Movie producer Matt Tyrnauer coordinated Citizen Jane. In the film, he takes us into the prime of magazine news-casting, a male dominated world where Jacobs exceeded expectations while raising a family. While developers like Moses concentrated on vehicles and expressways, Jacobs fought for walkways and pedestrian activity. The film, highlights two almost foes. In one corner is Robert Moses, who changed the city by gutting its poorer areas and raising miles of solid piece lodging ventures and winding superhighways. In the other corner is Jane Jacobs, who drove an uprising against Moses’ dehumanized dream of a cleared over perfect world. She battled his arrangements to demolish Washington Square Park, to bulldoze the delightful noteworthy structures of Greenwich Village, and to separate lower Manhattan with a turnpike that would likely have been the most ruinous and powerful disaster of urban “restoration” in the historical backdrop of the United States. Citizen Jane gives confirmation that as the populace detonates, an ever increasing number of urban areas around the globe are being worked in the spirit of Robert Moses. However the soul of Jane Jacobs is heard each time an area is permitted to develop. What she battled and vanquished, most significantly by keeping a highway out of lower Manhattan, was the model for urban arranging that would steamroll everybody. Jacobs demanded that the city is a place for the general population. That is the reason it can’t simply “serve” them; it needs to express their identity.