Prof. Jenna Spevack | COMD3504_D061 | Fall 2022
Paul Rand “Good Design Is Good Will” 1987 from  Graphic Design Theory: Readings From the Field page 64-69 and Steven Heller “Underground Mainstream” in Design Observer 2008.
At the top of the post copy and paste the following: Celebrating the African-American Practitioners Absent From Way Too Many Classroom Lectures by Madeleine Morley, Eye on Design, 2018, Typography as a Radical Act in an Industry Ever-dominated by White Men by Silas Munro, Eye on … Read More
For the midpoint of the semester, I believe I did as well as I could in the time that I allowed myself. There is room for improvement but the biggest thing for me will be repetition and constant practice that I hope to show through … Read More
In the outline document below, I explore the post modern and modern influence of movie posters and investigate some of the teachings and research used and created by creatives and artists that paved the way for us and their respective time periods
For my research paper I chose “THE-BEST-OF-JAZZ,” a poster by Paul Scher, an influential artist. This poster is a great example of universal systems and social engagement in how it emphasizes her ability to engage through use of type and composition. The layout is meant … Read More
Madeleine Morley; Master LászlĂł Moholy-Nagy Saw Photoshop Coming, 90 Years Ahead of Time (2019), AIGA Eye on Design, LászlĂł Moholy-Nagy; Typophoto (1925): Graphic Design Theory: Readings From the Field by Helen Armstrong on pages 32-34, Jan Tschichold, “The Principles of the New Typography” 1928: Graphic … Read More
F.T. Marinetti, “Manifesto of Futurism”; Aleksandr Rodchenko, “Who We Are: Manifesto of the Constructivist Group”; and El Lissitzky, “Our Book” are found in our main text Graphic Design Theory: Readings From the Field by Helen Armstrong on pages 19-31.
Hall, Sean. This Means This, This Means That : A User’s Guide to Semiotics, Laurence King Publishing, 2012 (Chapters 1 & 2) pgs 21-67.
Armstrong, Helen. Graphic Design Theory: Readings From the Field, Princeton Architectural Press, 2009. Pages 9-12
Technology becoming more widely accessible caused a shift in which designers had to adapt to stricter work as a result of the increasingly important role of … Read More
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