Salome Mindiashvili’s Profile Student Toggle navigation

This site is de­signed to help you find field­work/study sit­u­a­tions of ap­prox­i­mately eight hours per week at an in­tern­ship site ap­proved by the De­part­ment In­tern­ship in­struc­tor such as an ad­ver­tis­ing agency, graphic de­sign firm, cor­po­rate de­sign of­fice, pub­li­ca­tions art de­part­ment, pho­tog­ra­phy or il­lus­tra­tion stu­dio, TV or mul­ti­me­dia pro­duc­tion com­pany. Stu­dents will be re­quired to keep a learn­ing jour­nal of their in­tern­ship in the form of a blog using Open­lab. A por­tion of the class will be de­voted to pre­sent­ing and shar­ing ex­pe­ri­ences with class­mates. Stu­dents will learn how to as­sess their tal­ents, up­date their re­sume, and pro­mote them­selves and their work through so­cial net­works. Stu­dents will be re­quired to setup and main­tain at least two so­cial media net­works such as: Face­book, LinkedIn, Twit­ter, In­sta­gram, and Pin­ter­est. The in­struc­tors for this class are there as men­tors if you have not yet found an in­tern­ship be­fore reg­is­ter­ing for the course. How­ever, the in­struc­tors do not find an in­tern­ship place­ment for you. It is your re­spon­si­bil­ity to find a po­si­tion that fits your per­sonal ca­reer path and help you tran­si­tion to full time em­ploy­ment upon leav­ing the halls of CityTech. Ide­ally, you will use this site to find an in­tern­ship the se­mes­ter be­fore tak­ing the COMD 4900 class.

This site is designed to help you find fieldwork/study situations of approximately eight hours per week at an internship site approved by the Department Internship instructor such as an advertising agency, graphic design firm, corporate design office, publications art department, photography or illustration studio, TV or multimedia production company. Students will be required to keep a learning journal of their internship in the form of a blog using Openlab. A portion of the class will be devoted to presenting and sharing experiences with classmates. Students will learn how to assess their talents, update their resume, and promote themselves and their work through social networks. Students will be required to setup and maintain at least two social media networks such as: Facebook, LinkedIn, Twitter, Instagram, and Pinterest. The instructors for this class are there as mentors if you have not yet found an internship before registering for the course. However, the instructors do not find an internship placement for you. It is your responsibility to find a position that fits your personal career path and help you transition to full time employment upon leaving the halls of CityTech. Ideally, you will use this site to find an internship the semester before taking the COMD 4900 class.

Sur­vey of West­ern Art from 1300 to the Pre­sent

Survey of Western Art from 1300 to the Present

This course is a prac­ti­cal in­tro­duc­tion to the field of il­lus­tra­tion. Focus will be placed on process work and pro­fes­sional prac­tices, pre­sented within con­tem­po­rary and his­tor­i­cal con­text. Course in­cludes pro­jects and lec­tures in a va­ri­ety of il­lus­tra­tion gen­res in­clud­ing: ad­ver­tis­ing, book il­lus­tra­tion, and ed­i­to­r­ial. A va­ri­ety of ma­te­ri­als will be in­tro­duced through lec­tures and demon­stra­tions for use on as­sign­ments such as: pen­cil, pen and ink, brush, col­ored pen­cil, and dig­i­tal il­lus­tra­tion. Crit­i­cal con­cepts such as: Con­cep­tual De­vel­op­ment, Work­ing on As­sign­ment, Com­po­si­tion, Con­trast, Value, Point of View, and Color the­ory will be in­tro­duced.

This course is a practical introduction to the field of illustration. Focus will be placed on process work and professional practices, presented within contemporary and historical context. Course includes projects and lectures in a variety of illustration genres including: advertising, book illustration, and editorial. A variety of materials will be introduced through lectures and demonstrations for use on assignments such as: pencil, pen and ink, brush, colored pencil, and digital illustration. Critical concepts such as: Conceptual Development, Working on Assignment, Composition, Contrast, Value, Point of View, and Color theory will be introduced.

This basic de­sign and color the­ory course ex­plores graphic com­mu­ni­ca­tion through the un­der­stand­ing of the el­e­ments and prin­ci­ples of de­sign, as well as the de­sign process, in­clud­ing idea de­vel­op­ment through final ex­e­cu­tion. This is a course in vi­sual lit­er­acy and the de­sign process: How we see, how we an­a­lyze the ef­fects of our vi­sion, and how we craft a de­sign that will have en­ergy and con­tent. All pro­jects will in­clude thumb­nail sketches, dis­cus­sion and re­search. A weekly scrap­book will be kept. Media used are paint, paper, ink, pen­cil, ruler, knife, glue, and dig­i­tal soft­ware for ex­press­ing graphic ideas. Nu­mer­ous cri­tiques will take place through­out the course and stu­dents’ ac­tive en­gage­ment in group dis­cus­sion will play a vital role in es­tab­lish­ing an at­mos­phere of col­lab­o­ra­tion and shared learn­ing.

This basic design and color theory course explores graphic communication through the understanding of the elements and principles of design, as well as the design process, including idea development through final execution. This is a course in visual literacy and the design process: How we see, how we analyze the effects of our vision, and how we craft a design that will have energy and content. All projects will include thumbnail sketches, discussion and research. A weekly scrapbook will be kept. Media used are paint, paper, ink, pencil, ruler, knife, glue, and digital software for expressing graphic ideas. Numerous critiques will take place throughout the course and students’ active engagement in group discussion will play a vital role in establishing an atmosphere of collaboration and shared learning.

This course will offer an in-depth in­tro­duc­tion to com­mu­ni­ca­tion de­sign the­ory, ex­am­in­ing the­o­ret­i­cal per­spec­tives of de­sign prac­tice within the larger dis­course of de­sign and vi­sual cul­ture. Com­mu­ni­ca­tion mod­els, the na­ture of rep­re­sen­ta­tion, the di­men­sions of con­text and semi­otics will be ex­plored through crit­i­cal read­ings from key doc­u­ments writ­ten be­tween the early decades of the twen­ti­eth cen­tury and the pre­sent.

This course will offer an in-depth introduction to communication design theory, examining theoretical perspectives of design practice within the larger discourse of design and visual culture. Communication models, the nature of representation, the dimensions of context and semiotics will be explored through critical readings from key documents written between the early decades of the twentieth century and the present.