laxl’s Profile
Graphic Design
My Courses
ComD1100 Graphic Design Principles 1fa2017
The study and use of graphic communication tools through understanding graphic elements and principles geared to the development of sensitivity to the nature of graphic relationships and their control within a given framework. Finding solutions to problems of abstract, conceptual, expressive and applied character, with increasing awareness of the range of properties of black and white and color. Identifying the characteristics, physical properties and psychological effects of black and white and of color for visual expression and practical graphic application. photo credit: Prof. Rosenblatt
COMD3503Spring2019 Topics in Graphic Design
Explores the role of graphic designer in contemporary visual communications with related design assignments and research. Graphic design trends; the impact of computer technology; examination of the work of major 20th century designers; global graphics; the ongoing dialogue between advertising and graphic design. A large emphasis will be placed on awareness of the design world by observing the principles of design in our community: books, publications, web sources, museums and graphic art organizations. Students are expected to gather reference materials for all their projects and are encouraged to use the library resources. http://library.citytech.cuny.edu
CDMG 1112, D304, Wednesday, T. Bauer, Fall 2018
This course introduces students to core concepts in the media field including color theory, design and production terminology, reproduction processes, file formats and substrates. Lectures will provide students with a historical perspective of the media field as well as discussing current practices and future trends.
ENG1101 English Composition, FA2017 SATURDAY
In this composition course, we will explore the art and science of dreaming to practice college writing skills. Can dreams help us understand the self, as Freud argues? Are dreams mystical, magical…even prophetic? Or are they simply the meaningless result of randomly fired neurons? What do they have to do with memory, metaphors, repressed desires, and waking life? How have they driven and inspired artistic endeavors? These questions speak to the uncertainties and ambiguities that scholars grapple with while researching and writing about dreams; however, these complexities also explain why dreams have fascinated great thinkers across historical and disciplinary gulfs, and inspired all types of artists and writers, from William Shakespeare, to Salvador Dalí, to Stephanie Meyers. The topic of dreams is one that integrates the personal and the academic, allowing us, as a class, to practice different kinds of writing, directed at many different types of audiences and disciplines; moreover, there are countless, diverse primary and secondary sources that we will explore and utilize over the course of the semester. As students in this class, you will write four major essays drawing upon ideas and questions previously explored in these sources on dreams, and you will eventually write a research paper that enters these academic conversations. Moreover, as a class, we will all keep dream blogs, documenting our dream lives and reflecting on them through the lens of our course readings and discussions.
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