Three Artists

The three artists who I have chosen to analyze for this project are: Zhao Xiao Li, Lindsey Stirling, and Yuumei.

Xiao Li Zhao is a Beijing-based artist who is known to take discarded furniture to turn into works of art. She began her work in 2014 under the username lemon_zhaoxiaoli and garnered massive attention on Instagram and Douyin (a video-sharing platform similar to Tiktok), having a total of 1 million followers on Instagram and 8.5 million followers on Douyin. Zhao finds inspiration from classical painters like Van Gogh to Art Curator Rongzhi Lu and studied painting alongside Ukranian Painter Mykhailo Guida. On both platforms, she uploaded videos of her process, showing the world how she throws her oil paints over her canvas without any reservation and consequently splattering it over the room as well as her clothes and hair in the process. Her form of art is not just the painting she produces. Rather, the entire process, the room, the music played in the video, her ruined dresses—all of it is a part of her form of art.

Lindsey Stirling is an American violinist who rose to fame after competing in the 2010 season of America’s Got Talent. Despite being told that she would not be able to become a successful solo-artist by the three judges and being voted off, Stirling came to prove each and everyone of their statements wrong and was eventually even invited back on the show to perform in the 2014 season of America’s Got Talent. While Stirling might be comparable to other EDM artists in terms of music, her form of art is not just the music played on her violin. Her form of art is the amalgamation of electronic dance, hip-hop, and classical music, which creates a performance altogether for her audience to experience. This is reflected amongst her education. Despite her obvious love for music, Stirling had gone to school for film rather than for music, which is where she draws inspiration for her art from, going so far as to come up with the idea for a video first before the song itself.

Yuumei, also known as Wenqing Yan, is a Chinese digital artist based in California. She spent the first nine years of her life in China where she had attended Chinese art classes that focused on realism and earned a bachelor’s degree in UC Berkeley’s heavily philosophical art program. She gained recognition via Deviantart in the early 2000s. According to her website, much of Yuumei’s art is influenced by nature, personal experiences, and the “beauty and complexity of life.” Despite having a very apparent gravitation to illustration, Yuumei also practices sculpting, photography, design, and storytelling via webcomics when she is not illustrating.

In terms of my reason for choosing these three artists, I can say that it is due to the constant present in their works: the expression of emotion. Xiao Li Zhao produces paintings in unrestrained emotion, not caring for the mess or consequence that comes from the creation of her art. Lindsey Stirling showcases her music in a theatrical performance that inspires the viewer to dance along with her. Yuumei’s illustrations are all purposeful and exist to inspire thought and emotion, be it sorrow or wonder, in the viewer.

Brand Identity: Adidas

Brand Identity Timeline: A Look into the Rise of Adidas

Today, Adidas is known as one of the largest sportswear manufacturers in the world, but this was not always the case. The story of Adidas began in 1924 when Adolf “Adi” Dassler and his elder brother Rudolf Dassler dove into the business of shoe making from the depths of their mother’s scullery. At the time, Adidas was not known as “Adidas.” Rather, they went by a different name—the Dassler Brother Shoe Factory.

The brothers went on to set their first few successful milestones that ranged from providing the 1924 Gold Medalist Lina Radke to assisting in the development of the spiked running shoes for multiple athletic events. During the 1936 Summer Olympics, Adi Dassler had gifted the U.S. sprinter Jesse Owens one of his own handmade spikes to use. As a result, the Dassler brand began to receive more recognition around the world.

In 1947, the Dassler brothers split up due to a personal disagreement. The brothers branched off, forming companies of their own whilst remaining in the sportswear industry. In 1948, the elder Dassler brother, Rudolf, had gone off and formed his own company then known as Ruda, which was later rebranded to the more widely recognized Puma of today. Meanwhile, Adi Dassler formally formed a company of his own and registered it under the name Adidas AG (an abbreviation of his own name) just a year later on August 18th, 1949.

How Adidas & Puma Started From A Feud Between Two Brothers | by Hustle Over  Everything | Medium
The Dassler Brothers

In 1952, Adidas registered its first out of the many logos used to represent its brand—the three stripes. Dassler had intended to register the 3-stripes logo as a trademark of his brand only to learn that the 3-stripes logo had already been registered under the Finnish sportswear brand, Karhu Sports. With some luck, Dassler was able to acquire the 3-stripes logo through a trade of two bottles of whiskey and the equivalent of 1600 euros at the time.

In 1970, Adidas worked with the FIFA World Cup. In order to improve visibility of the ball during soccer matches displayed on black and white television, Adidas had both designed and delivered the TELSTAR soccer ball to the 1970 FIFA World Cup. This consequently resulted in Adidas’ delivery of the official match ball for every FIFA World Cup thenceforth.

FIFA.com on Twitter: "⚽️ @adidas has been providing Official Match Balls  for the #WorldCup since Mexico 1970 ???????? Here's the story of the adidas  Telstar & successors including the Tango, Tricolore &
TELSTAR Soccer Ball

Adidas’ second logo, the trefoil design, emerged due to a rebranding campaign in 1971. At the time, each leaf of the trefoil was meant to symbolize North America, Europe, and Asia—the three continents that Adidas shoes were sold in. Presently, the trefoil is associated with the Adidas Originals collection which have symbolized performance in the past. Now, instead represents lifestyle and street.

On September 6th, 1978, Adi Dassler passed away, leaving the company behind for his son, Horst Dassler, and his wife, Kathe Dassler. Horst Dassler’s reign over the sportswear empire was short lived, however. Three years after his mother’s passing, Horst followed suit in 1987, leaving the company to become a stock corporation. Adi Dassler’s daughters resolved to sell their shares in 1990 and exited the company after doing so. With so many changes in leadership, the company faced bankruptcy until being rescued by their then new CEO, Robert Louis-Dreyfus, and brought back into popular demand in 1993.

In 1997, Adidas changed its name to Adidas-Salomon AG as a result of their acquisition of the Salomon Group, which included brands such as TaylorMade, Mavic, and Bonfire. Herbert Hainer became the new CEO in 2001 and continued his efforts into innovation. From his efforts, ClimaCool, Adizero, and the F50 Football Boot were launched.

At the same time, Adidas began to branch out into streetwear apparel and opted to collaborate with Yohji Yamamoto (2001) and Stella McCartney (2004) to promote their new campaign. David Beckham and Haile Gebrselassie joined to promote one of Adidas’ largest marketing campaigns in history “Impossible? Just a Big Word” which centered on the idea of facing one’s fears, defeats, and challenges head on to disprove impossibility.

In 2006, the Salomon Group exited the Adidas team when the group and its brands were sold to Amer Sports. In turn, Reebok joined just one year after these events and with it came the brands: Rockport and Reebok-CCM Hockey. Adidas was once again known as Adidas AG. In 2011, Adidas acquired Five Ten footwear.

Brand Identity: Adidas’ Logos

History and Meaning Behind Adidas Logo | Logaster
Adidas Logos

The most recognizable aspect of Adidas’ many logos are its 3-stripes. However, those 3-stripes had not always been the trademark of Adidas. Dassler did not start off Adidas with the intention of having the 3-stripes representative of his company’s logo. In fact, the stripes that had been placed on some of the earlier shoe designs served a functional purpose to stabilize the spikes of the cleats. Dassler had experimented with the design of the shoe having it range from 2 to even 4 stripes on each shoe. Eventually, the 3-stripe logo was acquired through Dassler’s trade with Karhu Sports.

The 3-stripes motif then branched out into other logos that were each meant to be representative of different aspects: the trefoil design (casual apparel and shoes), the mountain design (performance line), and the circle (style collections). The trefoil design is often associated with the large success of the 3-stripes company as the design appeared on the back of the Superstar shoes worn by Run DMC, which garnered much popularity for the brand. The mountain design is featured on products meant for performance for professional athletes, and it promotes the messages of “the challenge to be faced” and “the goals to be achieved” when wearing products from the performance line. Lastly, the circle design is featured in products created in collaboration with famous designers such as Yohji Yamamoto.

Brand Identity: Adidas’ Marketing Strategy and the Message Behind It

Adidas’ success can be credited to the hard work and perseverance of Adi Dassler in the 3-stripes company early years. In 1924, the German Runner Lina Radke became a gold medalist while wearing the Dassler shoes. Consequently, this propelled the company on its way to the beginning of its success.

The 1928 Modell Waitzer worn by Lina Radke.

Similarly, in 1936 Adi Dassler had gifted the U.S. sprinter Jesse Owens one of his own handmade spikes to use, and when Owens had emerged victorious with 4 gold medals, the brand’s popularity grew once again.

Moving forward to the present, while Adidas’ marketing strategy has become more refined, it remains to be a company that appeals to athletes. In these modern times, campaigns such as the I’MPOSSIBLE movement was launched to empower women and break the limitations society has placed on women with the word “impossible.” Adidas also explores sustainability in its End Plastic Waste campaign. In each one of these marketing strategy, Adidas opts to appeal to its audience through inspiration. In the case of the I’MPOSSIBLE movement, Adidas is appealing to women and inspiring female empowerment. In the case of the End Plastic Waste campaign, Adidas appeals to its global audience by calling them to action to take a stand against waste and work towards sustainability. At the same time, doing so also cleverly places the 3-stripes company in a good light, building up their reputation.

I’MPOSSIBLE Commercial

Works Cited

“History.” Adidas, https://www.adidas-group.com/en/about/history/. 

“Story of Adidas – Article.” Historydraft, 1 Jan. 2020, https://historydraft.com/story/adidas/article/418.

Maguire, Joseph Anthony , Rowe, David Charles , Guttmann, Allen and Thompson, William N. “sports”. Encyclopedia Britannica, 16 Sep. 2021, https://www.britannica.com/sports/sports. Accessed 8 March 2022.

Screenplay and Storyboard

Storyboard

Arrival in New York

Interview of SarahJane

Project 1: The Screenplay

Actor 1: SarahJane, who is recognizable by her bright red hat.

Actor 2: Delivery Boy, a nameless individual who somehow has SarahJane’s mail and knows her exact location.

Locations (illustrated): Washington Home, Streets of NYC, Airport

Scene 1

Location: Washington Home

The sun is shining brightly in the sky. It is summer time.

Boxes are being stacked to the back of a truck. A figure approaches from the right side of the screen.

It is revealed that the figure was SarahJane.

SarahJane: PHEW!

SarahJane wipes her sweat.

A ticket appears on screen. It tells the audience that SarahJane will be traveling from Washington to New York.

SarahJane: Alright! Time to fly!

Scene 2

Location: Airport

A map of the United States and a path from Washington to New York is on the screen. An airplane travels along this path until it reaches its destination.

Upon arrival, SarahJane is slowly descending the steps off the airplane.

SarahJane: Yahoo! I’m finally here!

Scene 3

Location: Streets of New York

SarahJane is walking through the streets of New York. She stops as soon as she notices a pizza store.

Close-Up: A slice of pepperoni pizza is on the screen.

Close-Up: SarahJane’s eyes are glittering as she imagines New York pizza.

SarahJane: Oh my god! Pizza!

SarahJane takes a big bite of the pizza and she looks like she’s absolutely in love with the thing.

Delivery Boy: HEY YOU!

SarahJane turns around in surprise.

Delivery Boy gives her a letter from CUNY.

SarahJane opens the letter and it says that she has been accepted into City Tech. She throws her hands up in celebration.

The screen blacks out.

SarahJane: Wait… Why did that kid have my mail?

Pitch

Arrival in New York

Interview of SarahJane

Project 1: The Pitch

My partner for this assignment is SarahJane. For the ~60 second video, I intend to illustrate rather than filming it. My rationale for this is simply because I am more comfortable with illustrating when it comes to showing my creative side. Furthermore, I think it’d be more advantageous to illustrate my perception of what Sarah Jane told me rather than to find stock photos/videos online. Sarah Jane had told me that she had moved to NY from Seattle during the Summer, which would be problematic for me to portray via recording since we are currently residing in NYC in the middle of winter.

In terms of the video storyboard, I would like to start off the depiction of Sarah Jane’s move from Seattle to NYC by illustrating her moving a set of boxes into a Truck. She had mentioned small details like her struggle to move the furniture, liking music, and enjoying the pizza from NYC. Therefore, I would also like to incorporate a sequence of frames dedicated to these details in the video. To make her recognizable, I plan to illustrate Sarah Jane with her red hat as that is what I usually see her with in class.

For inspiration, I think I’ll be looking to Domics and Eroldstory, who are Youtubers who are known for their storytime videos via animation. I will be using Procreate to illustrate each frame of the story, and I would like to try to use Adobe Premiere Pro/iMovie to edit each set of frames together.