Trip report

During the trip we saw many machines but there were few of them which caught my interest. One of them is KIP C7800, Epson Stylus Pro 9800 and another is the Phillipsburg Mark II series.


The KIP C7800 is a wide color printer that provides a broad range of print submission methods, cloud-based printing, scan and copy, variable data printing and fully integrated stacking and folding. The KIP C7800 provides the most open, integrated and powerful wide-format color and B&W production solution out there. From color management to printing, applications drivers to touchscreen control to cloud printing capabilities, the system streamlines production workflow and increases productivity.


The models in the Epson Stylus Pro series have established themselves as reliable proofing solutions over many years in agencies, pre-press, printers, publishing and repro houses.

Key Features

  • Our new 44-inch wide Epson Stylus Pro 9800 sets new standards in the world of large format printing of photos, artistic prints and proofing.
  • Naturally, our UltraChrome K3 ink sets and Epson Micro Piezo- print head technology is able to produce very precise skin-tones together with the finest details.
  • Versatile media handling up to B0+ with manual sheet feed and roll feed
  • Optimize print quality for the media used with interchangeable Matte or Photo Black inks
  • Easy to configure black inks with white glove cartridge changing in just 12 minutes
  • Output edge-to-edge on a wide range of media
  • Easy to set up, use and maintain
  • Lightfast images up to 75 years in color and over 100 years in black & white Flexible connectivity with USB 2.0, IEEE 1394 and optional networking
  • Competitive cost of ownership

Phillipsburg Mark II Series

Product Family

  • Standard machine – base inserter, no machine control
  • Standard machine with
    Intelligence – adds machine control intelligence satisfying 4 key customer requirements
  • Insert Station Selections
  • Envelope Marking
  • Envelope Diverting
  • Quality Inspection
  • Standard machine Bowe Bell Howell input feeders
    • Cut Sheet Feeder
    • Continuous Form

Features and Benefits

  • Designed for self-maintenance users
  • Low service and operating costs won’t significantly add to your bottom-line
  • Variable speed to maximize machine performance and match against the material and application complexity
  • Quick job changeover made possible by tool-less changes to all rails and guides and a motorized front table
  • Single operator machine with easy access to all mechanical devices allows for easy set-up between jobs
  • Long life-span means a quicker return on your investment
  • Insert raceway and insert area are designed to control material which reduces the number of jams
  • LCD displays to review machine throughput and job statistics
  • Missed or double insert pull and material jams alert the machine to stop
  • 6 & 12 station models are available
  • Insert wedges and T plates

increase insert material capacity

  • Ease-of-use and low maintenance

equals low cost-per-piece

  • Delivery options include:
    • Conveyor
    • Motorized belted turn over
    • InkJet
    • JETVision


This is a video from the Thanks Giving weekend. I went on a vacation during the long weekend with my family. We went to Poconos, Pennsylvania. This video shows the beautiful view from the back of the house. And a small firework activity with everyone at night. The second day the lake was frozen due to the temperature drop.


This logo represents my childhood and the love that was given by my family. When I was born  my grandmother gave my nick name Twinkle because she thinks I came to their life like a shinning start. And I was the first daughter in the family may be because of that they called me twinkle by love. Even though everyone called me by Twinkle at home  but it was never put officially on my birth certificate.

Quote Post Cards

1. For the first one I have used Noteworthy as my face type. I think this face type matched with the picture. The background picture was from last years winter. I took the picture while I was taking an uber to my home. This quote means everyone wants to hear the truth but few can tolerate it; as everyone doesn’t have same level of tolerance.

2.For the second one I have used Menlo as a face type for this postcard. I used this type face because it is a san-serif and it is looking good with the picture. This picture is from summer 2016. I went to a trip with my family at Lake George. It was fun and this picture has one of the more lovable view that o saw during that trip. This quote means that truth hurts, no matter how much it is important it is to let someone know that truth even if it better for their future or the present it is eventually painful.

3. For the third post car baskerville is the one which I have used for this post card. The picture that I have used for this is the one that I took this picture when I went on a trip for a class this semester. This is a view of the central park from the Columbus Circle entrance. And this quote means that while lies may be easier to handle but honesty is the best policy. It doesn’t matter if you can keep a smile through the lies but that will be known as fake smiles; where as but staying as a loyal person you may hurt that person but you can actually bring a real smile if they chose to accept the truth.

Cooper Hewitt collection DJ #26

  • monochromaticn — only one color is used here along its shade
  • analogous — purple and blue, magenta and purple
  • complementary — red and green
  • triad — purple, green, red 
  • tetrad — green, blue, red and magenta

Design Journal #25


formal — A Monochromatic Color Scheme is created by taking any oneof the twelve Hues from the Basic Color Wheel and repeating it in various Tints, Shades and Tones.

Source —

informal— when one color is used from the color wheel


formal– Analogous color schemes use colors that are next to each other on the color wheel. They usually match well and create serene and comfortable designs.


informal– any one of a group of related colors that are near each other on the color wheel.


formal– Colors that are opposite each other on the color wheel are considered to be complementary colors.


informal– the colors those are opposite of each other in the color wheel


formal– a triadic color scheme uses colors that are evenly spaced around the color wheel.


informal– three defined colors from the color wheel


formal– A four-hue color system that is balanced based on either a square or rectangle inscribed in the color wheel.


informal– when four colors from the color wheel

Design Journal #24

Prismatic color

Formal- Prismatic colors are the colors that can be seen when white light goes through a prism.


Informal- colors are visible when the lights are reflected.

Muted color

Formal- Muted colors are colors that are less intense.


Informal- when two complimentary colors are mixed.

Achromatic gray

Formal- An achromatic gray is a gray color in which the red, green, and blue codes are exactly equal.


Informal- complimentary colors are exactly gray.

Chromatic gray

Formal- A chromatic gray is a gray color in which the red, green, and blue codes are not exactly equal, but are close to each other, which is what makes it a shade of gray


Informal- complimentary colors are close to gray but not exactly the same.

Additive color

Formal-Additive color mixing begins with black and ends with white; as more color is added, the result is lighter and tends to white.


Informal-when the primary colors are mixed it turns white.

Subtractive color

Formal-Subtractive color mixing means that one begins with white and ends with black; as one adds color, the result gets darker and tends to black.


Informal- when the primary colors are mixed it turns black.

Bezold effect

Formal- Bezold Effect, also referred to as the “assimilation effect,” is an optical illusion where a color’s hue or value is affected by the color or colors surrounding it.


Informal- color is valued in differently with different color.

Color interaction

Formal-Color Interaction. pertains to the idea that color perception is dependent on color relationships. Simultaneous contrast. can be defined as the way colors interact and affect each other.


Informal- relationship between colors.