ARCH 4709 (Beauty & the Beast III)
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“Beauty and the Beast” deals with digital deformation. Two possible starting points are initially provided to students: a machine and an organic form. The aim is to achieve new, digital-driven compositions confined by the input’s essence, all the while employing beauty, complexity and entropy as the main developing tools in the process. The objective is for students to identify relationships with what is essential in everyday objects as they venture away from the original morphology. It is through excess in the deviations that the students are able to visualize the incomes and outcomes with newly knowledgeable eyes.
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