Kenneth Cordoba’s Profile
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Black Theatre AFR 1321/Section D847 Mon 2:30 PM
A study of African American dramatic literature to explore the complex ways in which the black experience is constructed and presented by playwrights. Students may have an opportunity to experience a theatrical production in New York City. More specifically, this course is divided into distinct sections. It includes a historical overview of early Black theatre throughout the diaspora. It considers how mid-twentieth century playwrights like Lorraine Hansberry, James Baldwin, Leroi Jones/Amiri Baraka, and Ntozake Shange shape the aesthetics and discourses within Black theatre, and in doing so, create trajectories for contemporary Black playwrights, who also explore the social, political and cultural experiences of Africana people.
One of America’s most interesting and versatile of writers is F. Scott Fitzgerald. Over the course of a highly productive career, Fitzgerald rode to fame on four novels and almost 160 stories published in the leading magazines of the 1920s, 30s, and 40s. Today, he is primarily remembered for his recounting of the rollicking, jazz-infused “Roaring Twenties” in his literary classic The Great Gatsby, published in 1925. As this course will demonstrate, Fitzgerald should be remembered for much more of his work, including his short stories, later novels, work in Hollywood, and the many films made of his work and life.
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