Monthly Archives: October 2017

Lev Manovich, “Instagrammism”

Drawing on Lev Manovich’s essay, “Notes on Instagrammism and mechanisms of contemporary cultural identity (and also photography, design, Kinfolk, k- pop, hashtags, mise-en-scène, and cостояние),” we will discuss Kinfolk, Kinfolk Life, and Kinfolk Videos in relation to Instagram.

After class, write at least 250-words summarizing your reading and the lecture. Feel free to draw on your own experiences using Instagram as a part of your reflection.

Fred Turner, “Where the Counterculture Met the New Economy: The WELL and the Origins of Virtual Community”

Here are some links that we’ll take a look at during today’s class. After our class discussion, you can write your reading and lecture summary, and post it as a comment made to this blog post.

Whole Earth Catalog, Fall 1968

Early Days of the WELL

The Computer Chronicles: Modems and Bulletin Boards (14:30)

Jason Scott’s Textfiles.com

Charles Kostelnick, “Typographical Design, Modernist Aesthetics, and Professional Communication”

After today’s class, remember to write and post your 250-word summary of the reading–Charles Kostelnick’s “Typographical Design, Modernist Aesthetics, and Professional Communication.” Something to keep in mind at this point in the semester is how the readings are bending towards technical communication issues informed by critical theory. Find connections between these new readings and those that have come before.

For Tuesday’s class, read J. David Bolter and Richard A. Grusin’s “Remediation” (linked from the syllabus). In addition to the reading, think about new technologies that have an old “look” or iconography that gestures to past media without being necessary. Bring these examples to our discussion on Tuesday.

N. Katherine Hayles’ “Toward Embodied Virtuality”

Please post your after class summary of the reading and lecture today on N. Katherine Hayles’ “Toward Embodied Virtuality” as a comment to this blog post.

Also, try my suggestion to write a one sentence summary of all of the readings so far this semester. Have a copy of the syllabus at-hand so that you can follow the order of the readings. Consider the connections that you can make between the readings. Remember that I selected the readings to create a kind of story–a narrative thread–for the class.