Fiction Revision Instructions and Revision Note

All fiction assignments have been graded on Blackboard. Late papers and revisions can be turned in between April 26 and April 28, 11:59 pm.

As was mentioned before during our poetry module, revision is an important part of creative writing. Many writers believe that the revision process is where the real creative process begins. Many writers claim that their relationship with their own work changes during this revision process. This post offers instructions for revisions and the Revision Note.

  • If you choose to do a revision, you  must include a Letter to Reader at the top following the instructions below.
  • Revisions and late papers must be turned in on Blackboard between Tuesday, April 26 and Thursday, April 28, end of the day, 11:59 pm. No revisions or late papers  will be considered after that date.
  • Consider going to the WRITING CENTER! The writing center is open during spring break for all of your writing needs and may have more available appointments. See the link here: https://openlab.citytech.cuny.edu/writingcenter/

INSTRUCTIONS FOR THE REVISION AND THE REVISION NOTE:

  • Read my  comments on your work on the manuscript and on the grading rubric on Blackboard
  • Recommended: Reread your own work aloud to yourself or to a listener if you have it (friend, relative, pet, etc.) You can read in person, on the phone, on FaceTime, or in any manner. If you record it, you can also listen to your own voice as a listener. The act of hearing your own words aloud is the important piece for revision.
  • Make necessary changes to your story or stories.
  • At the top of your revision, write a two paragraph reflection titled Revision Note, following the instructions below. Revisions submitted without this note will not be considered for a higher grade. I use this note to understand what you changed and why you changed it.
  • Submit the revision to Blackboard on time in the Major Assignments folder.

Instructions: Revision Note

      1. In the first paragraph, consider the following:
        • Describe what changes you made in this revision or “re-envisioning” of your work.
        • Describe your process of working on the revision: how long did you spend working on this revision? What did you find challenging about revision? What about the process did you like?
      2.  In the second paragraph, consider the following:
        • What have you learned about yourself as a writer by working on this revision?

After you’ve drafted this letter, think about whether the changes you mention in the first paragraph match up with the revision that follows. Will I be able to see the changes you mention when I compare your drafts? If not, then use the letter as a revising tool to make a few more adjustments to your revision. Then, turn in the revision and the Revision Note as a single file in the Major Assignments folder on Blackboard before the due date.

Session 20: Follow Up Notes–turn in your Fiction Assignment

Writers,

Good work on the second workshop. The process can be challenging because it is new, but many students find these workshops helpful for learning about their stories and about fiction.

  • Before our next class: Turn in your Fiction Assignment on Blackboard! The folder is open now through the end of the day on Thursday, April 14. Find it inn the folder marked fiction assignments and will be linked from the announcements page.
  • If you need it, the Fiction Assignment (with page count, format, grading rubric, etc.) is here: Fiction Assignment
  • On Thursday, we begin our last module on memoir writing.

As always, feel free to email with questions (jsears@citytech.cuny.edu) or visit my office hours on ZOOM on Tuesdays and Thursdays, 4-5 pm (https://us02web.zoom.us/j/82754062261)

On Revising and Developing Your Fiction

Revising fiction can be the most rewarding part of the process. Brainstorming and coming up with ideas has a certain excitement, but revision is often where our story ideas become clearer even to ourselves. We discussed three methods of revision: outlining, cutting the first paragraph, writing a paragraph or two from another character’s POV or changing the narrative point of view entirely.

Among the class resources used in today’s discussion:

Revision suggestions: A Month of Revision from Necessary Fiction and if you are interested in language and style, try this “style guide” from Matthew Salesses. 

A short video from the folks at NanoWrimo: Tips from Authors on How to Revise

 

Reminder: Bring your stories to class

Writers,

Just as you did last week, bring stories you are working on to today’s class. We are going to do a final free write for a new story, but we are primarily going to focus on generative exercises for developing them into the assignment. For this, bring a couple of flash fictions or a longer story you’ve been working on.

Last Thursday (March 31), we looked at the Fiction Assignment (linked here). This Thursday, (April 7), you will have your first in-class fiction workshop. Today’s exercises will focus on making stories you’ve started even longer.

See you soon!

Prof. Sears

 

ENG 1141 Fiction Quiz Opens on Blackboard at noon, Monday, April 4

Writers,

This is another reminder that the fiction quiz opens today  (Mon., April 4) at noon  on Blackboard and remains open until noon on Tuesday, April 5. There is a 40 minute time limit once you’ve logged into the quiz.

Make sure to read in advance the stories and flash fictions in this post and use your notes from class: ENG 1141 Fiction Readings: March and April 2022

The quiz will be available on Blackboard in the folder marked: Quizzes and Surveys.

ENG 1141-Bring Your Best Stories to Class Today

Writers,
Please make sure to bring what you think are the strongest stories you’ve written in our class so far. This might be one or two starters for longer work. We will discuss character development when we look at each other’s work.

Also today:

We discuss the overall fiction assignment and the upcoming fiction quiz.
See you soon! The stories on the quiz were listed in this March 15 post. Make sure to review before taking the quiz:

https://openlab.citytech.cuny.edu/eng1141-d307-intro-to-creative-writing/2022/03/15/eng-1141-fiction-readings-march-and-april/

As always, email with questions: jsears@citytech.cuny.edu 

Prof. Sears

Fiction Assignment

Fiction Assignment

Assignment Description

In class we discussed elements of writing fiction: plot, conflict, character, dialogue, setting, consistent point of view, and the structure or “shape” of the story. We have also done writing exercises during class and on the OpenLab discussion board, any of which you can use as starters for your story or stories for this assignment.

For this assignment, you can submit:

  • Flash Fiction:  a series of short-short fictions, each one at least 500 words long. Remember, flash fiction often starts in the middle of the action and ends with a memorable or striking last line. Your series of flash fiction can be connected in some way (such as by character or theme). They can also be separate pieces.

OR

  • One Short story:  a single short story

Note: You are free to explore elements of experimental, speculative, or science fiction. However, folk tales, fairy tales, and children’s literature can not be used for this assignment.

Page Length Requirements

A well written 2 1/4 page submission may qualify for a C.
A well written 3 1/4  page submission may qualify for a B.
A well written 4 1/4 page submission may qualify for an A.

  • These page counts do not guarantee the above grade.
  • Submissions less than 2 1/4 pages will not pass.
  • If you are writing flash fiction, do not start each story on a new page. Continue on the same page if there is room.

Due Dates

DUE: full drafts on Thursday, April 7 in class for Fiction Workshop #1  and Tuesday, April 12 for Fiction Workshop #2.

    • Remember: workshop participation is configured into the overall grade.
    • You are encouraged to to revise the draft in-between the two workshops

DUE: Thursday, April 14, end of day on Blackboard

  • Finish revising your work and upload your  assignment for a grade.
  • Those who turn in their assignment on time will have the opportunity to revise.

Criteria for a Successful Assignment

  • Show effort and thoughtfulness in your writing. This is an introductory course. You are not expected to be an expert fiction writer. You are expected to show that you are trying.
  • Show consideration of the components of fiction discussed in class: we specifically explored use of plot, character, point of view, and dialogue.
  • Take note of page-count/length requirements
  • Participate both days of the in-class fiction workshop
  • Turn the assignment in on time so you can revise where necessary

Grading Rubric

Fiction Assignment Rubric SP 2022

Late Paper and Revision Policy

if you turn in the work on Blackboard on time, you will have one chance to revise the assignment. If you do not turn in the assignment on the first due date, you can turn in your assignment on the revision due date. Late papers do not lose points for being late. You will, however, lose your chance to revise your work.

Instructions for the Fiction Workshop

For the Fiction Workshop, you will bring your assignment to our class on a device or printed out and ready to share with your peers.

We will:

  • First read the work of others in your group in silence, taking notes on the text using the provided handout.
  • Discuss the work of each member in your group
  • Time permitting, we will assess one work per workshop as a class.

Fiction Assignment Format

The sample below shows the format for the assignment:

Spring 2021 Fiction assignment Format

 

Session 16 Follow-Up Notes

Writers,

There is no discussion board for today’s class session, but hold onto stories you’ve begun as we will discuss the Fiction Assignment in class on Thursday. Also keep your notes on today’s discussion of flash fiction as two of the stories we read (“Miracles” and “Sticks”) will be on the quiz. A couple of the questions I asked today were directly from the quiz which will be conducted on Blackboard as it was last time.

Stories  considered today are in our online course files:

Also remember, if you are concerned about having enough material to start working on your fiction assignment, you can use these prompts to get a bit more work down: Writer’s Notebook Prompts for Fiction

Remember, the writer’s notebook prompts are not assignments; they are aids to keep you writing.

See you in class on Thursday,
Prof. Sears

ENG 1141: Discussion Board Notes (Exploring Dialogue and Point of View)

Writers,

I’ll see you soon in class, but while reading through the dialogues on our class discussion board, I have seen a growth character development and creating plot with stakes and urgency.

Some ideas to consider as we move forward: how do we use conflict, tension, character development, and dialogue to make the reader want to continue? There are many good moments on the board so far, but I want to point out a few in particular:

  • Ester’s use of the prompt to write a revenge story that gets the reader involved quickly.
  • Xinhong’s use of emotional urgency when the reader realizes the characters don’t have enough money to eat
  • Dominic’s use of dramatic tension that builds when the reader realizes someone is being asked to kill close family members.
  • Janet’s use of detail in character development. Notice how a main character’s lack of remorse can be compelling when combined with other characteristics. You can think of movies and how characters that are doing questionable things become more complex when we get a glimpse of the mind of the character behind them.
  • Sakif’s story takes on sudden urgency in the very last line of the dialogue.

There were many others! We’ll continue to talk about plot, conflict and how good stories evolve in today’s class on flash fiction. If you haven’t posted on the discussion board, you can still do so here:

https://openlab.citytech.cuny.edu/groups/eng1141-sears-sp2022/forum/topic/session-15-discussion-board-exploring-dialogue-and-point-of-view/

See you in class at 2:30 pm!
Prof. Sears

Session 15 Follow Up Links: Dialogue and Discussion Board

Writers,
Great job for showing up and working on dialogue  on this gray and rainy day. We’ve made it half way through the semester! I’m posting links from today’s class and the link to the required Discussion Board, but want to start off with a couple of reminders:

  • Literary Arts Festival today (March 24, 4:30 pm). The link again if you need it is HERE. Attendance is encouraged, not required. We looked at Layli Long Soldier’s work in class
  • You have a Reading Quiz coming up. It will be on Blackboard as before. Here is the review post with the listed stories. I’ll post more information next week: ENG 1141 Fiction Readings: March and April 2022
  • For those who want to go further with fiction writing than our in-class prompts, here is the Writers’ Notebook Prompt sheet for writing fiction:

Today’s class links:

We discussed writing dialog and used materials from our OpenLab course resources: Ernest Hemingway’s  Hills Like White Elephants and A Clean, Well-Lighted Place and Gabriel Garcia Marquez’s Tuesday Siesta. We discussed how writers shape dialogue on the page and deliver information about character, setting, and importantly, conflict through the voices and crafting of their characters.

We also brainstormed a short story driven by dialogue. Here are instructions for the Discussion Board, due anytime before our Tuesday class.

Session 15 Discussion Board: Exploring POV and Dialogue

For this discussion board, upload EITHER the dialogue you started with our free write in class on Thursday (March 24) or the exercises we did in class exploring Point of View on Tuesday, (March 22).  You should write enough for the reader to sense the conflict that is unfolding on the page.

The discussion board is here: here:https://openlab.citytech.cuny.edu/groups/eng1141-sears-sp2022/forum/topic/session-15-discussion-board-exploring-dialogue-and-point-of-view/