Class Notes: February 22, 2017

We will be finishing up our discussion of Delany’s essay and short story next Monday.  At that time, we will also discuss the excellent contributions to the SF Keywords definitions.  I encourage you to read/re-read Delany’s essay and story,  the notes below, the Delany posts, and the SF Keywords posts before our class next Monday.

February 22, 2017

“Time Considered as a Helix of Semi-Precious Stones” by Samuel Delany, which was published in the late 1960s, is a short story.  The main character is a middle-ranked reluctant thief who simply wants to make a better living.  HCE are the initials used consistently in the multiple names and identities attached to the protagonist and narrator.  HCE as a woman meets Maud, who is an agent and wearing the stone of Jasper, which is a word, and he is not sure if he should approach her or not.  Set in the future, in year –75 (space travel to Triton and Mars, three subways in NYC, three dimensional imaging/holographs, at least 500 years into the future (237)).  Arty, Maud, Singer, HCE (at least three separate characters: the orphan boy named Harold Claney Everett growing up on a farm in Vermont, the small time crook named Hank Culford Eccles, the woman in the high heels named Harmony C. Eventide, big time Hector Calhoun Eisenhower.  Ending appears to be unclear; no big finale.  Consistent limited first person narrator.  Most of the story takes place in a future NYC.

 

  1. 256:  The whole plotof the story appears to be reflected in this passage because throughout the story, Maud has a problem with HCE becoming a big boss.  Maud wants only one top level boss and many lower level thieves.

 

Crime does pay

Space travel

Digital imaging technologies

 

Questions:

1/ Why are the rising people the most dangerous?

2/ Why are the Singers so important?

3/ If HCE is always immersed in his new identities, how/why is he found?

 

“About 5, 750,” published in 1969? is an essay about how you can use different words to express the same thing and claims that there is no separation between style and content in fiction.  The change of a single word in a 700 page novel could be important (2).  Delany also emphasizes how each word revises the context of the words the precede it.  Word choice matters to build up a story.

 

  1. 3:

 

D

Why might Delany’s style be important for writers and readers?  1/ For example, how might Delany’s ideas about writing influence other writers?  How might they influence and affect readers?

2/ Is Delany’s style/ideas used by other science fiction writers/other fiction writers?

3/ How do you think the “structure” of someone’s writing affect the reader.

 

In “About 5, 750 Words,” D. argues that one’s choice of words matters.  In “Time Considered a Helix of Semi-Precious Stones,” he appears to be putting into practice some of his ideas in “About 5, 750 Words.”  It is important to notice the passage on p. 222.

 

What is the significance of the Singers?

What does the title mean?

Group Work: Delany February 22, 2017

Story: Yaya, Kyle, Giovanni, Lorelei (DF), Robert, Oni (GF), Andy

Essay: Ermis (DF), Vlad (GF), Jonathan, Santos, David, Edwin, Josh

Connections: Hussein (GF), Joseph (DF), Michael, Noshin, Jose, Miquel, Sali, Dorian

 

How To Approach a Text: Guidelines for Textual Description, Analysis, and Interpretation

What?  [title, author, date, narrative perspective (s), plot synopsis, characters, themes, genre(s), publication history]

How? [how is it structured? sections? acts? argument?  references?]

Why? [what may the title mean? why is this text interesting and important in the context of the author’s work and in the context of sf studies generally?  what questions does the text raise?  What is unique about it?]

Select one short passage for us to discuss together. [why this passage?]

So What? [3 Discussion Questions for the Class]

 

RWA3: Reading Delany’s Fiction and Criticism and Responding to Course Questions

There are two parts to this week’s assignment:

Part 1/RWA3.1: Reading Delany’s Fiction and Criticism and Part 2/RWA3.2: Responding to Course Questions.  Both are DUE BY MIDNIGHT TUESDAY, FEBRUARY 21.

RWA3.1Reading Delany’s Fiction and Criticism

Please print out a copy of Samuel Delany’s short story “Time Considered as a Helix of Precious Stones” (1969) and his 1968 essay “About 5,750 Words” (1968)  Please read both texts from start to finish.  Then, briefly write about your response to each in your reading journal.  Afterward, please read both again, this time taking notes and attending to the story’s elements as a fictional text (plot, character, setting, narrative perspective, figurative language, themes) more carefully, its relationships to various issues related to science fiction as a genre and to some recurring elements or properties of science fiction texts, and in what ways specific elements of this story may relate to Delany’s essay about the writing and study of fiction.   Afterward, please write some more about each story and the essay, what you now understand about them, and questions that you have about them.

Finally, please post three paragraphs in response to this post BY MIDNIGHT, TUESDAY, FEBRUARY 21, the first briefly summarizing Delany’s story and describing it in terms of its elements as a fictional text, the second briefly summarizing Delany’s essay, the third explaining what you found most interesting about each text and how the two texts may relate to one another.  [Please note: if it is easier to write about each text separately, feel free to use the third paragraph to write about Delany’s story and add a fourth for the essay]  Finally, feel free to post one to three questions that you have about the texts.

Though not required, please feel free to post links that you may have consulted in the process of reading the stories and why you found them helpful.  What is required is that you read the two texts carefully, write about them in your reading journal, and think about them in the context of our class discussions, Russ’s “The Second Inquisition,” Pohl’s “Day Million,” Philip K. Dick’s short story “We Can Remember It For You Wholesale,” our discussions about that story, the issues and topics raised in the “Introduction” to the Wesleyan Anthology of Science Fiction and the collection of responses gathered in “Why Do You Read Science Fiction.”  We will be discussing the storiy and essay and your responses to both in our next class session.

RWA3.2: Responding to Course Questions: Please PRINT OUT a copy of our “Course Questions: Wednesday, Feb. 15, 2017”   Read over the 26 questions.  Professor Rodgers has suggested that these 26 questions fall into five broad categories:  C1/ definitions of literary terms, C2/ definitions of SF terms/keywords, C3/ questions related to Russ’s and Pohl’s stories, C4/ discussion questions related to reading and interpreting science fiction texts, C5/ questions about course assignments.  Make a note of which category you would assign to each of the 26 questions.  Of the questions that you have categorized as belonging to C1, C2, or C3, select 3 questions to respond to and post your responses as a reply to this post.

For extra credit: If you are responding to a question related to defining an SF studies term/keyword (C2), also post your definition as a reply to the SF Keywords Post.  If you are responding to a question related to Russ’s and/or Pohl’s story, also post your response as a reply to the Reading Russ/Pohl Post.

Course Questions: Wednesday, Feb. 15, 2017

  1. How do you define verisimilitude? [see SF Keywords post] / http://www.wwnorton.com/college/english/litweb10/glossary/V.aspx

2. Are canon and megatext synonyms?  If not, how do they differ?  Are they related? [see SF Keywords post and http://www.wwnorton.com/college/english/litweb10/glossary/C.aspx ]

3. How many reading journal entries should we have by now? [We are in week three of the semester, therefore, you should have at least three.  However, we have read and responded to seven texts: the Wesleyan “Introduction,” “Why Do You Read Science Fiction?,” Dick’s story, Pohl’s story, Russ’s story, Delany’s story, and Delany’s essay.  You may have reading journal entries for each of these texts, in which case, you’ll have seven entries.]

4. How do you define “the Golden Age” of Science Fiction?  What are its characteristics? [see SF Keywords post]

5. How do you define “Next Wave” or “New Wave Science Fiction”? [see SF Keywords post]

6. How do you define novum? [see SF Keywords post]

7. How do you define cybernetic?  What was the definition in 1950?  What is the definition today? [see SF Keywords post]

8. In Frederick Pohl’s story “Day Million,” is the character Don a robot, or is he an augmented human?

9. Is time travel a theme? [The simple answer is: “yes.” However, the more complicated answer is much more complicated.  Take a look at the SF Encyclopedia entry for a sense of the complications involved:  http://www.sf-encyclopedia.com/entry/time_travel and the Norton LitWeb for a working definition of theme: http://www.wwnorton.com/college/english/litweb10/glossary/T.aspx]

10. What is the difference between the sf sub-genres of steampunk and cyberpunk? [see SF Keywords post] and sf Encyclopedia

11. Can a science fiction story belong to multiple genres? [yes.  see our ongoing discussion of genre]

12. In Joanna Russ’s story “The Second Inquisition,” are the girl and the visitor related? Is the book supposed to inspire the little girl?  Why did the visitor just leave?

13. What is the narrator trying to explain in the first paragraph of Joanna Russ’s story, “The Second Inquisition”?

14. Why did Professor Rodgers ask us to read the stories by Pohl and Russ?  Why did she not choose to assign more interesting readings?

15. Was the narrator in Joanna Russ’s story imagining the visitor or was the visitor actually there?  How might a reader’s interpretation of this question change his/her interpretation of the story?  Why?  Second question: If the narrator did imagine the visitor, why wouldn’t the visitor have taken her with her?

16. Is gender an issue or theme that comes up often in sf? [yes, does everyone understand the many reasons why this is the case?]

17. What is the difference between a cyborg and cybernetics?

18. What connections exist between fantasy and sf? [see our ongoing discussion of genre]

19. What did Don do in the space ship?

20. Is the visitor in Russ’s story a figment of the narrator’s imagination or is she actually a visitor from another town who happens to be traveling through time?

21. How do you define “hard sf”?  Is it science fiction backed by scientific fact?

22. Does the term “man” relate to the gender or sexuality of an individual?  What is the difference between gender and sexuality?

23. How old is the slipstream subgenre of sf?

24. What distinguishes the three primary “eras” of sf in the U.S. in the 20th c.?

25. What thematic connections exist between Joanna Russ’s story “The Second Inquisition” and Frederick Pohl’s story “Day Million”?  What other types of connections exist between the two stories, i.e., specific shared attributes of the characters, plot points, setting, figurative language, symbols, etc.?

26. Is there some relationship between “magical realism” and sf? [yes: http://www.sf-encyclopedia.com/entry/magic_realism ]

Five categories of questions:

1/ definitions of literary terms

2/ definitions of SF terms

3/ questions related to Russ’s and Pohl’s stories

4/ discussion questions related to reading and interpreting science fiction texts

5/ questions about course assignments

RWA2: Reading Pohl’s “Day Million” and Russ’s “The Second Inquisition”

Please print out a copy of Frederick Pohl’s short story “Day Million” and Joanna Russ’s short story “The Second Inquisition.”  Please read both stories from start to finish.  Then, briefly write about your response to each in your reading journal.  Afterward, please read both stories again, this time taking notes and attending to some of their elements as fictional texts (plot, character, setting, narrative perspective, figurative language, themes) more carefully, their historical and authorial contexts, and their relationships to various issues related to science fiction as a genre and to some recurring elements or properties of science fiction texts.  Afterward, please write some more about each story, what you now understand about it, and questions that you have about it.

Finally, please post three paragraphs in response to this post BY MIDNIGHT, TUESDAY, FEBRUARY 14, the first briefly summarizing Pohl’s story and describing it in terms of its elements as a fictional text, the second briefly summarizing Russ’s story and describing it in terms of its elements as a fictional text, the third explaining what you found most interesting about each story.  [Please note: if it is easier to write about each text separately, feel free to use the third paragraph to write about Pohl’s story and add a fourth for Russ’s story.]  Finally, feel free to post one to three questions that you have about the stories or that you would like to pose to the authors of the stories.

Though not required, please feel free to post links that you may have consulted in the process of reading the stories and why you found them helpful.  What is required is that you read the stories carefully, write about them in your reading journal, and think about them in the context of our class discussions, Philip K. Dick’s short story “We Can Remember It For You Wholesale,” our discussions about that story, the issues and topics raised in the “Introduction” to the Wesleyan Anthology of Science Fiction and the collection of responses gathered in “Why Do You Read Science Fiction.”  We will be discussing the stories and your responses to them in our next class session.

Course Questions, Wesleyan “Introduction” and “Why Do You Read Science Fiction”

1/ Please read over Professor Rodgers’ responses to the questions about our course posted on the OpenLab site: https://openlab.citytech.cuny.edu/sciencefiction-rodgers-spring2017/2017/01/31/questions-about-our-course/

If you still have questions after reading through these posts, please bring them to class on Wednesday.

2/ Re-read pp. 15-17 of the “Introduction” to the Wesleyan Anthology of Science Fiction.  Make a list of some of the key elements of science fiction mentioned.

3/ Review your contribution to “Why Do You Read Science Fiction?” in relation to Some Elements of Fiction and Some Elements of Science Fiction (in process) and the Dick story.  Be prepared to discuss all four texts in our next class.

RWA1: Reading Philip K. Dick’s “We Can Remember It For You Wholesale”

Please print out a copy of Philip K. Dick’s short story “We Can Remember It For You Wholesale,” which was published in 1966.  Read the story from start to finish.  Then, briefly write about your response to the story in your Reading Journal.  Afterward, please read the story again, this time taking notes on the story and attending to some of its elements (plot, character, theme, setting, figurative language, narration strategies) more carefully, its historical and authorial context, and its relationship to various issues related to science fiction as a genre and science fiction studies as laid out in the “Introduction” to the Wesleyan Anthology of Science Fiction.  Afterward, please write some more about the story, what you now understand about it, and questions that you have about it.

Finally, please post one paragraph in response to this post BY NOON, MONDAY, FEBRUARY 6, describing what you found most interesting about the story and one to three questions that you have about it.

Though not required, please feel free to post links that you may have consulted in the process of reading the story and why you found them helpful.  What is required is that you read the story carefully, write about it in your reading journal, and think about it in the context of the issues raised in the Introduction to the Wesleyan Anthology of Science Fiction, and then post some of your thoughts about it.  We will be discussing the story in our next class session.