This is part of a longer resource on Necessary Fiction, but I like it as a demonstration of how fiction writers, like poets, use language as a tool to better understand what a story is saying. From the article:
Style guide (this is mine, and might not be for everyone, but I’m thinking music and readability):
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Value nouns and verbs over adjectives and especially adverbs.
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Value consonants over vowels.
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Value hard consonants (e.g. k) over soft consonants (e.g. g).
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Value words of one syllable over words of two syllables over words of three syllables, etc. Though precision is important, and sometimes the right word is the longer word.
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Each sentence should include more stressed syllables than unstressed syllables (a la Lish).
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A sentence with a masculine ending (stressed syllable) sounds stronger than one with a feminine ending (unstressed syllable).
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Avoid using the word was when possible. A lot of this has to do with using the right action verb.
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Avoid introductory clauses (e.g. Closing my eyes, I smiled) except when used as time or location markers (At five o’clock, When I got back from the store, In the supermarket).
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Using common words, or colloquial words, in new ways, is more interesting than using uncommon words in normal ways.
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Avoid “begin” or “start” or intermediate actions (e.g. I began to sing. He started walking. He got up from the couch and went to the door. Just write: I sing. He walked. He went to the door.)
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Value consonance and assonance over alliteration.
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In almost all instances, use “say” or “ask” instead of other dialogue tags.
From A Month of Revision by Matthew Salesses:
http://necessaryfiction.com/writerinres/AMonthofRevision
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