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An in­tro­duc­tion in words, im­ages, and mov­ing pic­tures.

An introduction in words, images, and moving pictures.

This course will offer an in-depth in­tro­duc­tion to com­mu­ni­ca­tion de­sign the­ory, ex­am­in­ing the­o­ret­i­cal per­spec­tives of de­sign prac­tice within the larger dis­course of de­sign and vi­sual cul­ture. Com­mu­ni­ca­tion mod­els, the na­ture of rep­re­sen­ta­tion, the di­men­sions of con­text and semi­otics will be ex­plored through crit­i­cal read­ings from key doc­u­ments writ­ten be­tween the early decades of the twen­ti­eth cen­tury and the pre­sent.

This course will offer an in-depth introduction to communication design theory, examining theoretical perspectives of design practice within the larger discourse of design and visual culture. Communication models, the nature of representation, the dimensions of context and semiotics will be explored through critical readings from key documents written between the early decades of the twentieth century and the present.

This course is a prac­ti­cal in­tro­duc­tion to the field of il­lus­tra­tion. Focus will be placed on process work and pro­fes­sional prac­tices, pre­sented within con­tem­po­rary and his­tor­i­cal con­text. Course in­cludes pro­jects and lec­tures in a va­ri­ety of il­lus­tra­tion gen­res in­clud­ing: ad­ver­tis­ing, book il­lus­tra­tion, and ed­i­to­r­ial. A va­ri­ety of ma­te­ri­als will be in­tro­duced through lec­tures and demon­stra­tions for use on as­sign­ments such as: pen­cil, pen and ink, brush, and dig­i­tal il­lus­tra­tion. Crit­i­cal con­cepts such as: Con­cep­tual De­vel­op­ment, Work­ing on As­sign­ment, Com­po­si­tion, Con­trast, Value, Point of View, and Color the­ory will be in­tro­duced.

This course is a practical introduction to the field of illustration. Focus will be placed on process work and professional practices, presented within contemporary and historical context. Course includes projects and lectures in a variety of illustration genres including: advertising, book illustration, and editorial. A variety of materials will be introduced through lectures and demonstrations for use on assignments such as: pencil, pen and ink, brush, and digital illustration. Critical concepts such as: Conceptual Development, Working on Assignment, Composition, Contrast, Value, Point of View, and Color theory will be introduced.

This course in­tro­duces stu­dents to core con­cepts in the media field in­clud­ing color the­ory, de­sign and pro­duc­tion ter­mi­nol­ogy, re­pro­duc­tion processes, file for­mats and sub­strates. Dur­ing the se­mes­ter, stu­dents will com­plete three pages of their own ePort­fo­lio web site, com­plete a print de­sign pro­ject and one video pro­ject. Lec­tures will pro­vide stu­dents with a his­tor­i­cal per­spec­tive of the media field as well as dis­cussing cur­rent prac­tices and fu­ture trends.

This course introduces students to core concepts in the media field including color theory, design and production terminology, reproduction processes, file formats and substrates. During the semester, students will complete three pages of their own ePortfolio web site, complete a print design project and one video project. Lectures will provide students with a historical perspective of the media field as well as discussing current practices and future trends.

In­tro­duces a va­ri­ety of basic lay­outs and for­mats, build­ing tech­ni­cal and prac­ti­cal flu­ency in set­ting and work­ing with type for both print and screen. This course fur­ther ex­plores top­ics learned in COMD 1127 Type and Media, such as type­face se­lec­tion and the use of the ty­po­graph­i­cal grids. Prob­lem-solv­ing for most com­mon ty­po­graph­i­cal prob­lems is dis­cussed.

Introduces a variety of basic layouts and formats, building technical and practical fluency in setting and working with type for both print and screen. This course further explores topics learned in COMD 1127 Type and Media, such as typeface selection and the use of the typographical grids. Problem-solving for most common typographical problems is discussed.