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Category: Gothic Spaces (Page 2 of 2)

Rachel’s Gothic Space

The Park at night time
The chess board and bench in the night time
At the school yard in the night time

The school yard and the park in the night, are next to each other and I chose these particular space because, it definitely does fall into a category of a gothic space with many characteristic. It’s a definition of Todorov’s uncanny, which is closet to reality and it is haunting just by being around there, this spaces gives me the chills and I can see shadows of the trees and the light poles that gives me the anxiety just walking there by myself alone, when there’s hardly anyone around the park and the school yard. In the first picture, one of the characteristic that the park gives for example was the dark and gloomy sky when the clouds flow by, and the trees with no leaves and with a blurry vision it’s hard to see clear in the night time. In Todorov’s uncanny it stated that if a reader “decides that the laws of reality are being upheld and permit an explanation of the phenomena described, we say that the work belongs to another genre: the uncanny.” When walking alone in the night time by park, and trees that have no leaves, when the clouds are gray and gloomy, there was also a haunting and eerie noise that went pass me that will count as the uncanny. This will also include the second picture at the chess board area, with no one around and items on the table was left deserted; like it was abandon and the rusty benches with old paint marks and scratches will explain how old the benches were.

          In the third picture, it also fall under another definition of uncanny, which was Sigmund Freud’s definition of uncanny his definition of the uncanny is if it is repressed, into anxiety, then among instances of frightening things there must be one class in which the frightening element can be shown to be something repressed which recurs  and this class of frightening things would then constitute the uncanny. I felt the anxiety and fear just walking by the park and the school yard. At the school yard there are some characteristic that makes it gothic space, with the falling leaves from not only the trees but including the bushes and the prickly branches on the trees and bushes and the branches was hanging from trees like there’s a hand. 

       One of the gothic stories that help me understand a gothic space was a graphic novel that we read called ” The Iron Tonic, 1969,” by Edward Gorey. In each page of a graphic novel there’s characteristic of a gothic spaces whether it’s in the forest or if it’s the outside of an old grey hotel, it shows characteristic like of an gothic architecture and a gothic space. There are some pages from that graphic novel that have similarities as the park and the school yard, and it is the bushes and trees with no leaves and there is also a scene where it’s gloomy and dark at night and a group of people huddling together looking lost. What I’ve also learned about investigating an actual gothic space or place is that anything can be gothic when there’s gothic characteristics, like a gothic architecture, haunted areas, rusty and old buildings, parks, or abandon places is a definition of a gothic space. And just being in the park and the school yard gives me anxiety and fear just walking pass it or inside the park area. 

 

Fatma’s Gothic Space

This is the sunroom on a rainy day
The sunroom on a clear sky morning
The sunroom at night with lights on from another room
The sunroom at night with no lights

The gothic space I chose for this assignment is my brother’s sunroom. I chose this space for two reasons; it fits one of the definitions for the architectural uncanny, and my fear of windows at night time. According to Vidler, the architectural uncanny “is represented by a feeling of anxiety in which there is a slippage and lack of clarity between what is homely and what is unhomely.”  The sun room gives me a little bit of anxiety at night because it feels like a glass box in the middle of nowhere. It does not look or feel (in terms of energy) like the rest of the house so it has a feeling of unhomeliness, yet it is an extension of the house so it still feels a part of the home. 

Vidler also states that “The very places in which we should be calm and confident (at home), we instead find ourselves unsure as to our identity, a feeling that Vidler believes emanates from fragmented, mirrored, reflecting, and transparent surfaces that we see and move through—and live within.” This room, like Vidler mentions, is a transparent room. You can see what is outside the room from the inside and what is inside the room from the outside. There is no sense of privacy which forces whoever is in the room to be in a state of vulnerability to whoever or whatever is watching them. You are being exposed from all angles, except for from below of course. 

It gives me the same energy as the nursery room from The Veldt. Even though this room cannot be manipulated by one’s imagination, it still feels as though you cannot stop something if it is coming towards you. They know you are inside and you know it is outside. Even though you can go into another room, it has an idea of the house because it is able to look into it from this glass box of a room.  It is also similar to Hill House in the sense that during the day there is sort of a sense of security but at night is when the vulnerable, anxious, paranoid and haunting feelings start to crawl into one’s mind.

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