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Reminders for TUESDAY CLASS Next Week

Hi Class,

I was very impressed by your contributions today! I’m hoping for more of the same next week.

REMEMBER:  We have class on Tuesday and Wednesday of next. There is no school on Monday (Yom Kippur). Tuesday follows a Monday schedule. So I will see you at 8:50 on Tuesday, Sept. 29.

Homework:

Read “Bartleby the Scrivener; Or, a Tale of Wall Street” by Herman Melville and “A Rose for Emily” by William Faulkner. The Melville story is longer, so reserve adequate time to read it and take notes.

Then write and post Coffeehouse Post #3. For this post, answer these two questions: can you identify a paradox within the stories? Second, which characters, if any, are redeemed? (what is the redemption about? and who does the redeeming?) 300 words total.

 

Best,

Prof. Scanlan

 

 

Homework: for Wednesday, Sept. 23

Hi Class,

Nice job with the discussion and your questions.

For Wednesday, please review “The House of Asterion” and “A Very Old Man With Enormous Wings” and then prepare/write a paragraph in which you describe what you think the story is an allegory for. I will go around the room and ask you each student to discuss their ideas.

 

Also: look up these terms: Focal point, focalizer, sarcasm, paradox, redemption

**It may help to use a literary dictionary. Here’s a link to the Oxford Dictionary of Literary Terms (you may need to be logged in to City Tech library to use this): The Oxford Dictionary of Literary Terms (4 ed.)

 

More help on Allegory: an allegorical narrative illustrates a larger, more complex lesson or truth related to the actual world. From the Oxford Dictionary of Literary Terms: In written narrative, allegory involves a continuous parallel between two (or more) levels of meaning in a story, so that its persons and events correspond to their equivalents in a system of ideas or a chain of events external to the tale.

 

Best,

Prof. Scanlan

Homework and Information for Monday, Sept. 21

Hi Class,

Here is your homework for Monday’s class:

1—Define these three terms:

-Allegory

-Flashback

-Irony and Dramatic Irony

 

2—Read two stories (in Readings menu tab; make sure to take notes and write down questions. I will ask you for questions on Monday):

• “The House of Asterion” by Jorge Luis Borges

• “A Very Old Man with Enormous Wings” by Gabriel Garcia Marquez

 

3—Write Coffeehouse Post #2. After reading these two stories, briefly describe the three Gothic Elements in the two stories (300 words), and then post to the Category: Coffeehouse #2.

Gothic Elements:

Characters: Heroes and Villains, Thieves and bandits and mysterious people, maidens and old women

Plot Points: the night journey, the trap, the escape, the miraculous survival, death/near death, the dream, the nightmare, the return to normalcy

Settings: castles, crypts, churches, graves, old houses, underground, basements, attics, forests, darkness or dark spaces, bleak or stormy settings—especially windswept, cloudy landscapes

 

*Remember: class time now at 8:50.

*I will have quiz 1 graded by Monday and we will go over the answers.

 

Have a good weekend,

Prof.  Scanlan

Class Information for Monday, Sept. 14

Hi Class,

 

•  Thank you so much for your questions and comments. I think I will start class ten minutes earlier on Monday. I feel too rushed by starting at 9.

  •  Almost everybody is now a member of the class! Thanks. And keep working on that first Virtual Coffeehouse post if you have not finished posting it yet.

  •  For Monday: In preparation for Quiz 1:

1–Read “Young Goodman Brown,” “An Occurrence at Owl Creek Bridge,” and “The Yellow Wallpaper” (Readings menu tab)

2–Review key concepts:

–5-part reading tool

-Spirit of Perverseness

-Gothic definitions: CG Irony

 

Cheers,

Prof. Scanlan

Information for Wednesday, Sept. 9, 2020

Hi Students,

Please use the set Zoom link for Wednesday’s Class…This link is below in the Sept. 2 post.

 

Reminder: Homework for Wednesday is posted on the Virtual Coffeehouse page. Essentially, you are to write and post your first Coffeehouse post.

——————————-

 

Zoom information for Zoom drop-in Office Hours:

 

Zoom Office Hours:
https://zoom.us/j/94615027603?pwd=Wk03TStwbUNTZ2U1ZjdGZy83a2F6Zz09

Meeting ID: 946 1502 7603
Passcode: 607940

——————————

See you Wednesday morning at 9!

Best,

Prof. Scanlan

Homework for Wednesday, Sept. 2

 

 

Hi Students,

1—I’m so sorry that I went over on time today! I really lost track of when the class ended. I will try to be aware of that from now on.

2—Thanks to everyone who volunteered to read or asked questions. I wrote down the names of all those students—they get maximum participation points for the day.

3—Please register on OpenLab, and then join my class. Make sure to bookmark the URL for our class website, if you have not done so already.

4—Homework:

For Wednesday, please read “The Lottery,” by Shirley Jackson. Find this story on the “Readings” menu tab—near the bottom. Then, in your notes, answer at least two questions in each of the five categories in the 5-Part Reading Tool handout (also in the Readings menu tab). Pay special attention to plot and also this question: what should we learn from this story? Put another way, does this story have a lesson?

 

 

 

**Email any questions that you have.

Best,

Prof. Scanlan

Welcome Students!

Dear ENG2001 Students:

Greetings, and welcome to ENG2001: Introduction to Literature: Fiction at City Tech. I am your professor, Sean Scanlan, and I look forward to working with you this semester.

As the Fall 2020 semester begins on Wednesday, August 26, I wanted to let you know some important information about our online course.

Our class is synchronous. This which means that we have set meeting days and times, and I am obligated to take attendance. We meet Mondays and Wednesdays from 9:00 to 9:45 on Zoom. The schedule says we meet from 8:30 – 9:45, but that time was for in-class meetings before the pandemic. The administration has said that online synchronous classes need to meet for at least half of the stated three hours per week, and we are meeting for more than that. Know that I am available to help support your work in this course, through weekly office hours, which will not be in person, but will be through Zoom, phone, or email appointments (see details on our site).

 

 

If you have trouble getting onto Zoom, please email me: sscanlan@citytech.cuny.edu.

HOMEWORK: These two tasks are due before class on Monday, August 31:

1–Please fill out the questionnaire located under the Vital Information on the right sidebar.  This form will help me to see where everybody is in terms of tech, access, and feelings.

2–Read Edgar Allen Poe’s “The Black Cat” –find this story in the “Readings” menu tab…it is the fifth item from the bottom. And in your notes (either a physical notebook or on your digital device) write down: Author’s name, story title, date of publication, setting, narration style (first, second, or third person), basic plot (what happens in the beginning, middle, and end of the story), and…did you like the story?–Why or why not?

Sincerely,

Sean Scanlan


If time allows, let’s ask discuss the concept of the story. What is a story? Can we define it?

A short story is an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot (Merriam-Webster online dictionary)

Let’s read this short story by Jose Luis Borges:

 

The Captive

by Jose Luis Borges, published 1960

 

The story is told in Junín or in Tapalquén. A boy disappeared after an Indian attack. People said the Indians had kidnapped him. His parents searched for him in vain. Then, long years later, a soldier who came from the interior told them about an Indian with blue eyes who might well be their son. At length they found him (the chronicle has lost the circumstances and I will not invent what I do not know) and thought they recognized him. The man, buffeted by the wilderness and by barbaric life, no longer knew how to understand the words of his mother tongue, but indifferent and docile, he let himself be led home. There he stopped, perhaps because the others stopped. He looked at the door as if he did not know what it was for. Then suddenly he lowered his head, let out a shout, ran across the entrance way and the two long patios, and plunged into the kitchen. Without hesitating, he sank his arm into the blackened chimney and pulled out the little horn-handled knife he had hidden there as a boy. His eyes shone with joy and his parents wept because they had found their son.

Perhaps this recollection was followed by others, but the Indian could not live within walls, and one day he went in search of his wilderness. I wonder what he felt in that dizzying moment when past and present became one. I wonder whether the lost son was reborn and died in that instant of ecstasy; and whether he ever managed to recognize, if only as an infant or a dog does, his parents and his home.

                               Source: Borges, Jorge Luis. Collected Fictions. Translated by Andrew Hurley. Penguin, 1998, p 300.

 

How should we read this? Let’s explore our five-part short story reading tool (Readings menu tab)

 

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