Author: Alicia R

Final Essay

Alicia Rajcoomar  

Final Essay, ENG 2001  

December 3, 2020 

For the Children 

As members of society, we all follow a set of ethics that essentially govern our behaviors. We use these ethics to determine what is “good” and what is “bad”. Ethics can fall into 5 categories: Deontology ethics, Virtue ethics, Utilitarian ethics, Feminist ethics and Global ethics. Simply, deontology ethics are following a set of rules and using those rules to make your choices. Virtue ethics are based off the type of person you want to be. Utilitarian ethics is the theory that the right action produces the most good. Feminist ethics are ethics that value non-masculine traits. Lastly, global ethics are about fairness and equality for all. These ethics aren’t just present in our real lives, but also the lives of fictional characters in stories.  In “The Veldt” by Ray Bradbury, we encounter characters that make interesting and extreme decisions that begs the question, “What set of ethics does each character follow?” In order to answer this question, first I am going to summarize “The Veldt” and discuss the genre because I believe it is significant to the character’s lives. Then I am going to analyze the characters that make important decisions in some of the most important scenes of the story and finally I am going to select the ethics the characters seem to follow in each scene. At the end, I am going to summarize every important point mentioned in this essay and discuss how ethics control our lives. 

“The Veldt” by Ray Bradbury is a form of modernist literature, meaning that it rejects the 19th-century traditions. According to the Oxford definition of modernism, “Modernist writers tended to see themselves as an avantgarde disengaged from bourgeois values and disturbed their readers by adopting complex and difficult new forms and styles.” So even though “The Veldt” is a form of modernist literature it still aims to disturb their readers by using unique techniques much like Gothic literature. This is significant to the character’s lives because the characters live a dark life and the parents of the story meet a dark demise, set up for them by their own children. In “The Veldt” parents, George and Lydia live in a house that is powered to do everything for them. Their children, Wendy and Peter specifically love the nursery of the house because they can turn the room into whatever they imagine. George and Lydia’s decisions are always made based off what their children want, until they’ve had enough of feeling useless and want the whole family to go on a little vacation, so they make the decision to turn the power to the house and nursery off. The children become furious because of this and demand that the power be turned back on. George and Lydia give in to their children and restore the power to the nursery. The children lure their parents into the nursery where they are then eaten alive by lions and killed.  

From this short summary we can identify a few main decisions that were made, that prove to be significant. One decision would be that of George and Lydia deciding to give their children whatever they want because this behavior makes the children believe that they can do whatever they wish to do. Another decision would be Wendy and Peter’s decision to imagine the Veldt scene in the first place because this shows that they already had something in place for their parents just in case they didn’t get what they wanted. The major decision would have to be George and Lydia turning the power to the nursery off because it prompted the children to lure them to their death. The last decision would be, Wendy and Peter luring their parents into the nursery because it resulted in their parent’s death. All these decisions are made in the most important scenes of “The Veldt” but what kind of ethics do the characters follow in order to make them?  

To answer this question, I am going to start by analyzing George and Lydia’s first decision. In the very beginning of “The Veldt” the narrator tells us what kind of parents, George and Lydia are. “They stood on the thatched floor of the nursery. It was forty feet across by forty feet long and thirty feet high; it had cost half again as much as the rest of the house. But nothing’s too good for our children, George had said.” (Bradbury, 2) From this quote we see that George and Lydia are willing to do anything to make their children happy, this includes having an expensive, grand and high-tech nursery that brings the children’s thoughts to life. Another example of George and Lydia’s parenting is shown on page 5, “At dinner they (George and Lydia) ate alone, for Wendy and Peter were at a special plastic carnival across town and bad televised home to say they’d be late.” (Bradbury, 5) The age of the children is never revealed but George and Lydia allow them to be out late on their own doing what they please. These decisions that they make are for their children and appears to be following the Utilitarianism ethics. This ethic states that one should maximize the overall good for others as well as yourself. It also states that it rejects moral codes that consist of commands. A lot of parents discipline their children (moral code that consist of commands) and avoid giving them whatever they want so that they don’t become spoiled. George and Lydia reject this moral code and instead gives their children everything they want to make them happy. While they make decisions for their children, Wendy and Peter make decisions for themselves and are willing to defend this ability by any means possible.  

The next decision I want to analyze is Wendy and Peter creating the scene of the Veldt even before their parents turn off the power to the nursery. At the beginning of the story Lydia tells George to come and see the scene that the children had created because she found it disturbing and scary. â€œThe walls began to purr and recede into crystalline distance, it seemed, and presently an African veldt appeared.” (Bradbury, 2) This is the parents first encounter with the veldt, they visit it while Wendy and Peter are at the carnival. It appears, they wanted their parents to discover it while they weren’t at home because when their parents asked about it, they lied and changed the scene of the nursery. â€œI don’t remember any Africa, said Peter to Wendy. Do you? No.” (Bradbury, 6) Peter then tells Wendy to run and check and when she returns, she says it’s not Africa. When George and Lydia go to inspect the nursery they see, “a green lovely forest, a lovely river, a purple mountain…” (Bradbury, 7) The children lie and play mind games with their parents in order to convince them that they hadn’t seen the veldt scene in the nursery. This behavior follows virtue ethics because it is self-centered, and Wendy and Peter only care to make decisions for themselves. As the story progresses George and Lydia begin to make decisions following virtue ethics because they realize that they need to start making decisions for themselves in order to be happy.  

Initially, Lydia admits that she feels useless because their house does everything for them, and she feels like it’s more of a wife and mother than she is. Later on, in the story George begins to feel this way as well and they decide to turn the power to the house and nursery off and take a family vacation. “Matter of fact, we’re thinking of turning the whole house off for about a month. Live sort of a carefree one-for-all existence.” (Bradbury, 9) This decision follows the virtue ethic because even though George is making the decision for his family, he doesn’t take what the children want into consideration and this aspect of it is self-centered. This is the moment that solidifies the children’s plan for their parents because Peter warns George not to consider turning the power off to the nursery and when George says he won’t be threatened by his son, Peter says “Very well” and strolls of to the nursery. (Bradbury, 9) The children already decide their parent’s faith and continue to follow virtue ethics to murder their parents.  

This last decision of the story by Wendy and Peter prove that they are self-centered and are willing to do whatever it takes to protect their own happiness without really thinking about what they’re doing and the consequences their actions will have. Wendy and Peter are well aware that they have their parents wrapped around their fingers, so they use this to lure their parents into the nursery. “Just then they heard the children calling, Daddy, Mommy, come quick-quick… They ran into the nursery. The veldtland was empty save for the lions waiting, looking at them… The door slammed.” (Bradbury, 12) After making their final decision for their children, George and Lydia meet their demise as they are torn apart by lions. â€œMr. and Mrs. Hadley screamed. And suddenly they realized why those other screams bad sounded familiar.” (Bradbury, 13) After their parents are murdered by the lions, Wendy and Peter sit down together to share a cup of tea, unaffected at what they had just done. They were so blinded by wanting to be children who could do whatever they want and have whatever they want that they murdered their parents for trying to get in the way of that.  

In conclusion, all the decisions made by each character played a role in what the other characters were going to do next and as we saw, it ultimately led to the death of George and Lydia. They cared and loved their children so much that they reject the moral code that consist of commands and gives their children everything they want. They realize too late that their children are spoiled and out of control but in an attempt to save their family they turn to being self-centered and don’t take what their children want into consideration. In the end we see that Wendy and Peter have always been following virtue ethics in order to make their decisions and from the beginning they were ready to get rid of their parents if they got in the way of them getting what they wanted, which was the nursery. When they were threatened by their parents, they decided it was time to get rid of them and used their parents love and care to their advantage. George and Lydia’s want for their children to be well and happy drove them to their death because they fell for the trap Wendy and Peter set for them. “The Veldt” shows us that ethics can control our lives. For example, when someone feels their ability to do what they want is at risk they will do whatever is necessary to defend it, some would even go as far as Wendy and Peter did and kill out of being self-centered.  

Work Cited  

Bradbury, R. (1950). The Veldt.  https://repositorio.ufsc.br/xmlui/bitstream/handle/123456789/163728/The%20Veldt%20-%20Ray%20Bradbury.pdf 

Oxford University, P. (2008). Modernism.  https://www.oxfordreference.com/view/10.1093/acref/9780199208272.001.0001/acref-9780199208272-e-737?rskey=zxk3Q6 

Scanlan, S. (2020). A short introduction to five types of ethics.   https://openlab.citytech.cuny.edu/profscanlan-english2001-fiction-f2020/files/2020/11/Five-types-of-Ethics-fall-2020.docx 

Virtual Coffeehouse #5

One of my favorite stories that I’ve read this semester has to be “The Veldt” by Bradbury. The story is strange and dark and foreshadows such a sinister ending that I myself did not see coming. The idea of giving your children everything that they want just to please them seems a lot scarier now after reading because there are some real-life situations much like the one told in “The Veldt”. Parents, George and Lydia live in a house that is powered to do everything for them. Their children, Wendy and Peter specifically love the nursery of the house because they can turn the room into whatever they imagine. Both George and Lydia have had enough of feeling useless and want the whole family to go on a little vacation, so they make the decision to turn the power to the house and nursery off. The children become furious because of this and demand that the power be turned back on. George and Lydia give in to their children and restore the power to the nursery. The children lure their parents into the nursery where they are then eaten alive by lions and killed. The decision of the children is extreme by all means but there some people out there that really do become so upset at someone else’s decision that they hurt or even kill them.  

Another one of my favorite stories would have to be “Say Hello, Wave Goodbye” by Parsons. The story follows a young female immigration officer working for the United Kingdom Border Agency (UKBA) by the name of Jaswinder Smith (Jazz). She takes her job of determining who has the right reasons to be in the UK, very seriously. She seems to have a lot of experience because she handles each passenger with a no-nonsense attitude and can tell if they are being honest or not by the tone of their voice and answers they give to her questions. She decides who has the right reasons to be in the UK by examining each passenger’s passport and asking them why they have come to the UK. If you look at the passenger’s decisions, you can see that they weren’t as thought out as all of Jazz’s decisions. For example, Megan said that she came to the UK to visit Madame Tussauds to look at candles when it’s a famous wax museum filled with wax-figures of famous people. Another passenger that Jazz was familiar with decided to eat his passport but later came to find that the airport had an X-ray machine to look inside of him. Even though the passengers didn’t help themselves with the decisions they made, it helped Jazz make her ultimate decision of who was there for the wrong reasons or not.    

Midterm Essay

Alicia Rajcoomar 

Midterm Essay, ENG 2001 

Oct 26, 2020 

Innocence Betrayed  

Gothic literature often pushes the limits of our form of normalcy using death, mental illness and the nature of uncertainty to address an array of our everyday issues.  In Edgar Allen Poe’s “The Black Cat” we witness the unnamed narrator fall victim to alcoholism and commit unexplainably violent acts that end in death, to his cat Pluto and unnamed wife. Similarly, in Nathaniel Hawthorne’s “Young Goodman Brown” we experience a series of events that makes Goodman Brown lose trust in his wife, Faith. The events that â€œtake place” create a nature of uncertainty and pose the question, “Did these events really take place or are we witnessing a character that is descending into madness?” Both stories address the betrayal of innocence but in different ways and raises the question “Does gender play a role in the events that occurred for the women of these stories?”  

In order to answer this question, I intend to focus on the wife in “The Black Cat” and the wife, Faith from “Young Goodman Brown” by comparing their situations because in terms of the betrayal of innocence, these women were betrayed in different ways. I am going to start off by discussing in detail the events that led up to the unnamed wife’s death in “The Black Cat” and the mentality of her husband. I am then going to discuss Goodman Brown’s exchange with Faith before leaving for his journey and how the nature of uncertainty leads him to betray his wife. The betrayal of innocence will show us how individuals who don’t do anything wrong still end up getting betrayed due to a power dynamic and this is where gender comes in. This essay will be wrapped up by summarizing how these women were betrayed by their husbands because of their gender and lack of power.  

“The Black Cat” is told from a first-person perspective and early in the story the narrator admits to his alcoholism and his actions because of it. â€œI grew, day by day, more moody, more irritable, more regardless of the feelings of others. I suffered myself to use intemperate language to my wife. At length, I even offered her personal violence.” (Poe, 4) This is a prime example of the power dynamic between the narrator and his wife. He exerts his power over her by verbally and physically abusing her. The narrator is also fully knowledgeable of his actions towards his wife but doesn’t seem to care. “The moodiness of my usual temper increased to hatred of all things and of all mankind; while from the sudden, frequent, and ungovernable outbursts of a fury to which I now blindly abandoned myself, my uncomplaining wife, alas, was the most usual and the most patient of suffers.” (Poe, 11) Here we have the narrator acknowledge his abuse that’s usually targeted towards his wife by saying that she is patient and doesn’t complain. The narrator is again using his power to belittle his wife by making it seem as if she’s okay with being abused. We don’t get the opportunity to explore how she feels because the narrator murders her.  

“Uplifting an axe, and forgetting, in my wrath, the childish dread which had hitherto stayed my hand, I aimed a blow at the animal, which, of course, would have proved instantly fatal had it descended as I wished. But this blow was arrested by the hand of my wife.” (Poe, 11) The wife tries to stand up to the narrator in order to protect the cat, but we will see that he doesn’t like her display of power and does the extreme to reinstate his power over her, “Goaded by the interference into a rage more than demonical, I withdrew my arm from her grasp and buried the axe in her brain. She fell dead upon the spot without a groan.” (Poe, 11) The wife is betrayed by her own husband from the beginning of the story when he admits to abusing her and it gets so extreme to the point that he murders her without a second thought after she stops him from killing the cat. Now let’s look at how this form of betrayal is both different and similar to the one that Faith endures.  

Goodman Brown doesn’t hurt or kill his wife, Faith, but he does however betray their marriage like the narrator from “The Black Cat”. In both stories their betrayed by their husbands not because of something they did, but because of their husband’s personal issues. In “The Black Cat” it was the narrator’s alcoholism but in “Young Goodman Brown” it’s Goodman Brown’s uncertainty towards the events that might or might not have taken place.  Let’s first discuss when Goodman Brown and Faith say goodbye to each other before his journey. â€œDearest heart, whispered she (Faith) … pr’ythee, put off your journey until sunrise, and sleep in your own bed tonight â€Ś  Pray, tarry with me this night, dear husband, of all nights in the year.” (Hawthorne, p. 1) Faith is begging with her husband to stay home for the night instead of going on his journey because of some bad thoughts she’s been having. In response Goodman Brown says “of all nights in the year, this one night must I tarry away from thee” to which Faith replies “Then God bless you! And may you find all well, when you come back.” (Hawthorne, p.1) We see a bit of a display of power dynamic here with Faith giving up so easily on trying to get her husband to stay home after he states that he must go tonight. Despite this, it seems that the two love and care for each other deeply but this all changes during Goodman’s night journey.  

Before Goodman gets too far along in his journey it is important to note that he says “Well; she’s (Faith) a blessed angel on earth; and after this one night, I’ll cling to her skirts and follow her to Heaven.” (Hawthorne, p.6) This is important because his actions later in the story differ from what he says and feels for Faith right now. On his journey Goodman meets an old man with a staff that is adorned with a serpent. The old man offers the staff to Goodman, but he declines and states that he’s going to return to his wife when an old woman appears. Goodman hides so that he isn’t seen with the man and witnesses the old woman referring to the old man as the “devil” and a “witch” regarding herself. He begins to hear the voices of other people in the village heading to a ceremony, and thinks he hears and sees his wife, Faith. He grabs the walking stick the old man gave him before disappearing and it transports him to the ceremony. He is then grabbed and brought in front of an unknown woman they are told that they must show themselves to each other and Goodman Brown finds out that the woman is his wife. â€œThe husband cast one look at his pale wife, and Faith at him … Faith! Faith! Look up to Heaven, and resist the Wicked One!” (Hawthorne, p.11) It is unclear if Faith obeyed him or not because suddenly, he was all alone.  

It is unclear to both the reader and Goodman if these events took place or not, but they drive Goodman into a form of madness and anxiousness that leaves him not trusting his wife. “Turning the corner by the meeting-house, he (Goodman) spied the head of Faith, with the pink ribbons, gazing anxiously forth, and bursting into such joy at the sight of him, that she skipped along the street, and almost kissed her husband before the whole village. But Goodman Brown looked sternly and sadly into her face, and passed on without a greeting.” (Hawthorne, p.12) Referring back to the quote about Goodman clinging to Faith when he gets back, we can see that his anxiousness is making him want little to do with his wife. Faith and her marriage are betrayed by Goodman because he no longer trusts her after the events that “occurred”. He believes that he has the power to ice out his wife and that is what he does for the remainder of his life until he dies.  

Lastly, let’s take a deeper look at both women by directly comparing their actions and scenes they were in. Using the gothic element of character stereotypes, we can categorize the wife in “The Black Cat” as a damsel in distress. Leading up to her death, the wife is verbally and physically abused by her husband. Despite the abuse and her lack of power, she still tries to stand up for the cat by protecting it from her husband, but she becomes the ultimate victim by being brutally murdered. This differs from the character stereotype of Faith in “Young Goodman Brown”. She can be categorized as a silent wife. It can be inferred that even though Goodman Brown no longer trusted his wife, they remain together until the day he dies. Even though her husband treated her coldly and it was apparent that he felt differently towards her, she still stayed with him and took whatever treatment he gave her. Different from the wife in “The Black Cat” Faith never stood up against her husband and instead lived with that kind of treatment until Goodman passed away. However even though she didn’t stand up for herself the same could be said about the wife in “The Black Cat” because when she stood up against her husband, she was doing it for the cat and not herself.  

In conclusion, the fact that Faith and the unnamed wife are women does play a role in the way their husbands treated them. Both women did nothing to deserve to be betrayed but in the eyes of Goodman Brown and the narrator from “The Black Cat” the women committed acts that they felt were wrong, so they exerted their power over them as a form of punishment. The unnamed wife was brutally murdered because the narrator didn’t like that she protected the cat and Goodman Brown lost trust and acted coldly to Faith because he thought she disobeyed him. If the gender roles were reversed the narrator would have probably made the wife stop drinking and Goodman Brown probably would have thought that Faith was mentally unwell. Gothic literature uses the extreme actions of its characters to create an allegory for our present world. We see that it addresses relationship issues such as trust and domestic abuse as well as individual and social issues like alcoholism, possible mental illness and gender roles in the sense of power dynamics.  

Midterm Essay Draft

Alicia Rajcoomar 

Midterm Essay, ENG 2001 

Oct 19, 2020 

Innocence Betrayed  

Gothic literature often pushes the limits of our form of normalcy using death, mental illness and the nature of uncertainty to address an array of our everyday issues.  In Edgar Allen Poe’s “The Black Cat” we witness the unnamed narrator fall victim to alcoholism and commit unexplainably violent acts that end in death, to his cat Pluto and unnamed wife. Similarly, in Nathaniel Hawthorne’s “Young Goodman Brown” we experience a series of events that makes Goodman Brown lose trust in his wife, Faith. The events that â€œtake place” create a nature of uncertainty and pose the question, “Did these events really take place or are we witnessing a character that is descending into madness?” Both stories address the betrayal of innocence but in different ways and raises the question “Does gender play a role in the events that occurred for the women of these stories?”  

In order to answer this question, I intend to focus on the wife in “The Black Cat” and the wife, Faith from “Young Goodman Brown” by comparing their situations because in terms of the betrayal of innocence, these women were betrayed in different ways. I am going to start off by discussing in detail the events that led up to the unnamed wife’s death in “The Black Cat” and the mentality of her husband. I am then going to discuss Goodman Brown’s exchange with Faith before leaving for his journey and how the nature of uncertainty leads him to betray his wife. The betrayal of innocence will show us how individuals who don’t do anything wrong still end up getting betrayed due to a power dynamic and this is where gender comes in. This essay will be wrapped up by summarizing how these women were betrayed by their husbands because of their gender and lack of power.  

“The Black Cat” is told from a first-person perspective and early in the story the narrator admits to his alcoholism and his actions because of it. â€œI grew, day by day, more moody, more irritable, more regardless of the feelings of others. I suffered myself to use intemperate language to my wife. At length, I even offered her personal violence.” (Poe, 4) This is a prime example of the power dynamic between the narrator and his wife. He exerts his power over her by verbally and physically abusing her. The narrator is also fully knowledgeable of his actions towards his wife but doesn’t seem to care. “The moodiness of my usual temper increased to hatred of all things and of all mankind; while from the sudden, frequent, and ungovernable outbursts of a fury to which I now blindly abandoned myself, my uncomplaining wife, alas, was the most usual and the most patient of suffers.” (Poe, 11) Here we have the narrator acknowledge his abuse that’s usually targeted towards his wife by saying that she is patient and doesn’t complain. The narrator is again using his power to belittle his wife by making it seem as if she’s okay with being abused. We don’t get the opportunity to explore how she feels because the narrator murders her.  

“Uplifting an axe, and forgetting, in my wrath, the childish dread which had hitherto stayed my hand, I aimed a blow at the animal, which, of course, would have proved instantly fatal had it descended as I wished. But this blow was arrested by the hand of my wife.” (Poe, 11) The wife tries to stand up to the narrator in order to protect the cat, but we will see that he doesn’t like her display of power and does the extreme to reinstate his power over her, “Goaded by the interference into a rage more than demonical, I withdrew my arm from her grasp and buried the axe in her brain. She fell dead upon the spot without a groan.” (Poe, 11) The wife is betrayed by her own husband from the beginning of the story when he admits to abusing her and it gets so extreme to the point that he murders her without a second thought after she stops him from killing the cat. Now let’s look at how this form of betrayal is both different and similar to the one that Faith endures.  

Goodman Brown doesn’t hurt or kill his wife, Faith, but he does however betray their marriage like the narrator from “The Black Cat”. In both stories their betrayed by their husbands not because of something they did, but because of their husband’s personal issues. In “The Black Cat” it was the narrator’s alcoholism but in “Young Goodman Brown” it’s Goodman Brown’s uncertainty towards the events that might or might not have taken place.  Let’s first discuss when Goodman Brown and Faith say goodbye to each other before his journey. â€œDearest heart, whispered she (Faith) … pr’ythee, put off your journey until sunrise, and sleep in your own bed tonight â€Ś  Pray, tarry with me this night, dear husband, of all nights in the year.” (Hawthorne, p. 1) Faith is begging with her husband to stay home for the night instead of going on his journey because of some bad thoughts she’s been having. In response Goodman Brown says “of all nights in the year, this one night must I tarry away from thee” to which Faith replies “Then God bless you! And may you find all well, when you come back.” (Hawthorne, p.1) We see a bit of a display of power dynamic here with Faith giving up so easily on trying to get her husband to stay home after he states that he must go tonight. Despite this, it seems that the two love and care for each other deeply but this all changes during Goodman’s night journey.  

Before Goodman gets too far along in his journey it is important to note that he says “Well; she’s (Faith) a blessed angel on earth; and after this one night, I’ll cling to her skirts and follow her to Heaven.” (Hawthorne, p.6) This is important because his actions later in the story differ from what he says and feels for Faith right now. On his journey Goodman meets an old man with a staff that is adorned with a serpent. The old man offers the staff to Goodman, but he declines and states that he’s going to return to his wife when an old woman appears. Goodman hides so that he isn’t seen with the man and witnesses the old woman referring to the old man as the “devil” and a “witch” regarding herself. He begins to hear the voices of other people in the village heading to a ceremony, and thinks he hears and sees his wife, Faith. He grabs the walking stick the old man gave him before disappearing and it transports him to the ceremony. He is then grabbed and brought in front of an unknown woman they are told that they must show themselves to each other and Goodman Brown finds out that the woman is his wife. â€œThe husband cast one look at his pale wife, and Faith at him … Faith! Faith! Look up to Heaven, and resist the Wicked One!” (Hawthorne, p.11) It is unclear if Faith obeyed him or not because suddenly, he was all alone.  

It is unclear to both the reader and Goodman if these events took place or not, but they drive Goodman into a form of madness and anxiousness that leaves him not trusting his wife. “Turning the corner by the meeting-house, he (Goodman) spied the head of Faith, with the pink ribbons, gazing anxiously forth, and bursting into such joy at the sight of him, that she skipped along the street, and almost kissed her husband before the whole village. But Goodman Brown looked sternly and sadly into her face, and passed on without a greeting.” (Hawthorne, p.12) Referring back to the quote about Goodman clinging to Faith when he gets back, we can see that his anxiousness is making him want little to do with his wife. Faith and her marriage are betrayed by Goodman because he no longer trusts her after the events that “occurred”. He believes that he has the power to ice out his wife and that is what he does for the remainder of his life until he dies.  

In conclusion, the fact that Faith and the unnamed wife are women does play a role in the way their husbands treated them. Both women did nothing to deserve to be betrayed but in the eyes of Goodman Brown and the narrator from “The Black Cat” the women committed acts that they felt were wrong, so they exerted their power over them as a form of punishment. The unnamed wife was brutally murdered because the narrator didn’t like that she protected the cat and Goodman Brown lost trust and acted coldly to Faith because he thought she gave disobeyed him. If the gender roles were reversed the narrator would have probably made the wife stop drinking and Goodman Brown probably would have thought that Faith was mentally unwell. Gothic literature uses the extreme actions of its characters to create an allegory for our present world. We see that it addresses relationship issues such as trust and domestic abuse as well as individual and social issues like alcoholism, possible mental illness and gender roles in the sense of power dynamics.

Virtual Coffeehouse 2

“The House of Asterion” and “A Very Old Man with Enormous Wings” both share some of the same Gothic elements such as a mysterious character. In “The House of Asterion” the mysterious character is Asterion himself. In the beginning of the story he seems to just be a mad man living in solitude but the end of the story raises the question as to if Asterion is a Minotaur and therefore a villain? It’s unclear to the readers who Asterion really is thus making him a mysterious character. Similarly, in “A Very Old Man with Enormous Wings” the old man is the mysterious character because it’s unclear of who he is. In the story he is described as a decrepit old man with wings, the other characters in the story assume he is an angel but it is neither confirmed nor denied. And again at the end of the story the question of who he really is still remains because the old man ends up regaining his strength and flying away.

Another Gothic element that is in both stories is death. In “The House of Asterion” it seems that some of the nine men who came into the house end up dying or being near death. And Asterion mentions falling from buildings that could but never do result in death. In “A Very Old Man with Enormous Wings” I think the old man himself is a representation of death of course until be regains his strength and flies away. Throughout the story he is dragging himself about, has only a few feathers on his wings and overall looks sickly. The dead crabs can also be an omen of darkness or a bad event about to take place.

The last Gothic element is setting. “The House of Asterion” takes place in a castle. What makes the castle creepy is the fact that it’s always quiet, there’s no furniture, you can be in complete solitude and the doors are always open. “A Very Old Man with Enormous Wings” firsts opens up after a storm that lasted 3 days and that killed and washed up an abundance of crab along with the old man. There are more storms throughout the story, one ends up knocking down the chicken coop and the old man had to move into the shed. Was the storm a natural occurrence or was it the doing of a high power in order to get the angel in better conditions so he can regain his strength faster?

Virtual Coffeehouse 1

This summer, one thing I did that motivated me was buying most of what I needed to practice how to do acrylic nails. I already know how to do nails with regular nail or gel polish but I wanted to branch out and try something new. At first I was discouraged by how many new products I needed and by all the steps it took to practice. However, after I did a lot of research I was more confident in the products that I should purchase for a beginner and the steps I needed to take to start my acrylic nail journey.

Out of the three stories we’ve read so far, my favorite would have to be “The Lottery”. I read this story back in my AP Literature class in high school and I have to admit that I did not enjoy it as much as I do now. The very first time I read it, I was confused and didn’t understand the point of the story. I also didn’t get to discuss it with any of my classmates or my teacher because I’m pretty sure it was a story on the AP Literature exam.

However, reading it now as a sophomore in college, I appreciate the complexity and plot twist of the story. Both of these features emphasizes the theme of the story which is about, forgoing changing and how it can be dangerous by blindly following traditions. In “The Lottery” there is talk of other villages debating on whether or not they should give up the lottery but the everyone else thinks it is foolish to try to change such an old tradition that the first villagers did. It is similar to the unwillingness to change that older people in our society have today but the truth is, as times change you have to change with it. There isn’t always a need to keep old traditions especially if it hurts people.