These authors’ beliefs are founded on a shared sense of optimism for the future. Marinetti popularizes Futurism as well as the ideas of violence, brutality, and injustice. He urges artists to celebrate conflict and instigate a revolution against tradition, shattering conventions and paving the way for a better existence. The majority would no longer be bound by these traditions and would work for the creation of a better society. EL Lissitzky and Aleksander Rodchenko, on the other hand, do not view it that way. They were all about fostering creativity in the realms of art in order to create new inventions/ideas. Lissitzky compares the book to an outdated medium in need of some reinvention. Theatrical productions have made their way from the stage to the big screen.

The artists’ perspectives on the role of technology differed. He desired everything to be quick, aggressive, loud, and violent. Lissitzky believed that once something was developed, it would never progress into a higher art form again unless society became tired with it and desired something new.

Marinetti’s themes of violence and injustice are balanced with ideals of boldness, courage, and insurrection, all of which are prevalent in contemporary art. Revolutions have traditionally relied on artists generating advertising; many artists are bold in their speech; and the bravado of artists stimulates debates about art itself, which may result in change. Rodchenko and Lissitzky wished for artists to strive for a better life for everybody by innovating and cooperating. Rodchenko encouraged artists to be experimental, and this has been true for a long time.