Since we’ve been thinking about the ways that fashion histories are constructed, let’s take a look at how influential institutions, like museums and universities, build their collections of primary source garments.

  1. What are some of the reasons why fashion collections in museums are so Eurocentric?
  2. How does this impact how we understand fashion history, as scholars?
  3. What do you see as some possible solutions to this problem?

  1. How are the clothes in this collection acquired?
  2. What can the clothes in this collection tell a researcher that some of the clothing items in an institution like the Metropolitan Museum of Art cannot?
  3. Do you think the collection of women’s clothes at Smith should be saved? Why or why not?