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Prin­ci­ples of three-di­men­sional de­sign. Course cov­ers an analy­sis of form and space. Top­ics in­clude: hol­low forms both geo­met­ric and or­ganic; ar­chi­tec­tonic or­ga­ni­za­tion of space; light and shadow; geo­met­ric solids; the mod­u­lar unit; form and struc­ture in na­ture; lin­ear forms with mem­branes; move­ment. Ap­pli­ca­tions to pack­ag­ing, ar­chi­tec­ture, sculp­ture and en­vi­ron­men­tal de­sign and graph­ics. Ma­te­ri­als and in­her­ent prop­er­ties gov­ern­ing their use in form and space.

Principles of three-dimensional design. Course covers an analysis of form and space. Topics include: hollow forms both geometric and organic; architectonic organization of space; light and shadow; geometric solids; the modular unit; form and structure in nature; linear forms with membranes; movement. Applications to packaging, architecture, sculpture and environmental design and graphics. Materials and inherent properties governing their use in form and space.

This course in­tro­duces a va­ri­ety of basic lay­outs and for­mats, build­ing tech­ni­cal and prac­ti­cal flu­ency in set­ting and work­ing with type for both print and screen. This course fur­ther ex­plores top­ics learned in COMD 1167 Type and Media, such as type­face se­lec­tion and the use of the ty­po­graph­i­cal grids. Prob­lem-solv­ing for most com­mon ty­po­graph­i­cal prob­lems is dis­cussed.

This course introduces a variety of basic layouts and formats, building technical and practical fluency in setting and working with type for both print and screen. This course further explores topics learned in COMD 1167 Type and Media, such as typeface selection and the use of the typographical grids. Problem-solving for most common typographical problems is discussed.