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This course will ex­am­ine urban tourism as a ve­hi­cle of urban re­newal and eco­nomic re­gen­er­a­tion. The roles of gov­ern­ment, busi­ness, and the com­mu­nity will be ex­plored as well as is­sues of de­vel­op­ment, man­age­ment, the en­vi­ron­ment and so­cial eq­uity. New York City and Brook­lyn will be eval­u­ated as mod­els for the de­vel­op­ment, chal­lenges and op­por­tu­ni­ties of urban tourism.

This course will examine urban tourism as a vehicle of urban renewal and economic regeneration. The roles of government, business, and the community will be explored as well as issues of development, management, the environment and social equity. New York City and Brooklyn will be evaluated as models for the development, challenges and opportunities of urban tourism.

This course sur­veys the his­tory of pho­tog­ra­phy from its be­gin­nings in the early nine­teenth cen­tury to the pre­sent. We will ex­am­ine the use of pho­tog­ra­phy for aes­thetic, doc­u­men­tary, and “sci­en­tific” pur­poses, styl­is­tic shifts in pho­tog­ra­phy re­lated to aes­thetic con­cerns, and vary­ing in­ter­pre­ta­tions of sub­ject mat­ter based on so­cial and cul­tural con­cerns at spe­cific mo­ments in his­tory. We will also con­sider the re­la­tion­ship be­tween pho­tog­ra­phy and the vi­sual arts in gen­eral, which cul­mi­nates with the pri­macy of pho­tog­ra­phy as a medium by the late twen­ti­eth cen­tury.

This course surveys the history of photography from its beginnings in the early nineteenth century to the present. We will examine the use of photography for aesthetic, documentary, and “scientific” purposes, stylistic shifts in photography related to aesthetic concerns, and varying interpretations of subject matter based on social and cultural concerns at specific moments in history. We will also consider the relationship between photography and the visual arts in general, which culminates with the primacy of photography as a medium by the late twentieth century.