Entry on “Early Modern Caricature in Italy” in Routledge Encyclopedia of the Renaissance World, edited by Monica Domiguez Torres, London: Routledge, forthcoming.

“Dwarfs and Giants in Early Modern Caricature” in Giants and Dwarfs in European Art and Culture, ca. 1350–1750: Real, Imagined, Metaphorical, edited by Robin O’Bryan and Felicia Else, 323-342, Amsterdam, Netherlands: Amsterdam University Press, 2024.

“Monstrous Inventions: Caricature and the Grotesque in Early Modern Art” in Grotesque and Caricature: Leonardo to Bernini, edited by Rebecca Norris and Lucia Tantardini, 1-12, Leiden, Netherlands: Brill Publisher, Fall 2023.

With Karen Goodlad, Jennifer Sears, Mery Diaz, Mariah Rajah, Philip Kreniske, and Ashwin Satyanarayana, “Writing “Our Stories”: Turning Individual Stories of the First Year College Transition at City Tech into a Web of Belonging” in The Children of the People: Writings by and about CUNY Students on Race and Social Justice, edited by Grace Cho, Rose Kim, and Robin McGinty, 303-320, New York: DIO Press, 2022.

With Mery Diaz, Karen Goodlad, Jennifer Sears, Philip Kreniske, and Ashwin Satyanarayana, “Turning Collective Digital Stories of the First-year Transition to College into a Web of Belonging.” American Journal of Qualitative Research 5, 1 (June 2021): 67-84. https://www.ajqr.org/article/turning-collective-digital-stories-of-the-first-year-transition-to-college-into-a-web-of-belonging-10793

Contributions on “Historical Representations of Oral Health” in The Oral Systemic Connection: A Collaborative, Interdisciplinary Clinical Companion for the Healthcare Provider, edited by Gwen Cohen Brown and Aida L. Egues. Dubuque, Iowa: Kendall Hunt, 2020.

With Karen Goodlad, Mery Diaz, Jennifer Sears, and Philip Kreniske,“ ‘Our Stories’: First-year Learning Communities Students Reflections on the Transition to College.” Learning Communities Research and Practice 7(2) (2019): Article 5. https://washingtoncenter.evergreen.edu/lcrpjournal/vol7/iss2/5 

“Ridiculous Portraits: Comic Ugliness and Early Modern Caricature” in Rire en images à la Renaissance, edited by Francesca Alberti and Diane Bodart, 117-126. Turnhout: Brepols, 2018.

With Philip Kreniske, Karen Goodlad, and Jennifer Sears, “Our Stories of Becoming a College Student: A Digital Writing Project for First Year Students.” Journal of Interactive Technology and Pedagogy October 9, 2018. https://jitp.commons.gc.cuny.edu/our-stories-of-becoming-a-college-student-a-digital-writing-project-for-first-year-students/

With Aida Egues and Gwen Cohen-Brown, “Visualizing Medicine: Mapping Connections with Plague Inc. to Learn in the Interdisciplinary Classroom” in Interdisciplinary Place-Based Learning in Urban Education: Exploring Virtual Worlds, edited by Reneta Lanisquot and Sean Macdonald. New York:Palgrave Macmillan, 2018.

“Silent Protest and the Art of Paper Folding: The Golden Venture Paper Sculptures at the Museum of the Chinese in the Americas” in Locating American Art: Finding Art’s Meaning in Museums, edited by Cynthia Fowler, 239-251. Abingdon: Routledge (formerly Ashgate Publishing), 2016, reprinted in September 2020 in paperback.

Catalogue entries of Bernardo Strozzi’s St. Catherine of Alexandria, Giovanni Battista Lupicini’s The Muse of Painting, Giulio Carpioni’s A Bacchanal, Salvator Rosa’s The Coral Fishermen, Jusepe de Ribera’s Immaculate Conception, Guido Cagnacci’s David Holding Goliath’s Head for the Columbia Museum of Art, Columbia, South Carolina, 2016.

Book review of A. Victor Coonin (Rhodes College), From Marble to Flesh: The Biography of Michelangelo’s David, The Florentine Press, 2014 for the journal Notes on Early Modern Art Volume 2, No. 2 (Fall 2015): 36-39.

“La touche satirique du Bernin:dessin et caricature comme acte performatif au début de l’époque modern.” Roven 8 (Automne-Hiver 2012-2013): 50-53.

“The Cult of the Monstrous: Caricature, Physiognomy, and Monsters in Early Modern Italy.” Preternature: Critical and Historical Studies on the Preternatural 1, no. 2 (2012): 197-231.

“Parodies of Life: Baccio del Bianco’s comic drawings of dwarfs.” In Parody and Festivity in Early Modern Art: Essays on Comedy as Social Vision, edited by David R. Smith, 127-141. Farnham, Surrey: Ashgate Publishing, 2012.