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We will endeavor to locate the emergence of the Science Fiction (SF) genre and unravel how SF came to be the preeminent literature of the 20th and 21st centuries. To accomplish this, we will read and watch significant examples of SF from its long history beginning with Mary Shelley’s Frankenstein. To demonstrate what you have learned, you will have brief, daily writing assignments, three non-cumulative exams, and a research essay. In addition to the readings, viewings, and lectures, students are strongly encouraged to add their SF knowledge to our discussions.

We will endeavor to locate the emergence of the Science Fiction (SF) genre and unravel how SF came to be the preeminent literature of the 20th and 21st centuries. To accomplish this, we will read and watch significant examples of SF from its long history beginning with Mary Shelley’s Frankenstein. To demonstrate what you have learned, you will have brief, daily writing assignments, three non-cumulative exams, and a research essay. In addition to the readings, viewings, and lectures, students are strongly encouraged to add their SF knowledge to our discussions.

“A photograph is a secret about a secret. The more it tells you the less you know..” — Diane Arbus This course surveys the history of photography from its beginnings in the early nineteenth century to the present. We will examine the use of photography for aesthetic, documentary, and “scientific” purposes, stylistic shifts in photography related to aesthetic concerns, and varying interpretations of subject matter based on social and cultural concerns at specific moments in history. We will also consider the relationship between photography and the visual arts in general, which culminates with the primacy of photography as a medium by the late twentieth century. Image credit: Tod Papageorges, Portrait of Diane Arbus, 1967, from http://www.thestranger.com

“A photograph is a secret about a secret. The more it tells you the less you know..” — Diane Arbus This course surveys the history of photography from its beginnings in the early nineteenth century to the present. We will examine the use of photography for aesthetic, documentary, and “scientific” purposes, stylistic shifts in photography related to aesthetic concerns, and varying interpretations of subject matter based on social and cultural concerns at specific moments in history. We will also consider the relationship between photography and the visual arts in general, which culminates with the primacy of photography as a medium by the late twentieth century. Image credit: Tod Papageorges, Portrait of Diane Arbus, 1967, from http://www.thestranger.com