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In­tern­ship in Com­mu­ni­ca­tion De­sign As­sign­ment to field work/study sit­u­a­tions of ap­prox­i­mately eight to ten plus hours per week at a graphic arts-re­lated in­tern­ship site ap­proved by the de­part­ment in­tern­ship di­rec­tor. Sites may be in areas such as ad­ver­tis­ing, print­ing, cor­po­rate com­mu­ni­ca­tions or pub­lish­ing. Stu­dents keep a log/jour­nal to be shared in group sem­i­nars/dis­cus­sions. Su­per­vi­sion is by fac­ulty and by the job su­per­vi­sor. Stu­dents will be re­quired to keep a learn­ing jour­nal of their in­tern­ship in the form of a blog using Open­lab.

Internship in Communication Design Assignment to field work/study situations of approximately eight to ten plus hours per week at a graphic arts-related internship site approved by the department internship director. Sites may be in areas such as advertising, printing, corporate communications or publishing. Students keep a log/journal to be shared in group seminars/discussions. Supervision is by faculty and by the job supervisor. Students will be required to keep a learning journal of their internship in the form of a blog using Openlab.

This course in­tro­duces stu­dents to core con­cepts in the media field in­clud­ing color the­ory, de­sign and pro­duc­tion ter­mi­nol­ogy, re­pro­duc­tion processes, file for­mats and sub­strates. Dur­ing the se­mes­ter, stu­dents will com­plete three pages of their own ePort­fo­lio web site, com­plete a print de­sign pro­ject and one video pro­ject. Lec­tures will pro­vide stu­dents with a his­tor­i­cal per­spec­tive of the media field as well as dis­cussing cur­rent prac­tices and fu­ture trends.

This course introduces students to core concepts in the media field including color theory, design and production terminology, reproduction processes, file formats and substrates. During the semester, students will complete three pages of their own ePortfolio web site, complete a print design project and one video project. Lectures will provide students with a historical perspective of the media field as well as discussing current practices and future trends.

The study and use of graphic com­mu­ni­ca­tion tools through un­der­stand­ing graphic el­e­ments and prin­ci­ples geared to the de­vel­op­ment of sen­si­tiv­ity to the na­ture of graphic re­la­tion­ships and their con­trol within a given frame­work. Find­ing so­lu­tions to prob­lems of ab­stract, con­cep­tual, ex­pres­sive and ap­plied char­ac­ter, with in­creas­ing aware­ness of the range of prop­er­ties of black and white and color. Iden­ti­fy­ing the char­ac­ter­is­tics, phys­i­cal prop­er­ties and psy­cho­log­i­cal ef­fects of black and white and of color for vi­sual ex­pres­sion and prac­ti­cal graphic ap­pli­ca­tion. photo: Prof. Rosen­blatt

The study and use of graphic communication tools through understanding graphic elements and principles geared to the development of sensitivity to the nature of graphic relationships and their control within a given framework. Finding solutions to problems of abstract, conceptual, expressive and applied character, with increasing awareness of the range of properties of black and white and color. Identifying the characteristics, physical properties and psychological effects of black and white and of color for visual expression and practical graphic application. photo: Prof. Rosenblatt

This course is a prac­ti­cal in­tro­duc­tion to the field of il­lus­tra­tion. Focus will be places on process work and pro­fes­sional prac­tices, pre­sented within con­tem­po­rary and his­tor­i­cal con­text. Course in­cludes pro­jects and lec­tures in a va­ri­ety of il­lus­tra­tion gen­res in­clud­ing: prod­uct de­sign and ad­ver­tis­ing, sto­ry­board, book il­lus­tra­tion, ed­i­to­r­ial il­lus­tra­tion, and in­sti­tu­tional il­lus­tra­tion. A va­ri­ety of ma­te­ri­als will be in­tro­duced through lec­tures and demon­stra­tions for use on as­sign­ments such as: pen­cil, pen and ink, brush, col­ored pen­cil, brush and paint, and col­lage. Crit­i­cal con­cepts such as: Con­cep­tual De­vel­op­ment, Work­ing on As­sign­ment, Com­po­si­tion, Con­trast, Value, Point of View, and Color the­ory will be in­tro­duced.

This course is a practical introduction to the field of illustration. Focus will be places on process work and professional practices, presented within contemporary and historical context. Course includes projects and lectures in a variety of illustration genres including: product design and advertising, storyboard, book illustration, editorial illustration, and institutional illustration. A variety of materials will be introduced through lectures and demonstrations for use on assignments such as: pencil, pen and ink, brush, colored pencil, brush and paint, and collage. Critical concepts such as: Conceptual Development, Working on Assignment, Composition, Contrast, Value, Point of View, and Color theory will be introduced.