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Open Education Global 2018

OE Global

Tower of the Nieuwe Kerk on Canal

Tower of the Nieuwe Kerk on Canal. (CC-BY-NC-SA Jeremy Seto)

The Open Education Global 2018 conference was held in Delft, Netherlands April 24-26 at the Technical University of Delft (TU Delft).  A Multidisciplinary group (Amanda Almond – Social Sciences/Psychology, Jill Belli – English, Cailean Cooney – Library &  Jeremy Seto – Biology)  from City Tech presented on the Open Educational Resources at the College using the OpenLab as the platform for dissemination.

A street in Delft

Civil twilight in Delft. (CC-BY-NC-SA Jeremy Seto)

Markt Square planet

Markt Square as a globe for OE Global (CC-BY-NC-SA Jeremy Seto)

Reflections from the conference

City Tech @ OEGlobal18

Amanda Almond, Cailean Cooney, Jill Belli, Jeremy Seto following presentation “Building a Culture of Open Pedagogy from the Platform Up” (Credit: Ann Fiddler)

The presenters were asked to reflect on their experiences at the meeting.

What were you expecting of the make-up of the audience and how did your portion of the presentation reflect this? Where these expectations met?

Cailean: I was impressed with the large audience and there seemed to be a good representation of educational technologists, instructors, and librarians. I think each of our contributions offered complementary examples of intentional pedagogy built out of and for the City Tech community. I think for the audience to see the evidence of that at a programmatic, platform, and course level was really unique and invigorating.

Amanda: My expectations of the audience were met: most were educators/instructors/professors. (although there was no way to be certain). I suspect this was the case because my portion of the presentation was well received. Audience members enjoyed the detailed examples of using OERs to achieve interdisciplinary learning objectives as well as outcomes specific to health and disease prevention. My expectations were exceeded. I thought that my in-depth case study about my course would be perceived as an add-on to the OER training and OpenLab portion of our presentation; however, people responded very positively to how OERs enhances student participation, learning and expression, and self-efficacy.

Stadhuis Delft and Markt Square

City Hall and the main square of Delft from the top of the New Church. (CC-BY-NC-SA Jeremy Seto)

Jeremy: I wasn’t sure what to expect based on the diversity of titles and topics of other presentations. In the end, I felt there were a lot of Librarians in the audience and not as many instructors. I think the audience liked the different uses of the OpenLab for discipline specific dissemination of course material. I focused on course coordination and standardization of my material as outlined by the National Science Foundation, so I think I provided a perspective to the audience they weren’t necessarily anticipating. Overall, I think the diversity of our panel presentation represented our institution in a good light.

 

What events, talks or presentations had an impact on you during the conference about the direction of the OER initiative or enhancement of features on the OpenLab?

Amanda: I was most moved by the keynote speaker on the first day. Following the Minister of Education’s quote “we are to ensure that knowledge remains free for all, and not limited to just those with the buying power” was a representative from Kiron. This is a program/platform that serves refugees from war in 5 countries. Their online program affords 2-year degrees, with continuations at other universities, in degrees that are highest in demand (pertaining to the global market), for people displaced by war. This is entirely free and offers ample support, both educationally and socially, towards individual success. As this program grows, folks remain reflexive and keep the benefits of the students at the forefront of new additions and iterations. Combining mentorship and community in addition to advising and online courses with free materials; the Kiron program is aspirational and remains in need of institutional support from colleges around the globe. For me, this put into context the ethical and moral implications of OER initiative and the rapidly-changing world we live in.

The streets of Delft

The streets of Delft (CC-BY-NC-SA Jeremy Seto)

Jeremy: I was really moved by the Keynote (Kiron NGO) on the first day. As a free culture proponent, I’ve always looked at the Open Education Resources initiative as being centered behind social justice. Our student body at City Tech is so non-traditional, that access to education has taken a new meaning when I observed students coming to class without materials because they didn’t have their financial aid money yet. I’ve also viewed it the other way in which we can put the responsibility on students to be prepared by removing this financial obstacle. The discussion regarding the UNESCO draft recommendation on OER  was also enlightening. This was a great example of the international movement and support behind this social justice issue. 

Global Open Educational Resources Logo

UNESCO logo for Open Educational Resources. (CC-BY Jonathasmello

How does CUNY’s entry as a sustaining member of the Open Education Consortium impact the goals of Open Educational Resources and Open Pedagogy at City Tech?

Amanda:It showcases the work being done here.  It connects faculty to others with similar orientations to OER and pedagogies for continued support and identification of new materials. It helps to lessen the learning curve for those faculty whose disciplines are not inherently “tech”.  It provides perspective to where City Tech and CUNY fit into the global needs and goals of education for populations negatively impacted current knowledge dissemination driven by capitalist mores; rather than ones of social justice, restoration of people and affected communities, and ensuring success for our students.

Jeremy: The CUNY contingent also met with the new director of the Open Education Consortium. As we discussed our role as a University within this organization, I spoke about the coalescence of the various dialects of “open” that were being discussed during the conference. From the numerous talks, I began to see the limitations of what everyone was doing because Open Source Software, Open Hardware, Open Education, Open Data etc. would have the same desired outcome but unable to integrate fully with each other. As someone in a data driven field, the various talks illustrated to me how these dialects of Open were still partially partitioned from each other and the next step in the educational process would be to have better cross-talk. This is really important considering the new proposed majors that are coming into play at City Tech.

CUNY TU Delft Library

CUNY outside of the the TU Delft Library. Standing: Greg Gosselin (Interim University Dean of Libraries and Information Systems), Jeremy Seto (NYCCT – Biology), Jill Belli (NYCCT – English), Stacy Katz (Lehman – Library), Shawna Brandle (KBCC – History-Philosophy & Political Science), Nicole Williams (BCC – Library), Cailean Cooney (NYCCT – Library). Front: Mari Watanabe-Rose (Director of Undergraduate Education Initiatives and Research), Ann Fiddler (CUNY – Open Education Librarian)

TU Delft Library

Inside the TU Delft Library. (CC-BY-NC-SA Jeremy Seto)

The Open Education consortium

As a new sustaining member of the Open Education Consortium, CUNY presenters met with the the new Director Paul Stacey and Una Daly (CCCOER Director)to discuss the University’s role in the organization.

OER.info Interview

TUDelft sign

Jill Belli, Cailean Cooney and Jeremy Seto after their interview with OERInfo

An interview with Jill, Cailean and Jeremy during the conference can be found on this German language website https://open-educational-resources.de/das-city-tech-openlab-eine-offene-gemeinsame-plattform-fuer-die-campusse-der-city-university-new-york/


CC-BY OERInfo

Additional Links

 

3D printing in Arts & Sciences

A 3D printer was purchased through funds from MSEIP GRANT #P120A150063 awarded to the Math Department. Professor Johann Thiel has been printing physical manipulatives for use in various Math courses to illustrate approaches in Calculus to solve various problems.

Shell Method

Shell integration

Three models that illustrate the use of Shell Integration

These printed models illustrate the Shell Integration method for estimating the volumes of solids of revolution . Professor Thiel uses these when teaching integration in Calculus II (MAT1575).

 

Cavalieri’s principle

The following models illustrate  Cavalieri’s Principle: any two solids of equal height with identical cross-sectional areas have the same volume. In each image below, all three of the printed shapes have the same volume.

Cavalieri's principle (triangle)

Cavalieri's principle (square)

Cavalieri's principle (hexagon)

Biological Models

The Ultimaker was borrowed by Professor Seto to explore the various types of models that could be printed for Biology pedagogy.

If Lucy fell

If Lucy fell… (L) Human fibula and tibia. (R) Fragment of tibia from Austrolopithecus afarensis

The first model attempted was a human fibula and tibia combination. This was generated as a comparison for the second model, a fragment of the tibia from the Austolopithecus afarensis called Lucy. The file for printing was provided from eLucy as a result of re-scanning for the Nature paper Perimortem fractures in Lucy suggest mortality from fall out of tall tree (Kappelman et al., 2016). These models were created to illustrate comparative anatomy and evolution and led to the failed printing of Hominini skulls.

hominid skull

Partial Hominini skulls. Homo ergaster (bottom left), Paranthropus boisei (bottom right), Pan troglodytes (top)

Research

Smaller models were inspired by the personal research of Professor Chris Blair, an evolutionary biologist and herpetologist. Professor Seto identified an existing model of a horned lizard and assembled 2 additional models from existing CT-scans.

Phrynosoma

Desert horned lizard (Phrynosoma platyrhinos), Flat-tail horned lizard (Phrynosoma mcallii), Mexican horned lizard (Phrynosoma taurus)

Microbiology and Molecular Biology Pedagogy

T4 bacteriophage

Assembled model from 3D printed parts of Bacteriophage T4

A multi-part model with assembly required was generated for a T4 bacteriophage for use in Molecular and Cell Biology (BIO3620) to illustrate the parts of the virus and the pivotal role in identifying DNA as the inherited genetic material.

Near Field Communication

Since models already exist in some classes, the idea to enhance the experience of learning through integration of technology was attempted using NFC to re-direct to existing videos or OpenLab sites about the model. In the future, Professor Seto hopes to work with faculty from other departments to augment the manipulatives with more complex interactions.

References

Kappelman J, Ketcham RA, Pearce S, Todd L, Akins W, Colbert MW, Feseha M, Maisano JA, Witzel A. Perimortem fractures in Lucy suggest mortality from fall out of tall tree. Nature. 2016 Sep 22;537(7621):503-507. doi: 10.1038/nature19332. Epub 2016 Aug 29.

 

The Cantinas de Santa Maria: Illuminating a History of Performance in 13th-Century Seville and Toledo

Cantiga 170 (E)Cantiga 170. Cantigas de Santa María. Real Monasterio de S. Lorenzo de El Escorial, B.I.2. (códice de los músicos)

April 12 Works-in-the-Works talk by Dr. Christopher Swift (Humanities), reviewed by Dr. David Sánchez-Jiménez

SPANISH

Dr. Christopher Swift se adentró en el desconocido terreno de la representación artística de las más de 400 piezas musicales que contienen los cuatro Códices manuscritos de las Cantigas de Santa María en la luminosa obra del rey Alfonso X “El Sabio”, enmarcada en la oscura etapa de la Edad Media. Las Cantigas están escritas en galaico-portugués, una lengua hablada en Castilla en aquel tiempo y la mayoría de ellas cuentan los milagros sucedidos con la intervención de la Virgen María. A pesar de no contar con más documentos ni testimonios de esta representación más que con su propio conocimiento sobre el objeto de estudio y de la época en cuestión, el Dr. Swift presentó evidencias de una posible representación musical de las cantigas, ofreciendo al público asistente una serie de razonadas hipótesis basadas en las miniaturas y en los escritos del Códice.

Tras esta breve y precisa introducción, a continuación Christopher hizo una descripción de los cuatro códices de las Cantigas (códice de Toledo, códice de la Biblioteca de El Escorial, códice de Florencia y códice de los músicos). Swift comentó que el manuscrito recoge canciones genéricas de la época y otras originales compuestas por Alfonso X, aunque la discusión es perenne en cuanto a la autoría de las unas y las otras. Lo que parece quedar claro en el estudio de las miniaturas mostradas por el ponente es que se solían tomar algunas de las anotaciones recogidas en las cantigas mientras se improvisaban los temas musicales en la corte, la presencia de trovadores en la misma o de escenas musicales dentro de una iglesia -más evidentes en el Libro de Devociones-, así como la presencia de una representación teatralizada sugerida por el hallazgo de una escultura de la virgen con movimiento perteneciente a esta época.

Dr. Swift concluyó su presentación afirmando con rotundidad y acierto que las Cantigas no fueron creadas para permanecer escritas y formar parte de un museo, sino que eran la base de las representaciones realizadas en la comunidad cristiana, las cuales narraban las crónicas de la época con fines propagandísticos con el fin de agrandar la importancia de su figura y de expandir la trascendencia de sus logros en el campo de batalla y en el de las artes.

 

ENGLISH

Dr. Christopher Swift delved into the territory of the artistic representation of more than 400 musical pieces included in the four manuscripts known as Cantigas de Santa María or Songs of Holy Mary, which belong to the illuminated work of King Alfonso X “El Sabio” (the Wise) during the Middle Ages. The Cantigas are written in Galician-Portuguese, a language spoken in that period, and most of these songs refer to the Marian miracles. Relying on his deep knowledge and research on the said period, Dr. Swift discussed the musical representations of musical performance in the Cantigas, which provided the audience a series of substantiated observations based on the examples of the illuminations and textual pieces contained in the manuscript.

After the brief introduction, Dr. Swift made a description of the four codices of the Cantigas – the codex of Toledo, codex of El Escorial Library, codex of Florence and the codex of the musicians. Dr. Swift discussed that the manuscript contained some generic songs of that time, mixed with the original compositions of King Alfonso X. However, the subject on the authorship of the Cantigas is still heavily discussed. What proves to be clear though in the study of the illuminations showed by the speaker is that these were depictions on how they would take notes in the scrolls while improvising musical pieces in the Court, the existence of troubadours and other musical performances which would take place in the church – mostly evident in the Libro de Devociones – as well as the existence of a theatrical representation suggested by the discovery of a moving sculpture of the Holy Virgin belonging to this period.

Dr. Swift concluded his lecture by stating that the Cantigas were not created to remain neither as a written work of art nor as a piece in a museum exhibit, but to be the base of representations within the Christian community. These pieces chronicled the period with propaganda objectives in order to show the accomplishment of King Alfonso X during the war and in the arts.

 

NYCSEF Preliminary Rounds

On March 6, CUNY and the NYC Department of Education hosted Preliminary Round of the New York City Science and Engineering Fair at City College. Numerous faculty from the Mathematics and Biological Sciences Departments of City Tech were present to aid in judging the poster presentations.

https://flic.kr/p/EoNqn8

 

NYSCEF2016