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This course ex­plores cre­ative vi­sual think­ing and its im­por­tance to com­mu­ni­ca­tion de­sign. Stu­dents ex­per­i­ment with im­age-mak­ing tech­niques and learn to use graphic tools to com­mu­ni­cate con­cepts and ideas. The course em­pha­sizes the in­te­gra­tion of com­mu­ni­ca­tion con­cepts, type and graph­ics and their re­la­tion­ship to mul­ti­ples dis­closes. Stu­dents de­velop pro­jects from thumb­nails through final pre­sen­ta­tions.

This course explores creative visual thinking and its importance to communication design. Students experiment with image-making techniques and learn to use graphic tools to communicate concepts and ideas. The course emphasizes the integration of communication concepts, type and graphics and their relationship to multiples discloses. Students develop projects from thumbnails through final presentations.

“I went into pho­tog­ra­phy be­cause it seemed like the per­fect ve­hi­cle for com­ment­ing on the mad­ness of today’s ex­is­tence.” — Robert Map­plethorpe This course sur­veys the his­tory of pho­tog­ra­phy from its be­gin­nings in the early nine­teenth cen­tury to the pre­sent. We will ex­am­ine the use of pho­tog­ra­phy for aes­thetic, doc­u­men­tary, and “sci­en­tific” pur­poses, styl­is­tic shifts in pho­tog­ra­phy re­lated to aes­thetic con­cerns, and vary­ing in­ter­pre­ta­tions of sub­ject mat­ter based on so­cial and cul­tural con­cerns at spe­cific mo­ments in his­tory. We will also con­sider the re­la­tion­ship be­tween pho­tog­ra­phy and the vi­sual arts in gen­eral, which cul­mi­nates with the pri­macy of pho­tog­ra­phy as a medium by the late twen­ti­eth cen­tury.

“I went into photography because it seemed like the perfect vehicle for commenting on the madness of today’s existence.” — Robert Mapplethorpe This course surveys the history of photography from its beginnings in the early nineteenth century to the present. We will examine the use of photography for aesthetic, documentary, and “scientific” purposes, stylistic shifts in photography related to aesthetic concerns, and varying interpretations of subject matter based on social and cultural concerns at specific moments in history. We will also consider the relationship between photography and the visual arts in general, which culminates with the primacy of photography as a medium by the late twentieth century.

This course in­tro­duces stu­dents to core con­cepts in the media field in­clud­ing color the­ory, de­sign and pro­duc­tion ter­mi­nol­ogy, re­pro­duc­tion processes, file for­mats and sub­strates. Lec­tures will pro­vide stu­dents with a his­tor­i­cal per­spec­tive of the media field as well as dis­cussing cur­rent prac­tices and fu­ture trends.

This course introduces students to core concepts in the media field including color theory, design and production terminology, reproduction processes, file formats and substrates. Lectures will provide students with a historical perspective of the media field as well as discussing current practices and future trends.

This ad­vanced draw­ing course de­vel­ops vi­sual aware­ness of the human fig­ure. Sen­si­tiv­ity to line, vol­ume, light and shade is ex­plored. Com­mu­ni­ca­tion de­sign­ers use the con­cepts de­vel­oped in this course in dis­ci­plines such as ad­ver­tis­ing, graphic de­sign, il­lus­tra­tion, broad­cast de­sign, an­i­ma­tion and pho­tog­ra­phy.

This advanced drawing course develops visual awareness of the human figure. Sensitivity to line, volume, light and shade is explored. Communication designers use the concepts developed in this course in disciplines such as advertising, graphic design, illustration, broadcast design, animation and photography.

This draw­ing course in­tro­duces basic con­cepts, tools, tech­niques and the role of draw­ing in de­sign, il­lus­tra­tion, an­i­ma­tion and games. The course will also cover pro­jec­tion sys­tems, plans, el­e­va­tions, sec­tions, oblique, iso­met­ric, one-point per­spec­tive and two-point per­spec­tive views.

This drawing course introduces basic concepts, tools, techniques and the role of drawing in design, illustration, animation and games. The course will also cover projection systems, plans, elevations, sections, oblique, isometric, one-point perspective and two-point perspective views.