1. In, “Massacre Suspect Traveled the World but Lived on the Internet”,  David D. Kirkpatrick gives a Brenton a undeserving sympathetic backstory ” But after the death of his father, in 2010, the suspect’s life took him in an unexpected direction. He invested in cryptocurrency, quit his gym job and took an idiosyncratic tour through North Korea, Pakistan, Eastern Europe, France and elsewhere.” 
  2. In, “Massacre Suspect Traveled the World but Lived on the Internet”,  David D. Kirkpatrick explains Brenton’s motive “He hoped “to create conflict between the two ideologies within the United States on the ownership of firearms in order to further the social, cultural, political and racial divide,” thus “ensuring the death of the ‘melting pot’ pipe dream.”
  3. In, “A Mass Murder of, and for, the Internet”, Kevin Moore comments on Brenton’s internet usage. “Remember, lads, subscribe to PewDiePie,” he said.
  4. In “The New Zealand Shooting Victims Spanned Generations and Nationalities” Megan Specia humanizes the victims of this massacre. “Three-year-old Mucad Ibrahim is the youngest person confirmed to have been killed in the attacks. He was at Al Noor mosque and became separated from his brother and father when the shooting began.
  5. In “The New Zealand Shooting Victims Spanned Generations and Nationalities” Megan Specia humanizes the victims of this massacre. “He said ‘Mum, there’s someone come into the mosque and he’s shooting us,’” Salwa Mustafa said. “I called ‘Hamza, Hamza,’ and I can hear his little voice and after that it was quiet.”

Conflict

I  headed up the stairs into Search and Destroy. It’s an amazing store that has an abundance of punk clothing and items. My words alone cannot describe how sick this place is. Not to mention the killer music playing. Anyways, two guys blocked the entrance. I shared a conversation with one who claimed his name was August Lane. Ha, yeah right! He asked me to see my board so I thought nothing of it. Just a couple of dudes chilling on a stoop. I held his drink. He dashed away. As if it was a fair trade off.

Passively I say “My, board.”

Something kicked in that I was probably about to get robbed. So I ran after him. Thinking back on it, he could’ve had a weapon. But all I could see was him stumbling on my board zooming away.

I grabbed his back. Snatched my board out of his hand. Yelled. Then we fist pumped.

I was just happy to have my board back. It was so bizarre and strange that it felt like a dream.

 

2a. In the narrative, Silences, Denis paints a beautiful scene of friends engaged in one another. However, this wholesome atmosphere soon turns sour. At the dinner table, the loudest thing they’d ever heard was being served. A somber voice. A pounding heart. One grandbaby hollering their lungs out. Tourettes’ Syndrome.

A shift in the power of the room is granted to Chris. He introduces his silence. “He said the most silent thing he’d ever heard was the land mine taking off his right leg outside Kabul, Afghanistan.” His vulnerability quiets the whole room. When someone blurts out something so heavy, many don’t know how to react. It puts a room in a sea of tension.

Curiosity gets the best of them. Jokes put the room at ease. “I’ll show you,” he said, “if you kiss it.” We stumble into major conflict from this point on. A new question is raised. This is the flow of Denis’s piece. An answer for every question. They started to talk about the most ridiculous things they’ve kissed. This is the second point event that leads up to the grand finale.

Chris eggs on Deidre to kiss his leg. She obliges. Everyone in the room is on the edge of their seats, awaiting. Deidre is before Chris on her bare knees staring down the stump. The reality of the situation brings her to tears.

Category:Media Analysis

We the Animals is based on the book written by Justin Torres. The film surrounds three brothers. “Us three. Us brothers. Us kings.” The film is a sensitive portrayal of a toxic relationship. There is so much violence in the way the boys’ parents love each other.

There is one scene in particular that boils over from the cycle of abuse, passed down from father to mother to brother to stranger. The youngest boy, Jonah is struggling with his own conflict, as many growing adolescents do.

Jonah sprints through the woods with a smile plastered on his face. He stops. Walks. Then runs some more. He climbs through his window avoiding his brothers. In his bedroom, he discovers his bed to be disheveled. So he searches for his secrets. His notebook has gone AWOL. He flings the sheets from his bed. A pillow is tossed into the air. A mattress flung.

He sees his family in the living room. His attention darts from them to the drawings sprawled out on the floor. He scoops up his drawings. His mother reaches out and grabs his forehead to hers. “Where were you?”

He looks in her eyes and pounces. His hands scratch and claw at Ma. His roars are heard, His anger felt. His father peels him off of his mother. His legs kick out from underneath his father’s hold.

This scene was intense. I could easily see how hurt Jonah was to have his sexuality on display. His thoughts things he kept hidden. The conflict is with the way he dealt with his anger.

He knew no other way to express his anger. He learned how to take his anger out on others.

I wonder how do others experience anger? How do you deal with it correctly? Is there a correct way to deal with anger?

 

Media Analysis

We the Animals is based on the book written by Justin Torres. The film surrounds three brothers. “Us three. Us brothers. Us kings.” The film is a sensitive portrayal of a toxic relationship. There is so much violence in the way the boys’ parents love each other.

There is one scene in particular that boils over from the cycle of abuse, passed down from father to mother to brother to stranger. The youngest boy Jonah is struggling with his own conflict, as many growing adolescents do.

Jonah sprints through the woods with a smile plastered on his face. He stops. Walks. Then runs some more. He climbs through his window avoiding his brothers. In his bedroom, he discovers his bed to be disheveled. So he searches for his secrets. His notebook has gone AWOL. He flings the sheets from his bed. A pillow is tossed into the air. A mattress flung.

He sees his family in the living room. His attention darts from them to the drawings sprawled out on the floor. He scoops up his drawings. His mother reaches out and grabs his forehead to hers. “Where were you?”

He looks in her eyes. His hands scratch and claw at Ma. His roars are heard, His anger felt. His father peels him off of his mother. His legs kick out from underneath his father’s hold.

This scene was intense. It was intense because I could easily see how hurt Jonah was to have his sexuality on display. His thoughts things he kept hidden. The conflict is with the way he dealt with his anger.

He knew no other way to express his anger. He learned this from his father: placing his anger upon someone else.

I wonder how do others experience anger? How do you deal with it correctly?

 

  1. Selfies are considered a new genre of portraiture. In the article Art at Arms Length, Salz compares the quick wit of selfies to the precise nature of traditional portraits. It is clear that Salz interprets selfies as modern day portraits. 

A selfie is 

  • powerful pg 3 
  • A form of intimacy  pg 3 
  • Displayed through social media pg 3 
  • Causal pg 3 
  • Can be taboo pg 6 and 7 

A selfie is not Accidental pg3 

  • Both hands cannot be in it pg3 
  • without skewed camera angles  pg3 
  • Traditional portraits pg3
  1. A selfie is a casual form of intimacy that that is displayed through social media. It wasn’t created by artists. Yet, the impact is just as powerful. Modern day portraiture ranges from silly pouty faces to chilling expressions from the depths of horrid gas chambers.  

One part of this article that stuck out to me was when Salz mentioned the hole that 9/11 left. Curiosity got the best of me and I took a detour from the article. From this I stumbled upon a photograph of a woman named Marcy Borders aka the Dust Lady. Marcy was covered in the dust of one of the towers. Stan Honda captured this moment: the despair and the sheer shock. 

And, after hours of deep research into 9/11, I returned to Salz’s article. The taboo nature of that photograph is similar to John Quirke’s photograph in Auschwitz. 

It raises the same red flag that others gawk at. 

  1. “We live in the age of the selfie.”

This is a hook because it grabs the readers attention. Salz does this by using the buzz word selfie. It’s a word many recognize and would stay to read more. 

“A fast self-portrait, made with a smartphone’s camera and immediately distributed and inscribed into a network, is an instant visual communication of where we are, what we’re doing, who we think we are, and who we think is watching.”

This sentence explains what exactly a selfie is, how it’s used and where it’s found. Salz sets a foundation then builds on top of it with key details to explain the topic sentence.Â