Professor Sandra Cheng
Office Hours:Tues/Thurs 9-10 am
Office: Namm 602B
Email: scheng@citytech.cuny.edu
Phone: 718-260-5003
Course Description: This course surveys the history of photography from its beginnings in the early nineteenth century to the present. We will examine the use of photography for aesthetic, documentary, and “scientific” purposes, stylistic shifts in photography related to aesthetic concerns, and varying interpretations of subject matter based on social and cultural concerns at specific moments in history. We will also consider the relationship between photography and the visual arts in general, which culminates with the primacy of photography as a medium by the late twentieth century.
Required Textbook: Mary Warner Marien, Photography, A Cultural History, 3rd Edition, Prentice Hall, 2010 (OK to use the 2nd Edition, several copies of the 2nd Edition are on reserve in the library)
Class Expectations: Look and think about what you’re looking at!
Students are responsible for the following: images, names, and vocabulary on the slide lists, information presented in lecture and assigned readings, including the general historical context for all stylistic periods.
Class participation will be considered in determining final grades.
Website: You must access the class website by logging into CityTech’s OpenLab via https://openlab.citytech.cuny.edu/. To access the OpenLab, you will need to register with your CityTech email account (if you haven’t activated your CityTech email, you will need to go to the helpdesk in the 6th Floor Computer Lab of the General Building). Instructions on how to start your account on the OpenLab will be provided in a separate handout.
Slide lists for the lectures will be posted online. You will need a password to access slide lists and readings (passwords will be provided in class). Go to the Class Downloads tab on the website. The slide lists have the works of art and vocabulary that you are responsible for on the exams. Although I will show slides that are not on your slide lists or in Marien’s Photography, these unlisted works will not be on the exams.
Grading:
Writing Assignment #1: Critical Analysis of Sources 15%
Midterm 25%
Writing Assignment #2: Exhibition Review 25%
Final 25%
Web/In-Class Assignments 10%
PLEASE NOTE: Failure to turn in a paper or submit an exam/assignment
will result in a zero (0), not F.
Important Dates:
October 6, Thursday Writing Assignment #1 DUE
October 18, Tuesday Midterm Exam
November 17, Thursday Writing Assignment #2 DUE
December 20, Tuesday Final Exam, 10:00 – 11:15 am
no incomplete work accepted after this date
Exams: Exams consist of slide identifications (artist name, title of works, medium, dates, significance of work), short answer questions, comparative essays, and definitions of terms/concepts. Make-up exams will only be given for reasons of documented emergency.
Written Assignments: Students are required to write two papers. Information on required papers will be given in separate handouts.
Response paper (3 pp)
— After reading/viewing several articles online (including a chapter of Fred Ritchin’s After Photography), you will write a short paper on the impact of digital photography on media.
Exhibition Review (4-5 pp)
— You will be given a list of approved photography exhibitions in New York City. Choose one exhibition to visit and review. Write a review based on your interpretation and analysis. The objective of this review will be to determine the goal of the curator in putting the exhibition together and then to evaluate the extent to which the curator was successful in achieving this goal.
Late papers will be accepted only if students have received prior approval for late submissions.
Extra Credit: Over the course of the semester, you will be given an option to do several extra credit projects worth 1-3 points each. The projects have specific due dates. These are short written assignments of approx. 500 words. If you complete all the projects well, it is possible to increase your final grade average by 10 points. You will find extra credit assignments posted online.
Attendance: Students are expected to attend all classes. More than 3 absences will result in course failure. Excessive lateness will affect your grade. Three late marks equal one absence.
Decorum: Please turn off your cell phones, beepers, alarms, etc. and no sleeping, internet surfing, txt msgs while in lecture.
New York City College of Technology Policy on Academic Integrity:
Students and all others who work with information, ideas, texts, images, music, inventions, and other intellectual property owe their audience and sources accuracy and honesty in using, crediting, and citing sources. As a community of intellectual and professional workers, the College recognizes its responsibility for providing instruction in information literacy and academic integrity, offering models of good practice, and responding vigilantly and appropriately to infractions of academic integrity. Accordingly, academic dishonesty is prohibited in The City University of New York and at New York City College of Technology and is punishable by penalties, including failing grades, suspension, and expulsion. The complete text of the College policy on Academic Integrity may be found in the catalog.
*Syllabus is subject to change.
