Ethics Assignment | Entry 1

Being a communications and marketing intern at Lower Manhattan Cultural Council entails researching, creating, copywriting and sharing the art-related content on online platforms such as Twitter, Facebook, Instagram, and website homepage. This is also referring to 1-2 associative images per day that are being embedded with the social media posts, news articles, and monthly newsletters. From the very beginning of my internship experience, I was impressed and fascinated by how professional the communications team at my placement company was at handling the images, reaching out to the artists for permission as well as attributing the artists and the photographers alike.

At the beginning of each week, I am usually given a social media schedule that includes daily posts for all social media platforms and website news post updates. If the schedule is not already determined, then we do the online research on the alumni artist news and find the appropriate events/shows to promote. In this process, image selection is one of the early and the most important stages since LMCC strives to keep the overall look of its platforms fun, colorful and dynamic.

The screenshot #1 of LMCC Instagram page
The screenshot #2 of LMCC Instagram page

For every single image the organization has used for the social media post, there has been a rigorous practice of first getting permission from the artist/groups and then the accurate attribution in the image credit section at the bottom of each post. Since one of the goals of my internship organization is to promote the work of New York City artists, most of them are already within our network and can easily be DM’ed through Instagram or via email for image/repost permission. However, we sometimes had delays in responses and because of that, had decided against posting about the artist/show without getting the permission first.

The photographs I have taken of artists-in-residence at LMCC Arts Center at Governor’s Island have been shared multiple times on our and other NYC art residency-related pages and they all have been credited to me.

(Screenshot) Tony Sjoman, artist-in-residence, photograph by Salome Mindiashvili
(Screenshot) Ann Kim, artist-in-residence photograph by Salome Mindiashvili
(Screenshot) Ian Tousius, artist-in-residence, photograph by Salome Mindiashvili

The same thing with the 10K followers celebratory graphic post I have created for Lower Manhattan Cultural Council, my name was credited at the bottom of the post which shows the professionalism and artistic appreciation from my internship organization.

(Screenshot) 10K Followers Celebratory Graphic Post by Salome Mindiashvili

In the case of an unknown photographer, we always say “Image courtesy of an artist (name)”.

(Screenshot) Aya Ogawa, image courtesy of an artist
(Screenshot) Image courtesy of Lower East Side Printshop

I have learned so much from this rigorous practice of image selection and attribution that when using images in the future, I will always strive to adhere to these same rules in whatever direction I choose to go in my career path. Seeing my photographs/work being attributed to me has made me realize how important it is to always mention the author, not just for legal matters but out of sheer decency as well. Perhaps, I would never truly experience this special feeling without taking initiative in actively participating in this internship, taking photographs, or producing graphic work for various communications.

Author: Salome Mindiashvili

Hi there! My name is Salome, but people usually call me Sal. I am a young professional with experience in graphic design, advertising, and digital marketing. Currently, I am working on a degree in Communication Design to pursue my lifelong passion in the art of marketing and digital communications. My fascination with visual communications and the digital world started at the age of 13 when I launched Adobe Photoshop for the first time. I was previously interested in digital photography and the fact that I could modify or completely change the reality of my photos with the help of the program greatly excited me. Over time as I learned more about the importance of visuals and good design, I started reading books about marketing, branding, and color theory. At this point, I had already dropped out as an economics major from University in Bulgaria and was living in New York ā€“ one of the most inspiring cities in terms of many things, including great designs & history. During my first few years in New York, while I was still trying to settle in the city, I was rigorously working in many types of jobs. At the same time, I was focusing on and planning for my goal, which was a formal education in the field of visual communications. Six years after leaving Bulgaria and five years since moving to New York, here I am, pursuing my lifelong passion! My interest in the field has only gotten stronger with time, and now that I have made it this far, Iā€™m ready to learn as much as possible and enjoy the process of this opportunity as well.