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English Composition I: A course in effective essay writing and basic research techniques including use of the library. Demanding readings assigned for “classroom” discussion and as a basis for essay writing.

English Composition I: A course in effective essay writing and basic research techniques including use of the library. Demanding readings assigned for “classroom” discussion and as a basis for essay writing.

In this course you will take skills you acquired in Eng 1101 to the next level. You will enter this class alone, and leave as a part of a vibrant and lively Writing Community. The work is rigorous, unusual, challenging — and fun. You won’t look at language the same way again.

In this course you will take skills you acquired in Eng 1101 to the next level. You will enter this class alone, and leave as a part of a vibrant and lively Writing Community. The work is rigorous, unusual, challenging — and fun. You won’t look at language the same way again.

A study of African American dramatic literature to explore the complex ways in which the black experience is constructed and presented by playwrights. Students may have an opportunity to experience a theatrical production in New York City. More specifically, this course is divided into distinct sections. It includes a historical overview of early Black theatre throughout the diaspora. It considers how mid-twentieth century playwrights like Lorraine Hansberry, James Baldwin, Leroi Jones/Amiri Baraka, and Ntozake Shange shape the aesthetics and discourses within Black theatre, and in doing so, create trajectories for contemporary Black playwrights, who also explore the social, political and cultural experiences of Africana people.

A study of African American dramatic literature to explore the complex ways in which the black experience is constructed and presented by playwrights. Students may have an opportunity to experience a theatrical production in New York City. More specifically, this course is divided into distinct sections. It includes a historical overview of early Black theatre throughout the diaspora. It considers how mid-twentieth century playwrights like Lorraine Hansberry, James Baldwin, Leroi Jones/Amiri Baraka, and Ntozake Shange shape the aesthetics and discourses within Black theatre, and in doing so, create trajectories for contemporary Black playwrights, who also explore the social, political and cultural experiences of Africana people.