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“Great photography is always on the edge of failure.” — Garry Winogrand An introduction to photography as a fine art and communications medium, from the publication of its invention in 1839 to the present, among Western practitioners. Illustrated lectures and discussions appraise diverse overlapping functions of photographs and view camera work within the history of art and culture. Changing styles, purposes and techniques are outlined chronologically. Additional Description for this section: We will examine the use of photography for aesthetic, documentary, and “scientific” purposes, stylistic shifts in photography related to aesthetic concerns, and varying interpretations of subject matter based on social and cultural concerns at specific moments in history. We will also consider the relationship between photography and the visual arts in general, which culminates with the primacy of photography as a medium by the late twentieth century.

“Great photography is always on the edge of failure.” — Garry Winogrand An introduction to photography as a fine art and communications medium, from the publication of its invention in 1839 to the present, among Western practitioners. Illustrated lectures and discussions appraise diverse overlapping functions of photographs and view camera work within the history of art and culture. Changing styles, purposes and techniques are outlined chronologically. Additional Description for this section: We will examine the use of photography for aesthetic, documentary, and “scientific” purposes, stylistic shifts in photography related to aesthetic concerns, and varying interpretations of subject matter based on social and cultural concerns at specific moments in history. We will also consider the relationship between photography and the visual arts in general, which culminates with the primacy of photography as a medium by the late twentieth century.

Course Description (course catalogue): Introduction to the writings of selected women writers, both major authors and less well-known women writers. A variety of genres including essays, fiction, poems, and plays will be explored. Our Course: Together, we will study the world of women through the eyes of women scholars and creative writers. We will also explore female identity as construed and designed by male authors in an attempt to understand their impact on the perception of girls and women. In doing so, we will examine the evolution of female identity, the current status and perception of the global woman, and the future prospects of girls and women worldwide, as the female identity transitions nationally and internationally. This class is both reading and writing intensive and will address the following socially sensitive topics: representations of girls and women on reality television; racial matters; sex/sexuality/sexual orientation; violence; politics; Class and the culture of power; and gender roles/expectations, among other areas of social concern.

Course Description (course catalogue): Introduction to the writings of selected women writers, both major authors and less well-known women writers. A variety of genres including essays, fiction, poems, and plays will be explored. Our Course: Together, we will study the world of women through the eyes of women scholars and creative writers. We will also explore female identity as construed and designed by male authors in an attempt to understand their impact on the perception of girls and women. In doing so, we will examine the evolution of female identity, the current status and perception of the global woman, and the future prospects of girls and women worldwide, as the female identity transitions nationally and internationally. This class is both reading and writing intensive and will address the following socially sensitive topics: representations of girls and women on reality television; racial matters; sex/sexuality/sexual orientation; violence; politics; Class and the culture of power; and gender roles/expectations, among other areas of social concern.