Beginning Beloved

With the midterm behind us, we can begin looking forward to Spring Break. In the intervening week before Spring Break, we will begin reading and discussing Toni Morrison’s 1987 novel,  Beloved. Remember to get your copy: ISBN 978-1400033416. The City Tech bookstore still has copies, or you can find it in any bookstore. Look online if you want a used copy–you should be able to find one for only a few dollars. We have several weeks devoted to our discussion of Morrison’s acclaimed novel, and we’ll use the time to consider how our study of fiction can apply to a longer text, how we can bring research into our examination of the novel, and can even consider film within our study of narratives–all really exciting opportunities.

By next Wednesday, April 1, please read through page 100. If you want to get started before you have a copy of the book, you might start reading here, but I expect you to have a copy of the book that you can mark up in class. In case you start there, our reading for the week ends approximately halfway through Part 1 with the words “‘That’s pretty, Denver. Real pretty.'” You can use the find function to locate the end point for the week.

For our discussion (due Sunday night, 3/29), there are so many directions we can go, and collectively we can cover a lot of material if we don’t duplicate each other’s comments but instead build on each other’s comments or move the discussion in a new direction. If your comment contributes to what someone else has added, please reply to that comment so we begin to group together like topics. To get started, let’s each choose something from the list below to focus on:

  • setting
    • location
    • time
    • social or cultural situation
  • characterization
    • who are the characters? focus on one to bring them into our discussion
  • narration
    • who is the narrator?
    • is the narrator consistent throughout these chapters?
  • imagery
    • what descriptive language helps you visualize the story?
    • do you see symbolic meaning in the descriptions?
  • themes
    • choose a theme that has begun to emerge and trace it in the story so far
    • do any of the themes connect to our previous readings?
  • quotations
    • are there any passages that stand out to you that you want to bring to the class’s attention?
  • questions
    • what questions do you have for clarification?
    • what questions do you have to move our discussion forward?

 

A comparison of The Stoy Of an hour to Richards worst day

Richard’s worst day by Keith Smith: Project 1

Personally I feel that “The Story of an Hour” is best told by Louise Mallard. To go through her emotions and feelings, really shows me the life of women in the late 19th century. At first you really think that being married is wonderful You have a home and children. You have a man who supports you. You are able to do things together, and you are never alone. So I have to assume that marriages were looked upon as the completion of becoming an adult. I would also assume that if you were not married, you might go through personal and public scrutiny. Lastly I would assume that the parents of the woman would chase away would be suitors, (which might be the woman’s true love) so she could marry into a better husband.

I decided to change this story to Richard’s view to show the uncomfortable position of a man in an emotional setting. I would know that as he was giving the news to other women he experienced a nauseous feeling from their reactions. But to tell the wife of his friend had to be very hard because it was more personable. He knew them well and could not tell her. Plus the fact that this is where he finally had to accept his own personal loss. The loss of his friend, Brently. This also enabled me to really tell this story in a unique way. What was Josephine going through, and what was he going through. I also need to show how Louise’s epiphany of having a new life, really made her happy. Josephine did not seem to realize this herself, the way the story was written. So I wanted to show a neutral view on what took place. I made him unmarried to portray a working man who has only his work to come home. I was trying to emphasize his uncomfortability with Louise.

I decided not to bring up the heart symptoms until it needed to be brought up. Because I know that when I read that in the first line of the story, I knew it was going to be the deciding factor of the ending. So I was not surprised when she died. I felt that if I am writing about Richard’s worst day, it was not about Louise. From the news of his colleagues dying in a horrible accident. The death of his friend. To witnessing Louise’s breakdown and death. And Brently going through a frightened panic of his wife’s death. I feel this would be a horrible day for anyone. By telling this story through Richards, I was able to show that even through all these emotions it would not be the cause of death for Louise. I was trying to show that Louise’s death came from losing the joy, of her of being finally happy. I felt that the confusion that Richards had, of seeing happiness on Louise’s face, was not something he expected. Changing the characters around really showed a different kind of story. The original was very eye-opening on Louise’s views of being married and the news of becoming independent. Where, as my story, is about a man and his uncomfortability with bad news, and events.

 

I also wanted to show more of Josephine. How she had to talk to her sister. How she wasn’t sure of what to do about her sister’s emotional health. Maybe I could have revealed what she knew about her sister’s unhappiness with her marriage, but I felt that the original story just did not leave me enough content to say it was true. Also when Louise finally came out, she held Josephine around the waist and walked with her. There was no mention of Josephine seeing the emotional change that Louise had. That was another reason I picked Richards. He would see the difference. I assumed there were vehicles in the story so I changed it to a horse drawn cart. How else would the doctor get there. Josephine had to get him. This also enabled me to keep Richards at the scene to really show his horrible day becoming worse. I also needed to change the ending that I had, to portray his point.

All in all I see now why authors choose how they write their stories. By telling them through a specific narrator, they can really provide a better picture of what they are trying to portray. They are able to provide the scene, thoughts and emotions. Using a reliable and unreliable narrator can give their stories a different feel. Allowing the narrator to use only the main characters thoughts only gives you an insight of how things unfold. In a story of an hour, it all made sense. Using a first person like I did, can only give you a certain feel of what is happening and changing the whole story around.

Richards Worst Day by Keith Smith

It was the worst day of my life. As I looked on, I could only feel the sadness of losing my friend Brently. But somebody had to tell her, and I was so glad that Josephine was there. Josephine was her sister, and I think Louise already knew that there was something wrong. Why else would Josephine and I appear at her home? But in a very careful way Thank God, she spoke slowly looking at her with teary eyes, as the words started to take meaning. “Louise, I have some bad news, but I feel I should be the one to tell you. Brently was on a train and well the train had a problem. Louise I’m very sorry to say that he did not make it.” At this point I looked down, I felt so helpless, and then I heard Louise cry uncontrollably and Josephine just grabbed her and held her close. The crying just continued and it tore me up inside because now the truth was so painful. My friend was gone and a lot of my associates that I had worked together with for a long time. Well I would never see them also.

Louise’s crying turned into sobbing as she let go of her sister. She then turned around and walked slowly to her room. Josephine decided not to walk with her, probably because she knew her sister just needed to be alone. I heard the locking of the door, which meant she was probably right. At that point I looked at Josephine, and said “ I‘m really thankful that you came with me. I don’t think I could have done this. Do you think she will be OK.” “ No” she said, “I mean nobody who loses their husband would be.” I then realized the stupidity behind that question. It was just I had never been married. But she was right. At that point, I asked her if she was going to stay with her. She said “maybe I can take her to my home for the night. I certainly don’t want her to stay here it might just make her even sadder.”

“Well, I think you are right. Maybe you could take her on a little getaway. It probably would be good for her.” She just looked at me, and I could see the wheels turning as what she should do next. “Yeah maybe a trip to the city or something”, she said. “But now we are going to have to make arrangements for his funeral, and then yeah a trip to the city.” She started to sob, and then said “I should go check on her.” “Yea that would be a good idea I guess”, I said. “I’ll wait here let me know if you want me”. I was hoping she wouldn’t. She said “Thank you I’ll be back.” She then walked toward her sister’s room.

She knocked softly and said “Louise, can I come in?” There was no answer. She knocked again, but louder. “Louise are you OK please let me in.” Again there was no answer. I got really scared at that point, because Josephine had told me that Louise had a heart condition. I saw that Josephine started to panic, and I said “can you hear her?” “Yes she is moving around.” She then got on her knees and put her mouth to the keyhole and said excitedly, “Louise open the door! I beg; open the door—you will make yourself ill. What are you doing, Louise? For heaven’s sake open the door.” And then I heard Louise.” Go away. I am not making myself ill.”

Well I am glad that she was alright, and my fear lifted. The emotions that swirled around me made me light-headed. And then I heard Louise unlock the door, and as she opened it, she came through and put her arm around her sister’s waist as if she was consoling her. There was something different about her. She walked erect and had this look like nothing happened. She almost seemed happy, but that couldn’t be. And yet the closer she came to me, she really seemed happy. I could not understand why though. Did Josephine notice it, I wondered.

All of the sudden I heard a noise behind me. It was the sound a latchkey and it was opening the front door. No it couldn’t be! They had confirmed his death in a second telegram. The door opened and to my surprise it was my friend Brently, and he was alive! And then I remembered his wife Louise and the uncontrollable sadness that she went through. Then I heard Josephine’s high pitched cry and I started toward Brently to take him outside, so I could explain to him what was happening. There was a thump and I turned around to see Louise had fainted and was lying on the floor. Brently rushed past me to aid his wife and yelled, “get a doctor here right now,” and before I knew it Josephine was out the door and in her cart. The horse drawn cart turned and headed down the road.  I turned around and asked;” is she OK”, and Brently looked at me, his face lost all color, and he started to cry. What was going on? Why was he crying? He kept repeating himself through his tears “Louise wakeup please Louise wakeup” as if he was trying to will her back to life. “Brently is she OK”, I asked again. But he didn’t hear me; he just kept talking to Louise: “Wakeup Louise Please wakeup.” My mind started racing with bad thoughts and I got down to help Brently.” C’mon let’s get her to a couch”, but he just pushed me away and kept rocking with her head in his lap.

When the doctor finished examining Louise, he motioned for Brently and Josephine to come with him. They were both crying still but I heard him tell them, “she seems to have suffered a heart problem and I cannot do anything else.” He then said “if what you told me Josephine, was true she probably was overcome with joy that Brently was alive. She did go through an emotional ordeal, and maybe it was too much. I will make arrangements to have her taken to the morgue”. It was a very bad ending to my day, even though Brently was alive, he lost his wife, who was also my friend. When I left, I realized that this was the worst day of my life. I left and got drunk.

Idyllic

idyllic

very peaceful, happy, and enjoyable

Used in Charlotte Gilman’s “The Cottagette”

“Don’t be foolish, child,” said Lois, “this is serious. What they care
for most after all is domesticity. Of course they’ll fall in love with
anything; but what they want to marry is a homemaker. Now we are living here in an idyllic sort of way, quite conducive to falling in love, but no temptation to marriage. If I were you–if I really loved this man and wished to marry him, I would make a home of this place.”

“The Yellow Wall-Paper” And “The Cottagette”

In “The Yellow Wall-Paper” by Charlotte Perkins Gilman, it talked about how a husband and wife moved to a new place to live because of the wife’s health. In the house she spots a wallpaper, and every night she would feel uneasy because how it looked and felt something was wrong with it. I feel that the wallpaper symbolizes herself. For example she said “a night in any kind of light, in twilight, candle light, lamplight, and worst of all by moonlight, it becomes bars!”(p65) and “By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still.”(p65), because at night she would freak out and complain to her husband that the wallpaper is bother her and something is weird about it. In the morning she would be calm and quiet that nothing was going on. Another example would be when she said she saw a women behind it. I feel like the women is her because she said that at night the wallpaper would become bars and in the story she is trapped in the room and can’t go anywhere because of her health. So when she ripped the wallpaper down on the day when she was going to leave, showed that she was finally set free from being confined in that room.

In “The Cottagette” by Charlotte Perkins Gilman, started off by Malda who was getting love advice from her friend Lois since she was married before, but now divorced. Lois said “but what they want to marry is a homemaker”, telling her that Mr. Matthews would love her if she does the chores around the house. So then she started cooking for him, but from all the cooking and cleaning she never got time to do what she really wanted to do which was draw. So one day he took her out to a picnic and told her to stop cooking and go back to doing what she loved, that he would still love her even though she stopped with the chores.

One thing I wanted to point out in the story when it said “Then Lois unfolded her plan. She had been married, –unhappily married, in her youth; that was all over and done with years ago; she had told me about it long since; and she said she did not regret the pain and loss because it had given her experience, She had her maiden name again-and freedom. She was so fond of me she wanted to give me the benefit of her experience–without the pain.”(p50), reminded me of “A Story Of An Hour” because they were both similar in a way. Mrs. Mallard figured out what freedom was when she found out her husband died and that she was single again. Lois on the other hand found freedom by getting a divorce because the marriage was unsuccessful. Both women faced pain and and loss, but they found freedom and also got their maiden names back.

“A Rose For Emily”

In “A Rose For Emily” by William Faulkner, you can see that Emily had power. She was told countless times that she had to pay taxes and even even received many letters telling her to do so. When they visited her house to tell her upfront that she had to pay taxes, she said “I have no taxes in Jefferson. Colonel Sartoris explained it to me. Perhaps one of you can gain access to the city records and satisfy yourselves.”(p2 section 1). Even owning a butler shows that she has power because she orders him to do things that she herself would not do. Another person who had power was her father. Her father had driven away all the young men that were around Emily.(p3 section 2) I felt that the people who hopped into Emily’s yard to fix her odor problem has power. They complained many times to Board of Alderman saying that her place smelled bad, but in the end the Board of Alderman did nothing. So at night they would sneak into the yard and sprinkle lime to erase the harsh odor.

The people who didn’t have power were the Board of Alderman, who told Emily to pay for taxes. All the times they told her to pay taxes she never did and wounded up with nothing in the end. I felt like Emily herself was powerless against her father because she had no contact to boys when she was young and had to do whatever he told her to do. She was also being talked about because she never stepped outside of her house and not even been with a man even though her father has passed.

“A Story Of An Hour” & “A Jury Of Her Peers”

In “A Story Of An Hour” by Kate Chopin and “A Jury Of Her Peers” by Susan Glaspell both protagonist have different actions taken towards the death of their husbands.

In “A Story Of An Hour”. Mrs. Mallard, who was afflicted with heart trouble found out that her husband died from a railroad disaster. Immediately she started to weep in sorrow because she lost the person she loved the most. She would confine herself in a room feeling depressed that shes going to be all alone from now on. She then burst out saying that she was finally free over and over again “Free! Body and soul free!” (p2). I felt like she was repeating it over and over again because she can’t face the fact that she’s going to start a new life by herself now that she didn’t know what to do because she usually does it with her husband. Her emotions are building up at this point and then she sees her husband walk through the door unharmed, it was too much for her to take in due to the fact that she has heart troubles, she dies.

In “A Jury Of Her Peers” by Susan Glaspell, Mrs. Wright was taken into custody because Mr. Hale found her husband dead in bed with a rope around his neck. When Mr. Hale confronted her and asked her what had happen and who did it, she simply just laughed (p261). She showed no emotion due to the fact that her husband died, implying that it was her who killed him. Throughout the story it showed the events that led her to killing her own husband. For example when Mrs. Hale and Mrs. Peter found the quilt they noticed that one of the stitching was poorly done saying that when she was doing it she was nervous. Shows that she was thinking about killing her husband if she should do it or not. Another example would be when they found the dead bird in the box. Shows that she had enough of how her husband didn’t like her to sing so she had to do something.

Homework for the Midterm Exam

Rather than writing a blog post for homework this week, I ask that you spend that time preparing for the midterm by preparing your quotation sheet. This is a sheet that you will bring to the midterm. It should have your name and the quotations you will use to respond to any of the three questions that you have prepared for. It should not list the text names and authors, since you will be tested on that material in the identifications in Part 1 of the exam.

As you prepare, think about what passages from the stories best support the comparison you want to make. If you have two passages for each of the two texts for three essay topics, you might have as many as 12 quotations. Some quotations would work for more than one topic, so you might find that you don’t need 12, but instead 11 or 10. For example, you might draw on similar material to write about confinement as you do to talk about illness, so that there is overlap in the materials you have prepared for those topics.

Please make sure you have voted for your first choice among the topics–there is a poll in the sidebar of the site. I’ll take those votes into account as I choose the three of the five choices to include on the midterm exam. You will then choose one of the three topics to respond to in an essay. I may edit them to make them more consistent, but the ideas will be the same.

If you have any additional questions, please continue to add them to our discussion. Good luck with your preparation!

Young Goodman Brown – Project #1

Rewrite

I came out at sunset into the streets of Salem Village where I met my beautiful wife, Faith. At the sight of her I could tell that my presence would please her more then to see me part. As we met, we kissed while the wind played with pink ribbons on her cap, enhancing her beauty which only made the tensions of my departure grow.

“Dearest heart” she whispered, softly and rather sadly, “pr’ythee, put off your journey until sunrise, and sleep in your own bed to-night”. As much as I would rather be with the loving comfort of my wife I most continue on my journey. Continuing she said “A lone woman is troubled with such dreams and such thoughts, that she’s afeard of herself, sometimes. Pray, tarry with me this night, dear husband, of all nights in the year!”

Little did she know how much she did move me, but the call of duty was upon me as I was dedicated to answer and to see what awaited. “My Love and my Faith” Trying my best to bring forth the trust and love she had for me to the surface, “My journey, as thou callest it, forth and back again, must needs be done ‘twixt now and sunrise. What, my sweet, pretty wife, dost thou doubt me already, and we but three months married!”

I stared as she gazed into my eyes, as if she was searching for the hidden truths behind my words. An overwhelming swallow came upon me “Then God bless you!”- I shook suddenly- “and may you find all well, when you come back!” she said.

I smiled uncontrollable at the furry hidden in such a gentle woman that was wrapped with patients and understanding. Faith, as one may call it. “Amen!” I cried. Maybe trying to startle her just the same, but unsuccessfully. “Say thy prayers, dear faith, and go to bed at dusk, and no harm will come to thee” and we parted.

I was now on my way through the forest which was torture at its purest definition. I once had the privilege of company along my journey but I caused my own loneliness. Goody Cloyse and her companion guided me through majority of the woods when suddenly I stopped abruptly and gave in to my own fears to continue on. Driven by fear but once again, going back to this unforeseen location saturated with terror I somehow seem to fly away from the diamonds that had took chase.

Suddenly I came upon what can only be described as a towns meeting but of unusual characteristics. The dammed mingling with the priests, the righteous with the witches and all commanded by a figure ahead. The figure- surrounded by giant burning trees that resembled giant touches- commanded authority and received as the crowd sang in harmony. I was baffled.

“Bring forth the converts!” I froze. Then despite my fears my body moved as if my soul was being taken to what can only be described as an altar ahead, I gave in. As I walked I can see my dead father- I am sure it is- and he calls, beckoning me to advance. “Mother?!” “Is that my mother too” I said softly. Looking ahead I watched this familiar figure that only showed despair, throw out her hand to warm me back but It was far too late for me to heed mother’s warnings. I continued without rethink or even trying to find the will.

 

The minister and good old Deacon Gookin took hold of my arms and led me to the blazing rock. Then appeared the pious teacher of the catechism, my old teacher, along with Martha Carrier, a woman that was known to have accepted the devil’s ring itself. Something was starting that I could not fully comprehend. Confusions took hold of me as I felt the presence of evil. Skimming through the faces at last I found Faith!. “Welcome, my children,” said the dark figure, “to the communion of your race! Ye have found, thus young, your nature and your destiny. My children, look!” A large wind took hold and the crowd turned.

Flashing forth, as it were, in a sheet of flame, the fiend-worshippers were seen; the smile of welcome gleamed darkly on every visage.

The figure in font spoke once again “There are all whom ye have reverenced from youth. Ye deemed them holier than yourselves, and shrank from your own sin, contrasting it with their lives of righteousness, and prayerful aspirations heavenward. Yet, here are they all, in my worshipping assembly! This night it shall be granted you to know their secret deeds” I was only amazed at what was to come. My thoughts were broken as the figure somehow continued to expose the horrors of the towns’ people’s past, only to convince us of our obvious joined evil’s revealing the horrors which would make the righteous scorn.

The silence of my mind was interrupted as the figure announced. “Far more than this! It shall be yours to penetrate, in every bosom, the deep mystery of sin, the fountain of all wicket arts, and which inexhaustibly supplies more evil impulses then human power – than my power, at its utmost! – can make manifest in deeds. And now, my children, look upon each other”

But Faith! Where is Faith? My pale face took sight of my wife the voice said once more “ Lo! There stand, my children!” In one motion, the shape of Evil dipped his hands in liquid that strongly resembled blood to continue laying the mark of baptism upon us. As the hand laid rest, and as my last conscious thoughts vanished I managed to manifest “Faith!, Faith!” I cried, “Look up to Heaven, and resist the Wicked One!”


As bizarre as it may be, I have never dreamed so vividly that my own faith struggles to hold on to my soul. Like a bewildered man I stumbled into town only regaining full awareness as I saw familiar objects and faces. The memories of the event flashed back continuously, tormenting me.

“how can I find my ‘faith’ now!?” I asked unsuccessfully, with only the wind as my reply

Minutes turns into hours, hours into years; life continues. My wife was subject to my own scrutiny where I could not fully explain its origins. I labeled the town as pure hypocrites for matters that were never disclosed. As for myself, I was a vast field where gloom flourished continuously and thrived; Life continued and so did I, everyday making me a bit more weary.

 

 

Essay

In the story Young Goodman Brown we find a man by the name of Goodman Brown who left his newly wedded wife to partake in a journey through the woods that he hoped would have reassure his faith in God. Throughout his journey he was troubled with feelings of concern and worry as he tries to decipher the horrors that laid ahead of him. Only the word of his companions helped him through the walk, clinching onto their promises that he will be unscathed once his destination was reached. Once upon his destination he found himself in sheer awe at the events that his eyes beheld. He was brought to an altar that was laid in front of him where Goodman and his wife was consumed by the powers of the “Dark One”. Whether he hallucinated or not Goodman was never the same for the days to follow.  As strange as it may have seemed, as the story came to its ending we watched Goodman grip to the belief that the town’s people had partook in the Devil’s communion.

Nathaniel Hawthorne, the author of Goodman Brown, writes in the Third Person Limited Omniscient point of view. Through this Hawthorn is limited to the thoughts of others which is only through the view point of the protagonist. With this limited form of narrating, Hawthorne uses imagry to project an idea that can not be express through the protagonist.  In comparison to the original story of Young Goodman Brown, the retelling was written in auto diegetic which is presented through the first person point of view. This point of view is strictly limited to the views of the protagonist as he sees, experiences and thinkings. This means that if it doesnt happen to our protagonist then it is not experience by the reader. Through this imagery can also be used as a powerful technique to expand on ideas that cannot be shown through the experiences of the protagonist. This presents a similarity between both writings of how imagery plays a crucial role in enhancing the quality of both narrating styles.

Through Hawthorne’s writing style we can see that he doesn’t branch off too far into the thoughts of other but uses subtle hints about the scene and the people that are present to project its meaning. This was shown through the imagery of the town’s gathering where Goodman Brown found himself in awe at what was presented before him. The narrator uses the thoughts of Goodman Brown, hints about personalities of the town people and imagery to show the true nature of what was taking place. Initially Hawthorne states “In the interval of silence, he stole forward, until the light glared full upon his face. At one extremity of an open space, hemmed in by the dark wall of the forest, arose a rock, bearing some rude, natural resemblance to either to an altar or a pulpit, and surrounded by four blazing pines
 Among them, quivering to-and-fro, between gloom and splendor, appeared faces that would be seen, the next day, at the council-board of the province, and other which, Sabbath after Sabbath, looked devoutly heavenward, and benignantly over the crowed pews, from the holiest pulpits in the land.” This portion of the story was Goodman’s first exposure to the true nature of what was ahead but through this the narrator draw the reader in with the imagery to project an ominous feeling. The pine trees that were a blaze allowed the reader to take Goodman’s previous thoughts of terror in the woods and solidify them into the concept of the story.

Regarding the rewriting we can see that the narrator used the auto diegetic narrative style. This style is limited to the protagonist himself/herself. Through this the reader is trapped within the protagonist’s feelings, thoughts, actions and what he/she sees. Due to the limitations presented with this style of narrating, I adopted the technique of imagery from Hawthorn’s original of Young Goodman Brown. Through this I expanded on what was said with an image that complimented what was trying to be portrayed. The initial paragraph of the rewrite was constructed to enhance the image of Faith to compliment how difficult it was for Goodman to depart. For example “I came out at sunset into the streets of Salem Village where I met my beautiful wife, Faith. At the sight of her I could tell that my presence would please her more then to see me part. As we met, we kissed while the wind played with pink ribbons on her cap, enhancing her beauty which only made the tensions of my departure grow. “Dearest heart” she whispered, softly and rather sadly, “pr’ythee, put off your journey until sunrise, and sleep in your own bed to-night”. As much as I would rather be with the loving comfort of my wife I most continue on my journey. Continuing she said “A lone woman is troubled with such dreams and such thoughts, that she’s afeard of herself, sometimes. Pray, tarry with me this night, dear husband, of all nights in the year!” This example shows imagery and the auto diegetic narrative working hand in hand to enhance the mood of that single moment. Through this the reader is instilled with the understanding of their passion which also adds for dramatic effect for the finale aka his final experience in the woods.

 

 

 

‘   The  Story  of an  Hour’, who is the protagonist, which is Ms Mallard, who I think is dealing with her husband death is taking it hard like anyone else would feel if they lost their love which will happen in life. But on the other hand people, some  people can change their ways of thinking bad things about people. for example, the wife was kind of giving us an impression that she was relieved of his death.in reading the story of the hour it seems like the two couples in the story was both having problems with their relationships. One couple wanted to escape there relationship and not deal with the problems it was having and the other relationship they were having problems as well. In reading the conclusion of the story, it was told in a third person telling the story.