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This is the introductory course in American Government, with the main focus on the national level but some attention to state and local levels as well. This OpenLab site contains course materials as well as links to news sites and a discussion board to exchange ideas. Please keep disagreements friendly, and please keep in mind that our main purpose is more to analyze than to react and fume. When the course is over, as long as you still have an OpenLab account at City Tech, you are invited to continue posting on this discussion board. To access course materials, click “Visit Course Site” at the right of this page.

This is the introductory course in American Government, with the main focus on the national level but some attention to state and local levels as well. This OpenLab site contains course materials as well as links to news sites and a discussion board to exchange ideas. Please keep disagreements friendly, and please keep in mind that our main purpose is more to analyze than to react and fume. When the course is over, as long as you still have an OpenLab account at City Tech, you are invited to continue posting on this discussion board. To access course materials, click “Visit Course Site” at the right of this page.

This introductory course on African American dramatic literature explores the complex ways in which the black experience is constructed and presented by playwrights. In order to examine who or what informs contemporary Black playwrights, this course is divided into three parts. First, it will include a historical overview of early Black theatre beyond and within the United States. Second, it will analyze how contemporary playwrights have been influenced by Lorraine Hansberry, Leroi Jones, and Ntozake Shange. Third, it will consider the extent to which contemporary Black playwrights use theatre and performance to examine the social and political realities of Africana people. During the semester, students may have an opportunity to experience a theatrical production in New York City.

This introductory course on African American dramatic literature explores the complex ways in which the black experience is constructed and presented by playwrights. In order to examine who or what informs contemporary Black playwrights, this course is divided into three parts. First, it will include a historical overview of early Black theatre beyond and within the United States. Second, it will analyze how contemporary playwrights have been influenced by Lorraine Hansberry, Leroi Jones, and Ntozake Shange. Third, it will consider the extent to which contemporary Black playwrights use theatre and performance to examine the social and political realities of Africana people. During the semester, students may have an opportunity to experience a theatrical production in New York City.