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This course will ex­plore stu­dio pho­tog­ra­phy as a means to com­mu­ni­cate ideas. Stu­dents will learn to use light­ing to trans­form sub­ject mat­ter into metaphor, mood and mean­ing as well as how to de­velop vi­sual co­her­ence within a group of im­ages. Stu­dents will de­velop port­fo­lio level pro­jects that dis­play con­cep­tual think­ing and mas­tery of the craft of pho­tog­ra­phy.

This course will explore studio photography as a means to communicate ideas. Students will learn to use lighting to transform subject matter into metaphor, mood and meaning as well as how to develop visual coherence within a group of images. Students will develop portfolio level projects that display conceptual thinking and mastery of the craft of photography.

This course in­tro­duces a va­ri­ety of basic lay­outs and for­mats, build­ing tech­ni­cal and prac­ti­cal flu­ency in set­ting and work­ing with type for both print and screen. This course fur­ther ex­plores top­ics learned in COMD 1167 Type and Media, such as type­face se­lec­tion and the use of the ty­po­graph­i­cal grids. Prob­lem-solv­ing for most com­mon ty­po­graph­i­cal prob­lems is dis­cussed.

This course introduces a variety of basic layouts and formats, building technical and practical fluency in setting and working with type for both print and screen. This course further explores topics learned in COMD 1167 Type and Media, such as typeface selection and the use of the typographical grids. Problem-solving for most common typographical problems is discussed.

In­tern­ship in Com­mu­ni­ca­tion De­sign As­sign­ment to field work/study sit­u­a­tions of ap­prox­i­mately eight to ten plus hours per week at a graphic arts-re­lated in­tern­ship site ap­proved by the de­part­ment in­tern­ship di­rec­tor. Sites may be in areas such as ad­ver­tis­ing, print­ing, cor­po­rate com­mu­ni­ca­tions or pub­lish­ing. Stu­dents keep a log/jour­nal to be shared in group sem­i­nars/dis­cus­sions. Su­per­vi­sion is by fac­ulty and by the job su­per­vi­sor. Stu­dents will be re­quired to keep a learn­ing jour­nal of their in­tern­ship in the form of a blog using Open­lab.

Internship in Communication Design Assignment to field work/study situations of approximately eight to ten plus hours per week at a graphic arts-related internship site approved by the department internship director. Sites may be in areas such as advertising, printing, corporate communications or publishing. Students keep a log/journal to be shared in group seminars/discussions. Supervision is by faculty and by the job supervisor. Students will be required to keep a learning journal of their internship in the form of a blog using Openlab.

This course in­tro­duces stu­dents to core con­cepts in the media field in­clud­ing color the­ory, de­sign and pro­duc­tion ter­mi­nol­ogy, re­pro­duc­tion processes, file for­mats and sub­strates. Dur­ing the se­mes­ter, stu­dents will com­plete three pages of their own ePort­fo­lio web site, com­plete a print de­sign pro­ject and one video pro­ject. Lec­tures will pro­vide stu­dents with a his­tor­i­cal per­spec­tive of the media field as well as dis­cussing cur­rent prac­tices and fu­ture trends.

This course introduces students to core concepts in the media field including color theory, design and production terminology, reproduction processes, file formats and substrates. During the semester, students will complete three pages of their own ePortfolio web site, complete a print design project and one video project. Lectures will provide students with a historical perspective of the media field as well as discussing current practices and future trends.

This draw­ing course in­tro­duces basic con­cepts, tools, tech­niques and the role of draw­ing in de­sign, il­lus­tra­tion, an­i­ma­tion and games. The course will also cover pro­jec­tion sys­tems, plans, el­e­va­tions, sec­tions, oblique, iso­met­ric, one-point per­spec­tive and two-point per­spec­tive views.

This drawing course introduces basic concepts, tools, techniques and the role of drawing in design, illustration, animation and games. The course will also cover projection systems, plans, elevations, sections, oblique, isometric, one-point perspective and two-point perspective views.