Victoria Qiao’s Profile

Student
Active 7 years, 11 months ago
Victoria Qiao
Display Name
Victoria Qiao
Major Program of Study
Hospitality Management
Academic interests

Hospitality Management

My Courses

HMGT 4702 Hospitality Services Marketing Management

HMGT 4702 Hos­pi­tal­ity Ser­vices Mar­ket­ing Man­age­ment

Hos­pi­tal­ity Ser­vices Markaet­ing Man­age­ment

PSY3405 Health Psychology, Spring 2015

PSY3405 Health Psy­chol­ogy, Spring 2015

This course pro­vides an overview of ex­ist­ing psy­cho­log­i­cal and epi­demi­o­log­i­cal find­ings on the re­la­tion­ship be­tween be­hav­ior and dis­ease. The course ex­plores how be­hav­ior, emo­tion and cog­ni­tion can in­flu­ence dis­ease processes and ex­am­ines the im­pact of stress and per­sonal con­trol on spe­cific coro­nary, im­mune and in­fec­tious dis­ease symp­toms. So­cial sup­port, re­fer­ral and in­ter­ven­tions for op­ti­mal phys­i­cal and men­tal health are in­tro­duced. The in­ter­dis­ci­pli­nary theme of this course will pro­vide an overview of ex­tant lit­er­a­ture on the­o­ries of health psy­chol­ogy and be­hav­ior change within the con­text of crit­i­cal race the­ory for a gained un­der­stand­ing of var­ied philoso­phies of sci­ence.

HMGT1101PerspectivesD405, FA2014

HMGT1101Per­spec­tives­D405, FA2014

An overview of the his­tory, likely di­rec­tions and or­ga­ni­za­tional struc­ture of the hos­pi­tal­ity in­dus­try and its role in local, na­tional and global economies. Stu­dents are in­tro­duced to the na­ture and scope of the hos­pi­tal­ity in­dus­try, basic ter­mi­nol­ogy, man­age­ment con­cepts, ca­reer path ex­plo­rations and the de­part­ment’s mis­sion and cul­ture.

ARTH1100 History of Photography Fall 2016

ARTH1100 His­tory of Pho­tog­ra­phy Fall 2016

“A pho­to­graph is a se­cret about a se­cret. The more it tells you the less you know..” — Diane Arbus This course sur­veys the his­tory of pho­tog­ra­phy from its be­gin­nings in the early nine­teenth cen­tury to the pre­sent. We will ex­am­ine the use of pho­tog­ra­phy for aes­thetic, doc­u­men­tary, and “sci­en­tific” pur­poses, styl­is­tic shifts in pho­tog­ra­phy re­lated to aes­thetic con­cerns, and vary­ing in­ter­pre­ta­tions of sub­ject mat­ter based on so­cial and cul­tural con­cerns at spe­cific mo­ments in his­tory. We will also con­sider the re­la­tion­ship be­tween pho­tog­ra­phy and the vi­sual arts in gen­eral, which cul­mi­nates with the pri­macy of pho­tog­ra­phy as a medium by the late twen­ti­eth cen­tury. Image credit: Tod Pa­pa­georges, Por­trait of Diane Arbus, 1967, from http://​www.​thestranger.​com

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