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An introduction to the basic components and practices of preproduction and production methodologies for content creation in commercial video and film production. Through lectures, reading assignments, screenings and practice, students will learn the basics of all stages of production inclusive of the processes of forming and working in production management teams, creating effective production aesthetics in pre-production and production stages, scriptwriting and storyboarding, cinematography aesthetics (lighting and camera), and design and graphics functions in editing. Students will explore several modes of communication such as commercials, public service announcements, fictive works, documentary and journalism and learn how to convey information and messages to a target audience.

An introduction to the basic components and practices of preproduction and production methodologies for content creation in commercial video and film production. Through lectures, reading assignments, screenings and practice, students will learn the basics of all stages of production inclusive of the processes of forming and working in production management teams, creating effective production aesthetics in pre-production and production stages, scriptwriting and storyboarding, cinematography aesthetics (lighting and camera), and design and graphics functions in editing. Students will explore several modes of communication such as commercials, public service announcements, fictive works, documentary and journalism and learn how to convey information and messages to a target audience.

In this course, we will study fiction across genres, eras, and locales. We will examine broad themes such as moving, marriage, home, the individual, and the conflicts surrounding globalization. Specifically, we will examine the fascinating and yet confusing concept of globalization, especially its relation to literature. The central questions that we will ask in this class are: what does globalization feel like?, and, what does it feel like to be transnational? The short fiction that we will read will help us answer this question, for literature is very good at revealing and performing feelings.

In this course, we will study fiction across genres, eras, and locales. We will examine broad themes such as moving, marriage, home, the individual, and the conflicts surrounding globalization. Specifically, we will examine the fascinating and yet confusing concept of globalization, especially its relation to literature. The central questions that we will ask in this class are: what does globalization feel like?, and, what does it feel like to be transnational? The short fiction that we will read will help us answer this question, for literature is very good at revealing and performing feelings.

Special uses of plastics and metals in the fabrication of stage scenery and scenery elements. The major emphasis will be placed on the forming and shaping of various plastics, molds and casting, problems of safety and toxicity and the selection and use of metals.

Special uses of plastics and metals in the fabrication of stage scenery and scenery elements. The major emphasis will be placed on the forming and shaping of various plastics, molds and casting, problems of safety and toxicity and the selection and use of metals.

An in depth analysis of the planning, budgeting and construction processes used in the production of scenery. Students will apply their knowledge of construction and drafting techniques and process to generate shop drawings, develop budget estimates and plan construction schedules.

An in depth analysis of the planning, budgeting and construction processes used in the production of scenery. Students will apply their knowledge of construction and drafting techniques and process to generate shop drawings, develop budget estimates and plan construction schedules.

This course aims to take a student from competency to proficiency in the scene shop. A successful student will be able to take a scenery project from the drawing to completion, either alone or leading a small crew. Skills covered include: construction techniques, project planning, tool and procedure selection, joinery, time and cost estimation and carpentry. Coursework will focus heavily on lab and project work.

This course aims to take a student from competency to proficiency in the scene shop. A successful student will be able to take a scenery project from the drawing to completion, either alone or leading a small crew. Skills covered include: construction techniques, project planning, tool and procedure selection, joinery, time and cost estimation and carpentry. Coursework will focus heavily on lab and project work.