Kevin Velez’s Profile

Student
Active 4 years, 7 months ago
Kevin Velez
Display Name
Kevin Velez
Major Program of Study
Communication Design

My Courses

COMD2330Fall2017

COMD2330­Fal­l2017

This course will ex­plore the foun­da­tional con­cepts of light and ex­po­sure in pho­tog­ra­phy. Stu­dents will de­velop vi­sual lit­er­acy as well as fram­ing and com­po­si­tional skills. Stu­dents will be­come ac­quainted with a wide range of con­tem­po­rary pho­tog­ra­phers and gain an un­der­stand­ing of how pho­to­graphic style trans­forms sub­ject mat­ter into mean­ing. Using pro­fes­sional light­ing equip­ment and cam­eras, the stu­dent will gain hands-on ex­pe­ri­ence cap­tur­ing dig­i­tal im­ages in the stu­dio as well as on lo­ca­tion. Stu­dents will also learn pro­fes­sional meth­ods and soft­ware to man­age, process and print dig­i­tal im­ages.

COMD 2427 Typographic Design III D212 Fall18

COMD 2427 Ty­po­graphic De­sign III D212 Fal­l18

OER Open Ed­u­ca­tion Re­source Ad­vanced ty­po­graphic de­sign prin­ci­ples. Ty­po­graphic ap­pli­ca­tions for web de­sign, print and mo­tion graph­ics are ex­plored, as well as in­te­gra­tion of de­sign and pro­duc­tion in the lab­o­ra­tory.

COMD3504 Communication Design Theory, OL01Fall 2020

COMD3504 Com­mu­ni­ca­tion De­sign The­ory, OL01­Fall 2020

This course will offer an in-depth in­tro­duc­tion to com­mu­ni­ca­tion de­sign the­ory, ex­am­in­ing the­o­ret­i­cal per­spec­tives of de­sign prac­tice within the larger dis­course of de­sign and vi­sual cul­ture. Com­mu­ni­ca­tion mod­els, the na­ture of rep­re­sen­ta­tion, the di­men­sions of con­text and semi­otics will be ex­plored through crit­i­cal read­ings from key doc­u­ments writ­ten be­tween the early decades of the twen­ti­eth cen­tury and the pre­sent.

COMD 1103 Figure Drawing, D162, FA2017

COMD 1103 Fig­ure Draw­ing, D162, FA2017

This ad­vanced draw­ing course de­vel­ops vi­sual aware­ness of the human fig­ure. Stu­dents will de­velop an un­der­stand­ing of the basic forms of the human body, how those forms are con­nected and move, and how to draw those forms pro­por­tion­ally. Stu­dents will also con­sider how the human form re­lates to the world around it, de­vel­op­ing a clear un­der­stand­ing of how to cre­ate a com­po­si­tion con­tain­ing pro­por­tional fig­ures within a space ac­cord­ing to per­spec­tive. Sen­si­tiv­ity to line, vol­ume, light and shade is ex­plored. Com­mu­ni­ca­tion de­sign­ers use the con­cepts de­vel­oped in this course in dis­ci­plines such as ad­ver­tis­ing, graphic de­sign, il­lus­tra­tion, broad­cast de­sign, an­i­ma­tion and pho­tog­ra­phy.

COMD2427 Typographic Design III, D214 Spring2018

COMD2427 Ty­po­graphic De­sign III, D214 Spring2018

Course De­scrip­tion Ad­vanced ty­po­graphic de­sign prin­ci­ples. Ty­po­graphic ap­pli­ca­tions for web de­sign, print and mo­tion graph­ics are ex­plored, as well as in­te­gra­tion of de­sign and pro­duc­tion in the lab­o­ra­tory.

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