Category: Coffeehouse #1

Perfect and Unrehearsed”-Ranold D

In Teju Coles’ essay “Perfect and Unrehearsed” I feel as if Suzhou Creek by Henri Cartier-Bresson is a portrait photo and a documentary too. The photograph has people holding up a cross while at the same time, you see what they’re doing which makes it a documentary too. The reason for me choosing the second photo was the way I look at it it’s kinda funny to me. It looks like the people were working hard all day by the docks which I can only assume that their probably fishing. As you see everyone else still working you see another guy who looks like he’s tired and wants to go home and he just doesn’t want to be there. That’s why it was funny to me because as soon as I go into I just don’t wanna be there. The dominant impression is the cross in the photo. Other than the guys sitting on the doc the cross was the first thing that caught my attention. The reason it probably caught my attention is because religion is a big part of life which made me attracted to the cross first.

Kaydin Chappel “Perfect and Unrehearsed”

In Teju Coles’ essay “Perfect and Unrehearsed”, my favorite photo was Suzhou Creek by Henri Cartier-Bresson. I definitely considered this photo to be an art style photo. However with more historical context on Suzhou Creek one could argue that it was a documentary photo on the working culture of the area. Cartier-Bresson was originally inspired to publish his The Decisive Moment, by Martin Munkacsi’s Three Boys in Liberia because it showed him “photography could reach eternity through the moment”. This was particularly interesting to me as I interpreted the quote to highlight Cartier-Bresson’s epiphanic appreciation for photography’s ability to eternalize a moment in time. This directly translates into Suzhou Creek as it appears to be a ‘day-in-the-life’ for these men, even the compositional techniques are ‘unrehearsed’. The poles create leading lines and as Coles puts it “a kaleidoscopic coherence” with working men in the middle and an older man relaxing in the foreground. Following the lines as they cross and weave through each other we can see the clutter of the workplace materials and varying expressions of the workers. It makes me wonder what are they doing? What are the poles for? The anchor is atop the boat so are they moving or stationary? All of these questions posed from one photo, this snapshot of one tiny moment of these men’s lives can help viewers peer into what their lifetime might’ve looked like. I continue to emphasize the phrase “to me”, because as Teju Cole stated “There is no single right answer, just as there’s no photographic formula”, this is what made Cartier-Bresson’s The Decisive Moment one of the most influential photography books ever. It is because it is understood that to some Suzhou Creek isn’t ‘perfect’ and the commotion of the photo can be perceived as an overwhelming disaster, but photography as an art form is so innately subjective that it can only be analyzed with fluid and undefined terms like perfect.

“Perfect and Unrehearsed” Lettssi Sandoval

In Teju Cloes essay “Perfect and Unrehearsed”, my favorite photo was Three boys in Liberia by Martin Munkacsl/ Howard Greenberg Gallery. This photo can be defined as many things as possible but to me it is documentary photo. Documentary photos capture the beauty of real-life stories or events in its nature. Three boys in Liberia, is a snapshot of three young boys enjoying the lovely waters of Liberia. The photo gives a sense of joyfulness and freedom as they seem to be running into the water ready to swim away and enjoy their youth. We can say the dominant impression are the colors of the photo. The only colors we see are black and white. But although we can’t see any facial expressions, we can see hand gestures and water splashes on the sand which is the main idea, that although there is barely any color to this photo, we are still able to capture its true nature. To me, the decisive moment is kids being kids, even as adults we can feel the energy of freedom and happiness these children are living and think about a time in our lives, we had a similar moment of carefreeness.

Henry Avila “Perfect and Unrehearsed”

In Teju Cole’s photo essay “Perfect and Unrehearsed” one of my favorite photos is “A young Haitian man grieving at the funeral of his mother in Port-au-Prince, Haiti ” by Maggie Sterber/Redux in 1987. This a Documentary photo that tells about a man grieving to his mother and how devastate he was. This photo shows how the son is being assisted and supported by his people, which can be friends or family members. It also shows how disbelief and sorrow he is from losing someone he loves. The photograph highlights the intense emotions of grief and mourning. It provides a window into the personal pain of loss. Also By capturing the scene in Port-au-Prince, the capital of Haiti, the photograph may reflect aspects of Haitian funeral customs and mourning practices. The way the funeral is conducted, the symbols, gestures, or even the setting may offer insight into the way Haitian communities honor their dead and come together to cope with loss. It may showcase the significance of family and community in the grieving process. The central event is a funeral, specifically the funeral of the young man’s mother. He is experiencing a range of intense emotions, particularly grief and sorrow.

“Perfect and Unrehearsed”

The fifth image on page 3 of the PDF version of Teju Coles’ essay “Perfect and Unrehearsed” is my favorite photograph from the entire essay. With each person in the picture appearing to be in their own little world, this picture has the feel of a documentary photo. Everybody seems to have a story to share; a completely different story may be told about the man smoking a cigarette close to the girl’s face in a deep darkness or the woman standing at the doorway wearing a red and blue dress. Even with the donkey in the photograph it serves as a visual indicator that the people living there live a hardworking, modest, agricultural, and rural life. The woman is facing sideways, her cheeks glowing with perspiration from an exhausting workday. Her head is tilted to the side, as if something interesting is drawing her attention, and her shining complexion alone may convey a lot of understanding. Just comprehending the boy in the shadows would be necessary. In this case, does he purposefully stand in the shade to avoid being photographed, or is he doing so out of discomfort, perhaps even to avoid the heat of the sun. As mentioned, there are a variety of stories from a variety of people that may be interpreted from this photograph, but the general idea would be that these people are hardworking and live a rural life, this is portrayed through context clues.

Teju Cole’s photo essay by Johnson Yeung

In Teju Coles’ essay “Perfect and Unrehearsed,” one of my favorite photos in his essay was “A Young Haitian man grieving at the funeral of his mother Port-au-Prince, Haiti.” By Maggie Steber / Redux 1987.  The photo type for this is a documentary photo as it records the events that transpired and could be a story. From the title of the photo, I can infer that the photo is trying to tell a story about the man dressed in a black suit mourning the death of his mother. There we have his supposed friends who are hugging him, helping carry him onto his feet and are sad with him in the photo. In the photo, the people around the man were dressed formally and some of them holding the cross of Jesus Christ for a funeral. The dominant impression that I had for this photo is the overwhelming sadness of the man as people around him are helping him off the ground since he is having a breakdown due to his mother’s death as stated by the essay. Some of the people are trying to comfort him While others have a dark sad expression as they all seem to march forward for the funeral.