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Sur­vey of West­ern Art from 1300 to the Pre­sent

Survey of Western Art from 1300 to the Present

This is a course com­par­ing mo­tion pic­tures to their lit­er­ary source sto­ries. We will ex­am­ine how film­mak­ers trans­late ex­ist­ing sto­ries into new ver­sions and the “lan­guage” film­mak­ers use be­yond the writ­ten word. ENG 2400-OL48 (27092) “Fri­days 11:30 – 2:00” asyn­chro­nous–we do not ac­tu­ally “meet” at that spe­cific hour This course will allow stu­dents to ex­am­ine the re­la­tion­ship be­tween film and their lit­er­ary sources. Through class­room dis­cus­sions and out-of-class as­sign­ments, stu­dents will an­a­lyze clas­sic and con­tem­po­rary lit­er­ary texts and their cin­e­matic ver­sions. Stu­dents will ex­am­ine the re­la­tion­ship be­tween film and lit­er­a­ture, with spe­cific focus on the tech­niques used in fic­tion, drama and film and the in­flu­ences of cen­sor­ship and so­ci­ety. Stu­dents will focus on the sim­i­lar­i­ties and dif­fer­ences of lit­er­ary works adapted into films.

This is a course comparing motion pictures to their literary source stories. We will examine how filmmakers translate existing stories into new versions and the “language” filmmakers use beyond the written word. ENG 2400-OL48 (27092) “Fridays 11:30 – 2:00” asynchronous–we do not actually “meet” at that specific hour This course will allow students to examine the relationship between film and their literary sources. Through classroom discussions and out-of-class assignments, students will analyze classic and contemporary literary texts and their cinematic versions. Students will examine the relationship between film and literature, with specific focus on the techniques used in fiction, drama and film and the influences of censorship and society. Students will focus on the similarities and differences of literary works adapted into films.

Prin­ci­ples of three-di­men­sional de­sign. Course cov­ers an analy­sis of form and space. Top­ics in­clude: hol­low forms both geo­met­ric and or­ganic; ar­chi­tec­tonic or­ga­ni­za­tion of space; light and shadow; geo­met­ric solids; the mod­u­lar unit; form and struc­ture in na­ture; lin­ear forms with mem­branes; move­ment. Ap­pli­ca­tions to pack­ag­ing, ar­chi­tec­ture, sculp­ture and en­vi­ron­men­tal de­sign and graph­ics. Ma­te­ri­als and in­her­ent prop­er­ties gov­ern­ing their use in form and space.

Principles of three-dimensional design. Course covers an analysis of form and space. Topics include: hollow forms both geometric and organic; architectonic organization of space; light and shadow; geometric solids; the modular unit; form and structure in nature; linear forms with membranes; movement. Applications to packaging, architecture, sculpture and environmental design and graphics. Materials and inherent properties governing their use in form and space.

In­tern­ship in Com­mu­ni­ca­tion De­sign (Sum­mer In­ten­sive) As­sign­ment to field work/study sit­u­a­tions of ap­prox­i­mately eight to 20 plus hours per week at a graphic arts-re­lated in­tern­ship site ap­proved by the de­part­ment in­tern­ship di­rec­tor. Sites may be in areas such as ad­ver­tis­ing, print­ing, cor­po­rate com­mu­ni­ca­tions or pub­lish­ing. Stu­dents keep a log/jour­nal to be shared in group sem­i­nars/dis­cus­sions. Su­per­vi­sion is by fac­ulty and by the job su­per­vi­sor. Stu­dents will be re­quired to keep a learn­ing jour­nal of their in­tern­ship in the form of a blog using Open Lab.

Internship in Communication Design (Summer Intensive) Assignment to field work/study situations of approximately eight to 20 plus hours per week at a graphic arts-related internship site approved by the department internship director. Sites may be in areas such as advertising, printing, corporate communications or publishing. Students keep a log/journal to be shared in group seminars/discussions. Supervision is by faculty and by the job supervisor. Students will be required to keep a learning journal of their internship in the form of a blog using Open Lab.

This course in­tro­duces stu­dents to core con­cepts in the media field in­clud­ing color the­ory, de­sign and pro­duc­tion ter­mi­nol­ogy, re­pro­duc­tion processes, file for­mats and sub­strates. Dur­ing the se­mes­ter, stu­dents will com­plete three pages of their own ePort­fo­lio web site, com­plete a print de­sign pro­ject and one video pro­ject. Lec­tures will pro­vide stu­dents with a his­tor­i­cal per­spec­tive of the media field as well as dis­cussing cur­rent prac­tices and fu­ture trends.

This course introduces students to core concepts in the media field including color theory, design and production terminology, reproduction processes, file formats and substrates. During the semester, students will complete three pages of their own ePortfolio web site, complete a print design project and one video project. Lectures will provide students with a historical perspective of the media field as well as discussing current practices and future trends.