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Instructor: Professor Masato R. Nakamura Room: V507 Time T 6:00-9:20pm Code:

Instructor: Professor Masato R. Nakamura Room: V507 Time T 6:00-9:20pm Code:

INTRODUCTION TO FILM: ARTH 1112 3 class hours, 3 credits An introduction to the history of film from its beginnings in the late nineteenth century to the present. Through illustrated lectures, selected screenings, and discussion, students will develop a historical appreciation of film genres including narrative, documentary, and experimental, and of the legacy of major filmmakers. Changing styles and techniques are outlined chronologically to examine the relationship between film and the visual arts

INTRODUCTION TO FILM: ARTH 1112 3 class hours, 3 credits An introduction to the history of film from its beginnings in the late nineteenth century to the present. Through illustrated lectures, selected screenings, and discussion, students will develop a historical appreciation of film genres including narrative, documentary, and experimental, and of the legacy of major filmmakers. Changing styles and techniques are outlined chronologically to examine the relationship between film and the visual arts

This course teaches technique, equipment and measurement procedures used by Mechanical Engineers

This course teaches technique, equipment and measurement procedures used by Mechanical Engineers

“I went into photography because it seemed like the perfect vehicle for commenting on the madness of today’s existence.” — Robert Mapplethorpe This course surveys the history of photography from its beginnings in the early nineteenth century to the present. We will examine the use of photography for aesthetic, documentary, and “scientific” purposes, stylistic shifts in photography related to aesthetic concerns, and varying interpretations of subject matter based on social and cultural concerns at specific moments in history. We will also consider the relationship between photography and the visual arts in general, which culminates with the primacy of photography as a medium by the late twentieth century.

“I went into photography because it seemed like the perfect vehicle for commenting on the madness of today’s existence.” — Robert Mapplethorpe This course surveys the history of photography from its beginnings in the early nineteenth century to the present. We will examine the use of photography for aesthetic, documentary, and “scientific” purposes, stylistic shifts in photography related to aesthetic concerns, and varying interpretations of subject matter based on social and cultural concerns at specific moments in history. We will also consider the relationship between photography and the visual arts in general, which culminates with the primacy of photography as a medium by the late twentieth century.

Course Website: https://openlab.citytech.cuny.edu/groups/mech1222-eng-drawing-ii-tues10am-f2014/ Course Profile (this page): https://openlab.citytech.cuny.edu/groups/mech1222-eng-drawing-ii-tues10am-f2014/ Instructor: Prof. Masato R. Nakamura Room: V507A Time: MTWTh 6-8:30pm

Course Website: https://openlab.citytech.cuny.edu/groups/mech1222-eng-drawing-ii-tues10am-f2014/ Course Profile (this page): https://openlab.citytech.cuny.edu/groups/mech1222-eng-drawing-ii-tues10am-f2014/ Instructor: Prof. Masato R. Nakamura Room: V507A Time: MTWTh 6-8:30pm