resistance
- deLeon: Technological Warfare
- Haraway: Cyborg Manifesto
- McLuhan for Beginners
- Neil Postman: Technopoly: The Surrender of Culture to Technology
- Postman: Five Things We Need to Know about Technological Change
- Pratt: Arts of the Contact Zone
- Routledge Companion to Remix Studies
- Silko: Border Patrol
- Trask: From a Native Daughter
- Turkle: Video Games and Holding Power
- Wanono: Detournement as a Premise for Remix
Ulmer
Authors Fall 2023
Authors Fall 22
Online Readings
- A Message from the Future II: The Years of Repair
- A Message from the Future with Alexandria Ocasio Cortez
- Ain't No Walls behind the Sky, Baby! Funk, Flight, Freedom
- Digital Latinx Storytelling: testimonio as Multimodal Resistance
- Jenkins: What do you mean by Culture Jamming? Part 1
- Jenkins: What do you mean by Culture Jamming? Part 2
- Not the King: Cantando el Himno Nacional de los Estados Unidos
- Postman: Five Things We Need to Know about Technological Change
- Pranking Rhetoric: âCulture Jammingâ as Media Activism
- Soundwriting and Resistance: Toward a Pedagogy for Liberation
- The Sixth Extinction? (New Yorker)
- The Ulmer Tapes
Soundwritings
Surveillance
- Blinding the CyclopsâWrecking the Panopticon Camera Hunting in the Metropolis
- Growth in surveillance may be hard to scale back after pandemic, experts say
- The Convenience-Surveillance Tradeoff
- The Employer-Surveillance State
- The goal is to automate us': welcome to the age of surveillance capitalism
- The Three Major Forms of Surveillance on Facebook
- Under digital surveillance: how American schools spy on millions of kids
Films
Sites
- Ambient Information Systems
- Autonomous University
- Beautiful Trouble
- Billboard Liberation Organization
- Bureau of Inverse Technology
- Copwatch
- Critical Art Program, City College
- Digital Manifestos
- Essential Information
- Hollaback (street harassment)
- Institute for Applied Autonomy
- NYC Surveillance Camera
- Public Sphere Project
- Souveillance course syllabus
- Tactical Media Course Syllabus
- The surveillance camera players
- The Yes Men
- UN Human Rights Issues
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Recent Posts
Recent Comments
- Jetmir Selami on blog #11 draft
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